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Late Ming and early Qing Dynasty Zhu Yun's "Scrolls of Xingshu Poems", 30.4 cm in length and 327.8 cm in width, shanghai museum collection.
【Interpretation】
De descended with the elves, and dreamed of it.
Cangsheng Xie Anshi, the Rich Man hou of Tianzi.
Dignity and high opinion, rock corridor to the big you.
Xiangmen Lianhu Mu, Qing Clan Heir Bow Qiu.
Open-minded clouds open, clear moon and autumn.
Can be for Ji Fu song, good use of sub-room chips.
The steps are built to climb the mountain, and the door is still obstructed.
Mountains are not easy to look up to, and masters are difficult to cast.
Traces and Pine Qiao are united, and the heart is enlightened.
Gongcai Mountain Official, Bookworm Du Jingzhou.
Fortunately, the Millennium Saint, He Ci Yi Lieutenant Hugh.
Bend your waist to know the insult, look back and see the ups and downs.
Heaven and earth Zhuang sheng ma, jianghu Fan Lizhou.
Happy and carefree.
Go here from Huang Shuo, return to Ren Baitou.
Wind and dust and Xiao Han, looking forward to the day.
Eight Mountain People Book.
Zhu Yun (1626-1705), formerly known as Zhu Tongtuo (朱統托), literally Blade An,Bada Shanren (八大山人), Xue(雪一), Geshan (格山), Renwu (人屋), Daolang (道朗), was a Han Chinese and a native of Nanchang, Jiangxi. Painter of the late Ming and early Qing dynasties, a master of the Chinese painting generation. Ming remnants.
Zhu Yun was the ninth grandson of Zhu Quan, the seventeenth son of Zhu Yuanzhang, the ming emperor, and after the death of the Ming Dynasty, he cut his hair and became a monk, later converted to Taoism, and lived in the Qingyun Pu Taoist Academy in Nanchang. Good at calligraphy and painting, in his early years of calligraphy took the method of Huang Tingjian. Flowers and birds are mainly based on ink freehand, the image is exaggerated and peculiar, the pen and ink is condensed and determined, and the style is majestic and timeless; the landscape master Dong Qichang, the penmanship is concise, there is a quiet interest, and the rhyme of the sparseness. Good at calligraphy, can write poetry, and uses very little ink.
In the seventeenth year of Chongzhen, the Ming Dynasty fell. On Zhu Yun's canvas, you can often see a strange signature, as if it were a crane-shaped symbol, which is actually composed of the four characters of "March 19" to express the deep affection of the homeland, and The nineteenth day of March of Jiashen is the day of the fall of the Ming Dynasty and the death day of the Chongzhen Emperor. All his life, he lived as a ming relic.
When Zhu Yun was sixty years old, he began to paint with the "Bada Shanren" signed poem, and when he signed the money, he often connected the four words of "Bada Shanren", as if it were like the words "Crying" and "Laughing", in order to pin his painful mood of crying and laughing. His brother Zhu Daoming, also a painter with a style similar to that of his brother, was also rough and bold. His calligraphy and painting signature is Niu Shihui, and he writes these three words in cursive letters, much like the four characters of "born not to worship the king", expressing the mood of not yielding to the Manchu Qing Dynasty. At the beginning of the signature of the two brothers, the Zhu characters were taken apart, one with the word "cow" and the other with the word "eight". Such anonymity can be described as well-intentioned.
Zhu Yun finally built a grass house on Chaowangzhou on the outskirts of Nanchang City, with the inscription "Song Grass". At that time, the poet Ye Dan once wrote a poem "Eight Mountain People":
In the first room, Xiao Xiao was full of dust.
The basil bushes are dark, and the poems are painted into zen truth.
The legacy of the world escaped from fame, and the remnants of the mountains and rivers were left.
The old business of Qingmen is there, and there are people who plant melons.
Jiangyin Shao Changyu wrote the "Biography of the Eight Great Mountain People":
Mountain people are good at calligraphy and painting, and good at poetry. Painting is longer than landscapes, flowers, birds and bamboo, all can not mud into the law, out of the path, landscape pen is not much, the artistic conception is humorous, flowers and birds bamboo and wood ink stains, the image is peculiar, all have the ancient ink breaking method, to win the province of simplicity, pen indulgence, ink fun, vigorous and round, elegant out of breath. Pine lotus stone is called a divine product, reed goose, diving fish flying wing, but also all of the cause of extreme creatures, Xun is not others can reach;
Calligraphy began to learn Huang Tingjian, Dong Qichang, and then went in and out of Wei and Jin, elegant Xiao Scattered, deeply won the charm of Zhong Wang, and the wild grass was particularly strange;
The original collection of poems, unfortunately not passed on, the surviving inscriptions such as auspicious light piece jade, ancient and elegant can be recited.
The mountain people have a slight face, rich and less hair, good drink and shallow, poor mountain monks, city well slaughter, there is a wine invitation to go to, to drink, drunk, drunk and drooling, or prepare paper and pencil, lead to catch the painting, then the ink is dripping, inadvertently waving wine, neglecting the cloud mountain, neglecting bamboo stone, nothing to cherish. Therefore, those who ask for his paintings, doso are drunk, and many of them are bought by the disciples of the mountain monks and slaughterers, and if the dignitaries use a few gold to change a wood and stone, they will not do it, and their temperament is like this.
And he was a man of great sorrow, a song of praise, a high righteousness of resistance, a life of Ming Dynasty lineage, suffering from the subversion of the society, the change of the fall of the land, sorrow and indignation, depression, nothing to vent, so he hid high traces, pretended to be dumb, cried and laughed and drank, played with pen and ink, to consume the post-disaster career, people were crazy, and did not know the sorrow of their hearts, so they were published as calligraphy and painting, and the so-called blood and tears of the Zhengxi people, the sublimation of feelings, touching deep and huge.
The mountain people have self-titled landscape albums, poem clouds:
There are no more ink spots and more tears, and the mountains and rivers are still the old mountains and rivers.
Cross-current stone cane tree, leaving WenLin to ponder carefully.
It is enough to portray the fusion of his career and art.
The Eight Great Mountain People, the predecessors of the ancients, the latter of the Qi. The old man of Shiraishi once had a poem:
Green vine snow far away mortal tires,
The old man was very talented.
I was originally nine springs as a lackey,
Three doors turned wheels.
It pours so.
In general, the inscriptions and poems on all the calligraphy and painting works of bada Shanren before the age of 57, the overall characteristics and tendencies are to express their own relics' thoughts and personality through calligraphy and painting, often mixing Zen language and historical allusions in poetry, so the poetry is obscure and composed.
For example, the "Inscription Painting Lake Stone" in the "Biography Sketch book":
Smash the waist, but fold the tail.
No axe chisel marks, not a ghost.
Another example is the "Title Folded Plum" in the 52-year-old "Plum Blossom Atlas":
Thirty years ago, the virgin's house, the wine flag in the wind trembled.
The broken bridge is deserted and inhuman, and the color is similar to an apricot blossom today.
This poem describes the poet's character and integrity almost as if it were a self-description.
After the 57-year-old of the Eight Great Schools is still vulgar, the style characteristics of his poetry show the appearance of "winning without fear" and boldly surpassing his predecessors and self. During this period, many insightful poems emerged in the Eight Congresses, such as the inscription of the "Calligraphy landscape book", there are two inscriptions of "calligraphy and painting method", and the clear proposal of "calligraphy and painting method" is unprecedented.
The Eighth Congress asked in a section of the "Book of Calligraphy and Landscapes": "The article is not the calligraphy and painting of the human world? "The outstanding feature of the poems of the eight later years is based on the unity of their artistic views and outlook on life, which is also the essence of the poems of the eight later years.
The Bada Shan people have poems:
No donkeys, newborn rabbits. The concubine broke through the door and was helpless. Mo is sad for the people of the world, and in the end he does not know the way forward. Now and joyfully, walk through kudzu lubu, duh!
Mid-Autumn Festival.
In 1705, bada Shanren died suddenly at the age of 80. Before his death, he wrote a self-portrait of himself at the age of 80: "Eighty years old, keep the covenant." 80 years old can be described as an advanced age, when the Eighth Congress looks back on his bitter life, perhaps the most gratifying thing for him is the four words of "keeping the way and making a covenant".
Zhu Yun's "Xingshu Poetry Volume" is super qing appreciation
Zhu Yun's "Painting Works" is super clear and appreciated
Calligraphy Discover the beauty of the heart
Thinking of thousands of years, seeing through thousands of miles, the heart travels to ten thousand miles, and the eight poles are exquisite