The road of life, the ups and downs, every bump is worth cherishing, and every encounter is unforgettable. Maybe it is a casual look back, or it may be a careless collision, but it makes each other have a chance to know each other, and even lock their hearts for a lifetime.
However, life is full of setbacks and changes, when the years are quiet, couples promise to hold hands for a lifetime, white heads and old age; when the troubles are still there, they may fly apart and wither like flowers, leaving only regrets and thoughts in their hearts.
A lyricist in the Song Dynasty had a similar emotional experience and filled in the lyrics affectionately. The following is a sharing of Zhou Bangyan's wandering place, composing a masterpiece, figurative image, and ups and downs, suitable for Valentine's Day reading.
Worship the stars and the moon slowly and the night is more urgent
Song Dynasty: Zhou Bangyan
Night is more urgent, dust is revealed,
The moon is dark.
Bamboo sill lamp window, zhi qiu niang courtyard.
Laughter meets, as if the branches of the jade tree lean on each other,
The warm sun is shining brightly.
Water glass orchid love, always rare in life.
In the picture, the old spring wind surface.
Who knows, since to the Yaotai bank.
Love the rain and moisten the clouds, and the bitter wind blows away.
Read the cold and stay in the no man's house.
The heavy door is closed, and the wall is broken.
How to naive, a wisp of love, across the stream and mountains continuously.
Zhou Bangyan (周邦彦), courtesy name Meicheng, was a famous writer of the Northern Song Dynasty. From an early age, he was gifted, proficient in music, good at filling in words, and also created many new word cards, which later generations called the crown of lyricists. This song is made up of elegant words, full of gentle feelings, expressing the love of lovesickness.
Mr. Meicheng's career was tortuous, and he was sunk for a long time, until he was in his early 40s, when he was recalled to the capital by Emperor Huizong of Song. However, although the writer is wandering, he is also well-informed, and he has met many celebrities and beauties. Mr. Meicheng is also a Confucian who cherishes love and righteousness, and it is always difficult to forget when he devotes himself to a deep affection.
The opening chapter first renders a quiet atmosphere, the moon is hazy, the dust is revealed, the cloister is tortuous, the courtyard is dark, and the author's heart seems to be full of confusion. Why did the writer come to such a quiet courtyard at night, read through the whole text, and only then did he know that the author was wandering around and recounting the previous situation, but the narrative was very subtle.
The scene in the dream appears quiet and bleak, "bamboo sill lamp window", depicting a dreamlike scene, the lyricist enters the courtyard and finally meets Qiu Niang. Yiren smiled and greeted each other, very happy that the lover could come here to visit him, and the lyricist suddenly felt as if "Qiongzhi jade trees are leaning on each other, warm sun and bright light".
Is there still a glow in the night? In fact, this is just a metaphor. The lyricist does his best to depict the characters, and depicts the beauty of this woman's face in a heavy way, but without falling behind.
She looks forward to her affection, and her dazzling bun, like "Qiongzhi and Jade Tree", reflects the smoothness of the intersection; the beautiful cheeks are also like "warm sun, bright light", shining. The word "like consciousness" reveals that this is still a dream, the lyricist is intoxicated and unconscious, and he is even more amazed by the other party's "Water Drop Orchid Feeling", which is rare in life.
The next film begins with "In the picture, the old spring wind face", indicating that the lyricist Qiu Niang is not first seen, but has already seen it in the picture, which can be described as a long time of divine friendship and more intimate. Just like in "Dream of the Red Chamber", Jia Baoyu and Lin Daiyu met for the first time, and they felt that they were not strangers to each other, as if they were reunited by the deceased.
However, the writer suddenly turned his pen sharply, leading it up with "who knows", saying that the two were happy after they met. But after this wonderful, but with a stroke of the pen, the writer's painful wind blew away the rain and clouds, and there was no longer that wonderful beauty. This sentence is extremely subtle and concise.
The lyricist recalls the old feelings and loves the rare women in his life, but does not show traces, which is admirable. Next, the lyricist lamented the cold season, the loneliness of the detention. He stayed alone in the orphanage, closed the door, and looked around, only the broken walls and the mournful autumn insects were with him, full of sorrow.
The ending is even more depressing, "How to be ahead, a wisp of love, across the stream and mountains." Although the author firmly believes that even if the water is far away, the love between each other will not be broken. But Mr. Meicheng does not know when he will be reunited with his lover, and where can he go to find the Yi people? The whole article ends in a deep affection, which also makes the reader feel moved.
Zhou Bangyan's poem reflects on the past, but it uses real writing, which is amazing. The author first uses the faint moonlight to set off the zigzag cloister and the deep courtyard.
Then push forward to the first floor, and the bamboo outside the sill and the warm lamp in the window appear, showing a wonderful encounter. And Qiu Niang stands in the courtyard, which is even more bright and moving. The ending is full of misery and sadness, which can be described as ups and downs, and the pen is strong and strong, which is full of imagination.