On February 11, Mibu-in New Year 11.
In people's traditional conception, the festival day of the 23rd and 24th day of the 12th month of the lunar calendar begins, and does not really end until the night of the 15th Lantern Festival of the first month, and even the "dragon looks up" on the second day of the first month of February. This is actually related to the law of nature's "spring birth, summer, long autumn harvest and winter collection". Reverence for right is the most ingrained factor in Chinese traditional cultural concepts.
However, with the development of the times, especially the many changes in the law of survival by modern means, coupled with some other factors, many traditional cultural customs have no skin to attach, and the fate of various inheritances attached to them can be imagined.
Today, a friend said that there are two types of people who are interested in the exhibits in the Xiurong Academy Museum, one is the older one, the other is the teenager, and the middle-aged people are often not interested, or will say "no meaning".
This is a fact and a universal phenomenon. We don't have to be too critical, and we don't have to make a fuss.
In fact, not only museums, but also the same phenomenon exists in other industries. If we seriously investigate the inheritance of history and culture, we should find that whether it is Chinese history or world history, history is not all, but only fragmentary, partial, sporadic, and for some periods may even be unrecognizable. But there will always be something left behind, and what is left behind will become the composition of history, and they will always play a different role at different times or occasions.
In these two days, there is a clear difference from the previous few days that most of the people who entered the Xiurong Academy Museum a few days ago entered the ancient city of Xinzhou, then walked to the door of the Xiurong Academy Museum, and then walked into the museum by the way. However, in the past few days, because I learned that the Xiurong Academy Museum was officially opened, there were many people who wanted to come to see it. Moreover, most people will say hello in advance.
In the morning, Mr. Guo Haiyan, vice president of the Xinzhou Collection Association, called to say that several friends from the collection circles in taiyuan, the provincial capital, wanted to come to xiurong academy museum specifically. When they came to the Xiurong Academy Museum, they did not look at it aimlessly like other tourists, but went straight to the exhibits they wanted to see. One is the calligraphy work written by Ning Chaowu, then secretary general of the Shanxi Provincial Government of the Republic of China, in the "Xiurong String Song" to Zhi Jingru, president of the Northwest Correctional Institution in the same township; the other is that In the "Former Sage Relics", Xu Jihu responded to the advice of his uncle Xu Tengjiao, and Linyan Zhenqing's "Scramble for Seats" section, a total of eight screens. Through the exchange, I learned that although Mr. Liu Yongjie works in the Provincial People's Hospital, he has a rich collection and many things are like a number of family treasures. Another is Wang Enpeng, an expert in the restoration and protection of cultural relics at Taiyuan University of Technology, who has objects similar to the museum's collection in their respective collections. Their appreciation of each exhibit is not just to see the hilarity, but to judge and comment on every aspect of each collection. Moreover, from many aspects of what they have said, it will in turn provide more references and supplements for the museum.
In the afternoon, Wang Limin, chairman of the Xinzhou Municipal Federation of Literature and Literature and chairman of the Xinzhou Calligraphy Association, accompanied the writer Yu Mantian and Mr. Feng Ming, a famous TCM practitioner, and at the same time, Gao Shiwei, a collector of Xinzhou lamps and lanterns, also came to Xiurong Academy Museum.
After viewing the exhibits of "Jiuyuan Yuanmai", Mr. Manda offered to offer a collection he had collected for many years to the Xiurong Academy Museum for display. He said, "These things can only play a greater role in museums, and they are just an object in my home." ”
In fact, the collectors in the morning, Liu Yongjie, Mr. Wang Enpeng, and Gao Shiwei all expressed the same view. They agreed that the creation and opening of the Xiurong Academy Museum to the outside world is to make the collection play a greater value to the society.