"Talent by nature, fame for a long time." On February 25th, the "District Qianyun Cursive Art Exhibition" sponsored by the Guangdong Chinese National Culture Promotion Association was officially exhibited at the Lingnan Association Exhibition Hall on Ersha Island. The exhibition will feature more than 100 calligraphy works by Qianyun and will run until March 27.
Ou Qianyun (1938-1998), also known as Bai Yan, was born in Guangzhou in April 1938 in Nanhai, Guangdong. After graduating from high school in 1957, he studied medicine with his father. It is versatile and learns to strike. Amateur self-taught calligraphy, starting from cursive calligraphy throughout the famous relics of the past, and then learning the seal of the seal to line the various bodies, integrating Han Jian, Wei Stele, and Zhang Cao pen in the present grass, strong and flexible and full of changes.
"Three large and small circles, three absolute books and medical fists." When it is an extraordinary thing, it is still in the cloud diving. Cartoonist Liao Bingjie once used the "three absolutes" to summarize Ou Qianyun's achievements in calligraphy, medicine and martial arts. Chen Yongzheng, honorary chairman of the Guangdong Calligraphers Association, also praised Ou Qianyun Cursive as "the first person in Guangdong in a hundred years".
Liao Bing brother gave the work of The District Qianyun
Ou Qianyun taught himself calligraphy starting from cursive writing, and then learned Zhong Xuan and Chu Suiliang's various posts, and then learned to follow the various styles of seals. Especially good at cursive writing, quite influenced by Wang Duo and Peng Ruiwei, the style of writing is majestic and strange, the changes are flexible and there is a childish meaning, which is very distinctive. In terms of calligraphy concepts, Ou Qianyun advocated innovation, and before his death, he said that he was original and original in his view of thousands of posts, and called himself "the Picasso of contemporary books".
District Qianyun calligraphy
"Picasso studied the ancients when he was young, and his skills were extremely profound, and so did I. After laying a good foundation, we will continue to innovate. Like Picasso, I constantly deny myself and keep innovating. He said. According to Chen Yongzheng's recollection, Ou Qianyun often repeated the poems of the same content three times before his death, and several pieces of calligraphy, without a word being the same, which shows his strength and ambition.
District Qianyun calligraphy works
In 1998, when Qu Qianyun was critically ill, the Guangdong Provincial Federation of Literature and Literature and the Guangdong Provincial Book Association hosted the "District Qianyun Calligraphy Exhibition", which was published by Lingnan Fine Arts Publishing House. In 2000, the "Ou Qianyun Personal Calligraphy Exhibition" was exhibited at the Guangdong Museum of Art, and more than dozens of ou's posthumous works collected by deceased friends were donated to the Guangdong Museum of Art free of charge after the exhibition.
According to reports, the "Cursive Art of Ou Qianyun", carefully compiled by Chen Yongzheng, Liu Sifen and other old friends of the Ou clan, was also launched on the occasion of this exhibition, comprehensively presenting the calligraphy works of Ou Qianyun in various periods of his life with wild grass, chapter grass, present grass and grass, and fully embodying the ancient road hot sausage of the predecessors of Guangdong academia who cherished each other and supported each other.
[Reporter] Yang Yi
【Photo】Courtesy of the organizer
【Author】 Yang Yi
【Source】 Southern Press Media Group South + client