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Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation

Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation
Huang Tingjian's cursive book "Huanhuaxi Diagram Introduction" appreciation

Huang Tingjian, "Huanhuaxi Tuyin", paper, cursive, 35.5 cm in length and 391.4 cm in width. Qing Palace Old Collection.

The "Huanhuaxi Tuyin" is published in the "Outer Collection of the Valley", listed in the third year of the Yuan Dynasty (1088) Pengchen, when the valley was forty-two years old. This volume is old, bone-heavy, and is characteristic of the valley's later years. At the end of the volume, Wang Shizhen commented: "The writing is horizontal and sparse, and it is slightly more readable than the posture of The Master Rao. And the secret of the knot, the strength of the wrist, the magic of the waves, it seems to be too small. "The evaluation was quite appropriate. After the volume, there are inscriptions by Wu Kuan and others in the Ming Dynasty. The volume is a fragment of a fire, which was later completed by Xia Desheng in the Ming Dynasty.

Seals of Jianzang: "Shaoxing" (Zhu Wen), "Inner House Book Seal" (Zhu Wen), "Zhenyuan" (Zhu Wen), "Qiankun Qing Reward" (Bai Wen), "Shiqu Baodi" (Zhu Wen), "Baodi Three Editions" (Zhu Wen), "Seal of the Ming Dynasty's Books" (Bai Wen), Qing Jiaqing Inner House Seal, etc.

Commentary:

The relics were lost in Jinyi City, and the deceased was Yin Eye was green. Bijifang West Knot Hut, Hundred Flowers Pond Water Mao Guan miao. Old clothes

No new clothes were filled, and the book was in the middle of the empty chest. Before exploring the Tao to the Righteous Emperor, the poetry did not feel that the national wind was far away. Gange Zhengrong Secret Yu County, Duling Weiqu no chicken dog. The old wife and the child are in front of them, and the younger sisters are not seeing each other. This Weng Le is very pleasant, and the garden Weng Xi friends Ken Bu neighbor. Neighbors have wine invitations to go, and fish and birds come to kiss. Raccoon wine is loosely ridden, and the wild wall has no owner to see the peach and plum. Zong Wen shou jia Zong Wufu, the sunset donkey drunk. The wine is unsaddled and unburdened, and the old Confucian does not have to wait for a thousand households. Zhongyuan did not receive peace retribution, and drunkenly raised his eyebrows to worry about all nations. The walls in the raw silk shop are powdered, and the life of loyalty and righteousness is lonely. Erhu Busu donkey lost his foot, afraid to wake up with a new work. Long make the poet worship the picture, fry the glue to continue the string for eternity.

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