There are 160 fine calligraphy and painting works of Bada Shanren, which are worth collecting

Timely, surprising, ingenious. Each painting is very personal, and the blue and white eyes, the curled birds, and the lotus flowers standing proudly in the paintings convey the spirit to the extreme. The loneliness, arrogance and cynicism hidden in the painting, the feelings of the remnants of the fallen country and the foreign land, are all hidden in the painting. He is a Bada Shanren (朱耷).

Zhu Yun (1626 – c. 1705) was a painter of the late Ming and early Qing dynasties, and a master of the Chinese painting generation. The real name is yu 桵, the character Xue, the number Bada Shanren, Geshan, Renwu, Daolang, etc., Han ethnicity, Jiangxi Nanchang people. He was the ninth grandson of Zhu Quan, the seventeenth son of Zhu Yuanzhang, the Ming Emperor. After Ming's death, he cut his hair and became a monk, then converted to Taoism and lived in the Qingyun Pu Taoist Academy in Nanchang. Good at calligraphy and painting, flowers and birds are mainly based on ink freehand, the image is exaggerated and peculiar, the pen and ink is condensed and determined, the style is majestic and timeless; the landscape master Dong Qichang, the penmanship is concise, there is a quiet interest, and the rhyme of the sparseness. Good at calligraphy, able to write poetry. His works often express their hearts in symbolic terms, such as painting fish, ducks, birds, etc., all with white eyes to the sky, full of stubbornness. Pen and ink characteristics to indulge in indulgence, vigorous and round, elegant and elegant, whether large or small, there are simple and smooth and bright and beautiful wind gods. The structure of the chapter is not conventional, and it is necessary to seek completeness in the incomplete. Surviving works include "Mizuki Qinghua Tu", "Lotus Flower Water Bird Diagram" and so on.

Bada Shan people are good at painting landscapes, flowers and birds. His paintings, the pen is indulgent, does not constitute the law, vigorous and round, full of breath, and the rules are not complete but complete. His flowers and birds are not calculated how much and how big, but focus on the status and momentum of the layout. And whether it is used at the right time, surprisingly, and cleverly. This is his three-way victory, such as finding deficiencies in the layout of paintings, sometimes using money to make up for them. Bada Shanren can write poetry and calligraphy is exquisite, so even if his paintings are not much, with his inscription poems, the artistic conception is sufficient, and his paintings make people feel small but not many, which is artistic ingenuity.

Bada Shanren can moisturize and clean by dry rubbing. Therefore, in the painting, it is the same as "unrestrained", the Eight Mountain People are different from others, the same is "moisturizing", and the Bada Mountain People are different from others. Picturesque fish and birds once made a "white eye to people" to express cynicism. His flower and bird painting style can be divided into three periods, before the age of 50, when he was a monk in the early days, he signed the "Chuanqi", "Geshan", "Donkey", "Human House", and painted more themes such as vegetables and fruits, flowers, and pine plums, mostly in volumes.

The picture is more delicate and workmanlike, and it is very powerful. 50 to 65 years old for the middle of the period, the style of painting gradually changed, like to paint fish, birds, grass worms, animals, the image is exaggerated, with a pen to carve hard, animals and birds beaks, eyes are mostly square, the face is oval, up and down small, precarious, birds roost more than one foot, hanging a foot. After the age of 65, it is the late stage, and the art is becoming more and more mature. The gesture becomes simple and majestic, the shape is extremely exaggerated, the eyes of the fish and birds are circled a little, the eyeballs are on the top of the eye circles, and the look of "white eyes to the sky" is displayed. Some of the birds he painted appear to be very stubborn, even if the ink is not much, but it shows the birds vibrating their feathers, so that people have the feeling that they cannot be touched and fly when they touch. Some birds have shrunk their necks with their fists and feet, a posture that is both deceived and unyielding, and it is also more concise in composition and pen and ink. These image shapings are undoubtedly the portrayal of the painter himself, that is, "indignant and sad songs, worried about the world, one by one to send affection to pen and ink.". He wrote in the poem titled Huang Gongwang landscape: "Guo Jia's fa cloud head is small, and Dong Lao's hemp bark tree is many. Want to see when people interpret the picture, a peak is also with the SongShan River. Show his national consciousness. The paintings of the Bada Shanren were not very influential at that time, and only Niu Shihui and Wan Zhi were passed on his methods, but the influence on the painting of later generations was far-reaching, and his artistic achievements were mainly one point, not falling into the usual set, and creating his own. His big idea is different from Xu Wei, Xu Wei is unrestrained and can be released, and the Eight Mountain People are strict and tidy and can be released. The "Eight Monsters of Yangzhou" in the middle of the Qing Dynasty, the "Hai School" in the late period, and the modern Qi Baishi, Zhang Daqian, Pan Tianshou, Li Kuchan and other great masters are all influenced by it. Scholar Huang Jinxiang praised him: "The pen is wonderful and wonderful! Critic Wang Jinyu said: "If you really understand the Eight Greats, you will find that although the Eight Monsters of Yangzhou have different styles and extraordinary achievements, they cannot be compared to the Eight Greats in the end." ”

The poetry of the Bada Shanren is full of mystery and irony because of its strange and astringent style, and has always been incomprehensible. In general, the inscriptions and poems on all the calligraphy and painting works of bada Shanren before the age of 57, the overall characteristics and tendencies are to express their own relics' thoughts and personality through calligraphy and painting, often mixing Zen language and historical allusions in poetry, so the poetry is obscure and composed. For example, the "Inscription Painting Lake Stone" in the "Chuanqi Sketch book": breaking the waist needs to be broken, but the lengya tail is folded: there is no axe chisel mark, not a ghost. Another example is the "Title Folding Branches and Plums" in the 52-year-old "Plum Blossom Atlas": Thirty years of virginity, a branch in the wine flag wind. The broken bridge is deserted and inhuman, and the color is similar to an apricot blossom today. This poem describes the character and integrity of the poet almost as if it were self-made. After the 57-year-old of the Eight Great Schools is still vulgar, the style characteristics of his poetry show the appearance of "winning without fear" and boldly surpassing his predecessors and self. During this period, many insightful poems emerged in the Eight Congresses, such as the inscription of the "Calligraphy landscape book", there are two sections of inscriptions of "Painting Method and Painting Method", and the clear proposal of "Calligraphy and Painting Method" is unprecedented. It can be considered that the outstanding artistic achievements of the Bada Shanren in their later years are closely related to the transformation of the characteristics of the later poetic style. As the Eighth Congress asked in a section of the "Calligraphy and Landscape Book": "The article is not the calligraphy and painting of the human world? "The outstanding feature of the poems of the eight later years is based on the unity of their artistic views and outlook on life, which is also the essence of the poems of the eight later years.

Cursive Tang poems

Quote [Commentary] Ann. Shaowen anti-wandering, figure in the room, this Zhi also. The Book of the Eight Mountain People 【钤】HuangZhuYuan (White Text Square Seal) Bada Mountain People (White Text Square Seal)

Vase flower [Flower Oshi] a similar to eat [Plutonium] Bada Shanren (Zhu Wen frameless ass-shaped seal)

Magnolia 【Style】 Bada Shanren [钤] Zendo (White Text Rectangular Seal)

Landscape [Inscription] Xiang Ren About Nan Deng, Reciprocal Zong Gongzi. JingWushui was already involved in the picture. Bada Shanren Painting and Title [钤] Bada Shanren (Zhu Wen Frameless Sandals Seal)

Bamboo Stone 【Style】 Bada Shanren [Plutonium] One like eating (white text square seal)

Mandarin fish [Inscription] Left and right of this Water, the name of the Qu River. More depths of attention, expected to have more sunset. Bada Shanren Painting and Title 【钤】Bada Shanren (Zhu Wen Frameless Ass Shaped Seal) Zen Hall (White Text Rectangular Seal)

Bird Stone 【Style】Huangzhu Garden Painting Bada Shanren [Plutonium] Huangzhu Garden (White Text Square Seal)

Lotus flower 【Flower Oshi】 one is like eating [钤] in Fushan House (white text square seal)

Cat [Inscription] Lin Gong is not two doors, in and out of the king and Xu. For example, the Gong "Fahua" is sparse, and the metaphor is a caged tiger. Bada Shanren Inscription [钤] Bada Shanren (Zhu Wen Frameless Sandals Seal)

Lotus bird 【Flower Oshi】 one is like eating [钤] in Fu (white text rectangular print)

Grapes [Flowers] are like eating [Plutonium] Ai (Zhu Wen rectangular print

Small Fish [Inscription] Here is a pity for the haggard people, why spend the next two or three decades. Ding Kunming in the fish put, wood peony medicine open golden horse spring. Bada Shanren Painting and Title [钤] Bada Shanren (Zhu Wen Frameless Sandals Seal)

Boulder [Inscription] Wen Junshan played the flute, and there was no trace. Get on the car by boat and listen to the Lord and the Guest. Bada Shanren inscription [钤] can get the immortals (white text square seal)

Melon Rat [Style] Huangzhu Garden Painting Bada Shanren [Plutonium] Can Get Immortals (White Text Square Seal)

Flower 【Flower Charge】 March 19 【Style】 Bada Shanren [Plutonium] One by one to eat (White Text Square Seal)

Hibiscus [Flower Oshi] one like to eat [钤] 忝鸥子 (Zhu Wen rectangular print)

Narcissus [Style] Pick up [Plutonium] He Yuan (Zhu Wen Square Seal)

Double Bird [Flower Oshi] One Like Eating [Plutonium] Ai (Zhu Wen Rectangular Seal)

Narcissus [Flower Charge] A Similar Eat [Plutonium] Bada Shanren (Zhu Wen Frameless Sandals Seal)

Calligraphy [钤] in FushanFang (White Text Square Seal) Bada Shanren (White Text Square Seal) Bada Mountain People (Zhu Wen Frameless Sandal Seal) 【Jianzang Seal】 Wulin Yuan's Spring Garden Treasure Seal Clay Door Treasure Secret

Quail [Inscription] actually made a day's talk, and his heart was like a male and female. Gold and daytime, all negative five squares. Jia Shu Chongyang Bada Shanren Painting and Inscription [钤] Bada Shanren (Zhu Wen frameless sandals shaped seal)

Landscape 【Inscription】Penglai water is shallow. Written for Mr. Hui Weng On the day of the noon and one sun to pick up [Plutonium] Bada Shanren (Zhu Wen frameless sandals seal) picked up (white text rectangular print)

Bada Shanren evaded and protested against their fate with painting, lonely, lonely, cold, and proud, not only exerting the tension of brush and ink to the limit, but also reaching the unity of human painting. Behind its minimalist, minimalist form is a full bow that has not been drawn for hundreds of years. Later generations learned his paintings, at most they learned the fur, it was difficult to look at their backs, and it was impossible to reach the subtle mysteries of their paintings.

He was another proud lone peak after Xu Wei. Prince Hamlet once asked the shocking question: to survive or to perish? That's a problem. Judging from the results of Zhu Yun, a remnant of the Ming imperial family, he gave the answer with his blunt brush in the early years of the Qing Dynasty. This half-monk, half-crying, half-laughing, lost water, earth and air, and had no beauty in his body and mind, finally found the root and support of life in painting, and became a "prince" who will always exist in the starry sky of art.

His paintings are based on the modeling brush and ink of Fa Chang, Chen Chun and Xu Wei, and boldly exaggerate or simplify objective objects (flowers, birds, fish, insects, fruits and vegetables, etc.) to highlight their strong and thin will to life, creating an art form that can be called blind to eternity. It shows both the purity and individuality of painting and the power of the ink itself—a power that can be compared to Michelangelo's stones.

As far as its text is concerned, it can be said that the water is hidden in the sea, leaving the infinite secret to the audience and leaving time. Posterity lacks the ability to turn decay into magical endowments, lonely and miserable situations and extraordinary materials, how to follow his pace and heart. Even if the youth wields the pen, haoshou desk, and learns to learn, it can only be in vain, and there is no soul at all. (Written by Lee Hong-hong)

Xingkai Lin "Half-cut Stele of Xingfu Temple" (vol. 20)

Cursive Bai Juyi's "Three Friends of the North Window" (three pages)

Cursive Pro Zodiac (2 albums)

Kussho-rin, Title Seigenji Poetry (Axis)

Book of The River (Album)

Excerpt from Han Yu's "Preface to Sending Li Wish to Return to Pangu" (album)

Xingkai Shu Sun Di "Fenghe Li Right Xiang Zhongshu Mural Landscape Poem" (album)

Xingkai Shu Du Fu "Drama Title Wang Zai Painting Landscape Drawing Song Poem" (Album)

Xingkai Shu Zhang Jiuling's "Inscription painting landscape obstacle poem" (album)

Xingkai Linwang's favorite book Yan Fang's "Poems of Lumen Mountain" (album)

Xingkai Shu Zeng Gong "Landscape and Water Screen Poems" (album)