"Drunken Pavilion" is an essay written by the Northern Song Dynasty literary scholar Ouyang Xiu, from the "Ouyang Wenzhong Gongwen Collection". The whole text runs through a "happy" word, which contains more complex and tortuous content. One hints at the feeling that a feudal magistrate can "enjoy with the people", and the other hides unspeakable bitterness behind the sending of love to the landscape.
At the age of forty, he called himself a "drunkard" and traveled frequently, coupled with his various performances of "drinking less and getting drunk" and "decadent in the middle", all of which showed that Ouyang Xiu was using the pleasure of landscape and water to dispel the bitterness of his life. The author is drunk in two places: one is intoxicated by the beauty of the landscape, and the other is intoxicated by the pleasure of the people.
Yan style set characters | Drunken Pavilion (Excerpt)
Ring chu is also mountainous. Its southwest peaks, the forest is beautiful, the look of the blue but deep show, Langya also. After six or seven miles of mountain travel, I gradually hear the sound of water gurgling and pouring out between the two peaks, and the brewing spring is also. The peak loop turns, there are pavilion wings on the spring, drunken pavilion also. Who is the pavilion maker? Mountain Monk Chi Senya. Who is the name? Too self-proclaimed also. Taishou and the guests came to drink here, drunk less, and the year was the highest, so they called themselves drunk. The meaning of drunkenness is not in wine, but also in the mountains and rivers. The joy of the landscape, the heart and the wine of the apartment.
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