Cangjin is often used to describe the old and upright trees. It can also describe the unique temperament of landscape painting, with sophisticated pen and ink and strong pen. Aesthetic, everyone knows what it means. Seemingly two incompatible words are unified in Lan Ying's paintings and become his signature style. This painting "Sound of Xishan Spring" is the work of Lan Ying, which depicts strange stones and ancient trees, which looks like a fairyland on earth. A few old men sat at the water's edge, quietly listening to the sound of the endless stream of water.
Why listen to the sound of water, because you can feel the beauty of silence. A lot of times, people need to calm themselves down. The purpose of Lan Ying's painting "Sound of Xishan Spring" is also to calm the viewer. He chose a very wonderful entry point, the gorgeous visual effect and the calm and deep space to form a contrast, and finally produce a strong sense of substitution.
Lan Ying Xi Shan Quan Yin
Lan Ying lived in the last years of the Ming Dynasty, and his creative philosophy was far from Dong Qichang. He was a cloth man, which led him to speak softly in the painting world. For a long time, people classified him as a folk painter. Such a division is really unfair. Just by virtue of his pen and ink kung fu imitating the Song and Yuan techniques, we know that he is enough to enter the ranks of famous masters.
If Dong Qichang had not belittled the artistic achievements of professional painters, lan Ying could at least become a leader in the painting world in Jiangsu and Zhejiang. He likes to sketch mountains and stones with axe splitting, and he looks very beautiful. Some people felt that his painting method was somewhat similar to Dai Jin in the early Ming Dynasty, so they classified him as a zhejiang painter. However, in this way, it became a reason for the literati painters not to approve of him.
Lan Ying Xi Shan Quan Yin Local
Modern people understand that only when multiple styles coexist can artistic creation flourish. However, the ancients did not think so, and the ancient painters preferred to follow influential painters. Therefore, a painter like Lan Ying, who takes into account both vigor and aesthetic beauty, has become an "outlier".
It is hard to imagine that Dong Qichang emphasized the use of pens by the ancients, and Lan Ying also emphasized that "pens and brushes into the ancients", but the evaluation of the two of them in the painting world is completely different. Lan Ying suffered a loss, he paid too much attention to the visual effects of the picture, he liked to paint beautiful landscape paintings. Even if someone said that he was abusing decorative techniques, he didn't bother to argue. The beautiful beauty presented in "Streams and Mountains and Springs" makes people really believe that there is happiness in the landscape.
Some people think that Lan Ying should not paint so popularly. He should strive to improve the realm of his works, he obviously has exquisite brushwork, but he is less literati and elegant. Lan Ying and those literati painters had different creative purposes, which in turn led to different aesthetic orientations. The painters of the late Ming Dynasty, represented by Dong Qichang, their works may not be painted for ordinary people. Lan Ying's works should be painted for ordinary people to see.
The purpose of creation is different, and the style of the work is of course different. If you have to say whose work is better, it becomes a matter of opinion. If you look at it from the perspective of the viewer, the audience of "Stream Mountain Spring Sound" will be wider.
Lan Ying grew up in the folk, and he knew the aesthetic needs of ordinary people for painting. He used superb technique to serve ordinary people, much like many famous artists in the mid-to-late 20th century. Therefore, modern people have re-acquainted themselves with Lan Ying and his works.