Su Xiaojia, a native of the ancient city of Xi'an, is a member of the Zhejiang Provincial Artists Association. He graduated from the China Academy of Art with a bachelor's degree in 2012, was admitted to the Chinese Painting Department of the China Academy of Art in 2013 with the first overall result, under the supervision of Professor Zhang Gumin, and graduated from the China Academy of Art in 2016 with a master's degree. His graduation work "Walking with God" won the "Chongli Art Award", and his work "Taishun Yuwen Bridge" was collected by the School of Chinese Painting and Calligraphy Art of China Academy of Art.
Su Xiaojia said that food injects nourishment into my body, and spiritual nourishment can only be given to me by love and art. Although the road to learning painting is arduous, the spiritual harvest is unparalleled, which makes me more determined by my artistic ideals and pursuits, and I will continue to explore and innovate on the road of art in the future, and strive to add a meager force to the road of Chinese painting art.
Xiao Jia was born in the ancient capital of Xi'an, and in the year of Zhen Zhi, his family went to Xinjiang to live, and then studied in Qiantang and lived there ever since. His temperament has the enthusiasm and sincerity of the northwestern people, and also the gentleness and tranquility of the Jiangnan people. She is strict with herself, learns from yin yin, studies calligraphy and painting, and strives for perfection. During the master's degree, he focused on the study of the Song and Yuan classics, which can be described as "turning to many teachers", has a relatively deep understanding and understanding of traditional Chinese pen and ink, and his learning attitude of "gewu zhizhi" makes his works more expressive in aesthetic character, intentional creation, and pen and ink language. At the same time as the tradition of the teacher, Xiao Jia is particularly responsible for the creation of the master's law, whether it is writing About jiangnan landscapes, Gusu gardens, field cottages, western border plugs, etc., can integrate natural scenery with self-subjective feelings, and his paintings are either ethereal or strict, fresh and natural, thick and lush. His works have participated in provincial exhibitions and won awards many times. I believe that she will continue to accumulate her learning and strength in the future, leaving a distinctive trace on the artistic road.
--Zhang Gumin
(Professor, Doctoral Supervisor, China Academy of Art)
Yu and Xiao Jia have been in the same window for several years, negative Qiantang, from Gu Minshi to study the study of landscape painting, quiet and clear, exploring the hidden treasures, in the hope of hooking deep and far-reaching achievements. It is clear that Xiao Jia is not divided into the intention of painting things, less dyeing the current popular attitude, not clever, and the ancient as an apprentice. Each landscape uses the attitude of vertical and horizontal strength, and the description of ink is covered with clutches.
Xiao Jia painting, like to use shengxuan, if it is a weak wrist pen idiot, afraid of floating smoke and ink, full of ink pigs, but it can be like a cone painting sand, with a soft touch of the sound of the clear circle of the mountains. Pine shadow dry, waterfall sound murmuring, several pavilion smoke locks, moonlight wind dew Juanjuan, and dry wet thick ingenuity in the composition, see the intention of the pen and ink structure,
Although it is different from the faces of the ancients, it is in line with the traditional meaning, with the "constant" of tradition to meet the "change" of the contemporary era, every time you come to explore, you will be happy with things, orio will meditate, and take both the pen and the environment as its guideline. Recently, he has shown several landscapes and rivers, huge ones with Jiamu Sanskrit sounds, the momentum of smoke and clouds, small frames and virtual pavilion cages, and light clouds and micro-structures, all of which are cave sky Qinglu, lakes and mountains.
Last night, the cold clams could not stop singing, shocked back to the dream of a thousand miles, in the empty and silent scene created by Xiao Jia, the pavilions, pavilions, temple towers, courtyards, it seems that there is a thought of the old garden, looking back at the smoke and waves, the old people are not seen, the old songs are heard again, and the ordinary places are in the lake, the willows by the river, and the clouds in Longtou.
- Small words