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The collection of national treasures | the treasure of the Jiangxi Provincial Museum, and the black glazed wood leaf pattern bowl of the Jizhou kiln has a long rhyme

Yang Yang China, the history is long,

And the museum

It is to collect various historical periods

A treasure trove of heritage treasures.

People's Daily Cultural and Creative Special Launched the "Collection of National Treasures" column,

Take you to admire the treasures of the major museums!

This issue explores

It is the Jiangxi Provincial Museum!

The collection of national treasures | the treasure of the Jiangxi Provincial Museum, and the black glazed wood leaf pattern bowl of the Jizhou kiln has a long rhyme

Jiangxi Provincial Museum

Treasure of Jiangxi Provincial Museum

Blue and white glazed red pavilion-style barn

The collection of national treasures | the treasure of the Jiangxi Provincial Museum, and the black glazed wood leaf pattern bowl of the Jizhou kiln has a long rhyme

Era: Yuan

Utensils specifications: height 29 cm, width 20 cm

Excavation date: 1974

Place of origin: Ling family cemetery in Jingdezhen, Jiangxi

Blue and white glazed red pavilion-style barn, Yuan Dynasty meditative vessel, excavated from the Ling family cemetery in Jingdezhen, Jiangxi. The shape of this barn is unprecedented, it is the only one seen at present, the top floor pavilion barn of the heavy eaves hall, at the same time, it sets four kinds of high-temperature glaze in one instrument, blue and white glaze, red glaze, blue and white glaze, glaze red, firing is difficult, and it is the master of the achievements of the Jingdezhen porcelain industry in the Yuan Dynasty.

The red pavilion-style barn in the blue and white glaze is not our common one-sided architectural style, but a three-dimensional building with a stage on both sides, imitating the ancestral hall stage or the qingyu stage building popular in the ancient Jingdezhen area. The pavilion-style barn is composed of two floors and a living barn door in the middle, which is detachable and extremely complex in shape, with fine components such as cornices, Zhu Dong, and carved columns, and there are 10 excellent people on the pavilion and both sides of the pavilion, some embracing the pipa, some blowing flutes, eighteen characters up and down, with different postures. Majestic architecture, complex styles, multiple glazes, exquisitely carved figures and rich writing vividly integrate the exquisite porcelain art of the Yuan Dynasty with the profound cultural intersection of the local area, which has high research value.

Shanghuo Huan Yu ren jade pendant

The collection of national treasures | the treasure of the Jiangxi Provincial Museum, and the black glazed wood leaf pattern bowl of the Jizhou kiln has a long rhyme

Era: Shang

Specifications: Height 11.5 cm, height 8.7 cm, back ridge thickness 1.4 cm

Excavation date: 1989

Place of origin: Remnants of Oceania in Xingan, Jiangxi

Shanghuo Huan Yuren jade pendant, excavated in 1989 in Xingan Oceania, Jiangxi, the production date can be traced back to the Shang Dynasty, is the earliest jade "Yuren" found so far, but also a rare exquisite jade in the Shang Dynasty.

Shanghuo Huan Yu Ren Yu Pei is decorated in the shape of a feather person, and the color is jujube red. The whole instrument is squatted with a side body with its arms bent, the head is bird-shaped, the high hook nose is beak-shaped, the body is also a bird, the body is humanoid, each side of the body is carved with a wing, and the back is carved with cascading feathers. The cultural relics are mysterious in shape, integrating the images of people, beasts and birds, with the meaning of gods and men. Yuren refers to the legendary person who can fly with long feathers or wearing a feather coat, which was first seen in the "Classic of Mountains and Seas", and the jade pendant of the Shanghuo Huanyu people is considered to be a variation of the bird totem worship of the ancient indigenous peoples in the southern region, and has a lofty position in the history of Chinese jade. Shanghuo ring feather jade pendant is also the earliest living chain jade, the living chain connected after the crown is comprehensively formed by hollowing, carving and other techniques, the three rings are interlocked, and the carving technique is superb, representing the highest level of shang dynasty jade.

Shang beast face pattern deer ear four-legged bronze

The collection of national treasures | the treasure of the Jiangxi Provincial Museum, and the black glazed wood leaf pattern bowl of the Jizhou kiln has a long rhyme

Specifications: Height 105 cm, weight 78.5 kg

甗 is an ancient steamer, composed of upper and lower bristles, which contain food, water on the contents of the bristles, fire under the vessel, and steaming food. The Shangbeast-faced deer-eared four-legged bronze urn was excavated in 1989 in Xingan Oceania, Jiangxi Province, and its huge size is the largest bronze urn found so far, with the reputation of "King of The Dragon".

The shang beast face deer ear four-legged bronze shape is huge, using a four-legged style, and the mane is conjoined. On each ear, a male deer and a female deer are set up, showing a gesture of prime minister, well-behaved and cute. The abdomen is decorated with four groups of animal face patterns, and the mane bag is full of relief animal face patterns. The whole instrument is majestic, strange and strange. What is particularly rare is that the cultural relics are a hun casting form, indicating that the local has mastered the superb bronze fan casting process in the Shang Dynasty.

Bronze head of the Shang double-faced god man

The collection of national treasures | the treasure of the Jiangxi Provincial Museum, and the black glazed wood leaf pattern bowl of the Jizhou kiln has a long rhyme

Specifications: height 53.0 cm, angle spacing 38.5 cm, weight 4.1 kg

The remains of Jiangxi Xingan Oceania, discovered in 1989, unearthed a large number of bronzes with fine casting and distinctive characteristics, including this bronze head of the shang double-faced god. The unique shape of the human face is the only double-sided bronze head seen so far, the perfect fusion of humanity and divinity, and has high aesthetic value.

The bronze head of the Shang double-faced god is cast in clay, and the two sides are equally symmetrical, with a wide forehead and a narrow jaw, inverted isosceles trapezoidal shape. The eyeballs are round and convex, the mouth is open and teeth are exposed, the cheekbones are slightly raised, the ears are square, and a pair of oblique horns are towering on both sides of the head, with a strange shape and a majestic and mysterious image. The vertical round pipe in the center of the forehead and the square brass under the jaw are connected with the ancient people's concept of the heavenly circle place, implying the ability of the gods and men to penetrate the heavens and the earth, reflecting the unique belief and worship in the south of the Shang Dynasty.

Yuanqinghua pine bamboo plum pattern plum bottle

The collection of national treasures | the treasure of the Jiangxi Provincial Museum, and the black glazed wood leaf pattern bowl of the Jizhou kiln has a long rhyme

Dimensions: Height 17cm, diameter 5.7cm, base diameter 5.8cm

Excavation date: 1976

Place of origin: Yuan Tomb in Boyang County, Jiangxi

Yuanqinghua pine bamboo plum pattern plum vase, excavated in 1976 in The Yuan Tomb in Boyang County, Jiangxi. The Yuan Dynasty is a milestone period in the history of Chinese ceramics, the porcelain industry production has made breakthrough progress, but the yuan dynasty blue and white porcelain is rare in number, such as the blue and white pine bamboo plum pattern plum vase such a large volume, complete shape, painting beauty is more rare, is actually a treasure in the yuan blue and white porcelain.

Yuanqinghua pine bamboo plum pattern plum bottle shape is simple and dignified, with a short mouth and neck, and a rounded shoulder. The painting pattern on the bottle is a typical theme of the Chinese tradition, "Three Friends of the Cold Years", the pine bamboo plum figure, which has a strong literary atmosphere and a strong style of the times. The whole picture is full of composition, without any auxiliary ornamentation, the pen is vigorous but delicate, blue and gray blue, and the color is light and elegant. Only to see the pine trees towering in the sky, the pine needles are fine and dense; the bamboo trunks are tall and thick, showing vigorous vitality; the plum blossom branches stand proudly, and the petals are outlined with thick materials, just like a painting on rolled paper, and its painting style is unique in the blue and white porcelain of the Yuan Dynasty.

Song Jizhou kiln black glazed wood leaf pattern bowl

The collection of national treasures | the treasure of the Jiangxi Provincial Museum, and the black glazed wood leaf pattern bowl of the Jizhou kiln has a long rhyme

Era: Song

Dimensions: Height 5.5cm, diameter 14.8cm, base diameter 3.8cm

Song Jizhou kiln black glazed wood leaf pattern bowl, Song Dynasty tea drinking utensils, collected in 1962 in Nanchang City, Jiangxi Province. The wood leaf grain bowl is an original product of the Jizhou kiln of the Song Dynasty, because the leaves are easy to twist and deform during the firing process, so the shape of the excavated leaf pattern is rarely complete. The leaf pattern of the wood leaf pattern bowl is large and complete, which is the best of the wood leaf pattern bowl.

The black glazed wood leaf pattern bowl of the Song Jizhou kiln is in the shape of a bucket, which is typical of the Song Dynasty cup. The surface is glazed black, and the glaze color is crystal clear. The inner wall is decorated with a large leaf, which unfolds from the center to the mouth, and the texture of the leaves is clear and delicate, presenting a breathtaking artistic effect of natural interest and poetry. The Song Dynasty's tea style was extremely popular, and the large number of black glazed porcelain fired in Jizhou kilns was closely related to the tea culture prevalent in the Song Dynasty. The wooden leaf pattern bowl connotes zen rhymes, injecting clear water, like a leaf floating in the black tea soup, the virtual reality corresponds, and the leaf shadow flutters, giving people a sense of simplicity and transcendence, reflecting the taste of tea Zen.

Producer: People's Daily Cultural Creation

Image from Jiangxi Provincial Museum

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