Li Chun | look at the "spring" written by famous artists in the past, full of vitality!

Lichun is the first of spring, although it is only the prelude to spring, but its arrival means that it has gone through the winter dormancy, ice and snow, spring water is born, unity is repeated, and vientiane is renewed.

The "Commentary" believes that "spring, push also", that is, there is the meaning of "spring sun caressing, all things are prosperous", its original meaning is that the seeds of grass and trees take root and sprout, and then extend to "spring" as the first season name of the four seasons of the year.

Spring, first seen in oracle bones

In the early oracle bones, the form of "spring" is three "wood" and one "day" sandwiched between a "tun". It is expressed in three "wood" and one "day", and in "tun" the sound, which is a shape sound word. The original meaning is the spring sun caressing, wanmu zirong.

"Spring" in the Spring and Autumn Period

During the Spring and Autumn Period, the shape of the "Chun" character in the Jinwen was very different from that of the oracle bone. The three "woods" have become two sprouts, and the "tuns" have also changed shape. Therefore, jinwen's "spring" is expressed in terms of "艸" and "day", and "tun" is still a shape sound word.

The "Spring" of the Qin Dynasty

The small seal of the Qin Dynasty was developed on the basis of the Golden Text, and it can also be seen that the meaning and musical notes can be seen.

The subordination of "spring"

After the change, Qin Li combined "艸" and "屯" into three "+" (卉) in the upper part of the ancient Li "Chun" character plus a "ren" character. Later, when it was developed into Han Li, the original "god" and "tun" were combined to become "" (spring character head), "" under which "day" was still retained, and the blackmail was very large, completely a mutation. Thus, the ideograms and phonological signs could not be seen; the conformation of the words could no longer make people look at the meaning of the text. Today's calligraphy "Chun" character is developed from Han Li.

The word "chun" of calligraphers throughout the ages

Calligraphers of different generations have different styles of writing, each with its own style.

Northern Wei "Yuan Huai Epitaph"

Jin "Cuan Bao Zi Stele"

Orchid Pavilion Preface (Feng Chengsu Facsimile)

Tang Huairen's "Preface to the Sacred Teachings of Wang Xi"

Tang Yan Zhenqing's "Many Pagoda Tablets"

Tang Yan Zhenqing's "Yan Qinli Monument"

Tang Chu Suiliang, "The Sacred Order of the Wild Goose Pagoda"

Tang DuMu, "Zhang Haohao's Poetry Volume"

Song Sushi 《洞庭 中山二甫》

Song Mi Fu 《芾溪诗卷》

Song Mi Fu "Shu Su Ti"

Song Mi Fu's "New Grace"

Song Zhang Jizhi's "Book of Du Poems"

Song Cai Xiang's "Ando Thesis" ruler

Song Zhao Shuo's Seven Laws of Poetry

Yuan Zhao Mengfu's "Poetry Scroll of Yanjiang Stacked Mountains"

Ming Wang Duo's "Xingshu Li He Poem"

Ming Wen Zhengming's "Self-composed Poems of xingshu"

Ming Zhu Yunming,"Returning to the Field of Grass"

Ming Tang Yin's Book of Falling Flowers

Ming Zhang Ruitu Cursive "The Eight Immortals song in Du Fu's Drink"

Qing Zhao Zhiqian's "Seal Book Xu's Narrative Book"

Qing Yi Bingshou "Lishu Lian"

Appreciation of the Book of The Book of Appreciation

Wen Zhengming's "LiChun Jinhe" is a self-composed poem volume, hand-scrolled on paper, 27×637cm.

Wen Zhengming's work is based on Huang Tingjian's penmanship, because it is poor money, and it is impossible to determine the specific year. But there is no doubt that it was his early works, because of the Fa Huang Tingjian, for his accumulation period.

Wen Zhengming felt that Huang Tingjian's "great retraction" did not lie in the stroke retraction itself, but in the meaning and behavior of clever concessions, understanding this, Wen Shi finally paid attention to adjusting the pen edge, enriching the penmanship, paying more attention to the Tibetan front and folding pen, Huang Tingjian's lance euphorbia became vigorous and slow, steady and old, the law was rigorous and vivid.