On the Lantern Festival, Jia Mu set up a banquet to entertain the family and guests Aunt Li and Aunt Xue, who wanted her old man to use "Feng Qiu Luan" to break the lie and completely expose the Xue family's intention to plot a golden and jade marriage in the Jia family.
It is certain that Aunt Xue has no face, after all, some words do not need to be explained, but they only insinuately know who they are referring to.
But that night's Aunt Xue's "faceless" thing was not only Jia Mu's "breaking the lie", but also talking about "etiquette" with Wang Xifeng and talking to Jia Mu about opera all made her very faceless. Especially at the end of the night banquet, Shi Xiangyun embarrassed Aunt Xue again.
At that time, it was already four days later, and Wang Xifeng finished telling the joke of "deaf people firing cannons", which reminded Jia Mu that they also wanted to set off fireworks. So he instructed the people outside to get ready. During the fireworks, another thing that embarrassed Aunt Xue appeared.
(Fifty-fourth time) Lin Daiyu was weak and weak, and she couldn't help but refute it, and Jia Mu put her arms around him in her arms. Aunt Xue put her arms around Xiangyun. Xiang Yun smiled, "I'm not afraid." Bao Chao laughed and said, "He loves to amplify the cannon battle, and he is still afraid of this." Madame Wang then took Baoyu into her arms.
Mother Jia put her arms around Lin Daiyu, Madame Wang put her arms around Jia Baoyu, and Aunt Xue was going to put her arms around Shi Xiangyun. It is said that this kind of intimate physical contact represents the love and care of the elders for the younger generations, and it is also a piece of her compassion.
But she didn't expect Shi Xiangyun to refuse. Xiang Yun said, "I'm not afraid." Bao Chao also said that she herself loved to amplify the cannon fight and was not afraid of these fireworks.
Shi Xiangyun's personality is "heroic and generous", he loves to dress up as a man, and he is naughty with Jia Baoyu as if he were a brother. This kind of personality of hers is the same as Jia Mu did not like to stay in the house when she was a child, and played by the mountain and the water all day, or she was deeply loved by Jia Mu!
Shi Xiangyun was not afraid of fireworks, and Aunt Xue's hug fell short. And her own daughter is around, she does not "hug", but to hug Shi Xiangyun, the action reflects people's hearts, Cao Xueqin's two sentences behind the description, reflecting several layers of meaning.
First of all, why didn't Aunt Xue hug Xue Baochao?
Xue Baochao was next to Aunt Xue at the time, but she did not hold her daughter.
Xue Baochao is "not afraid" of fireworks on the one hand. But "hugging" itself is not necessarily fear, but also pampering.
Jia Baoyu was already sixteen or seventeen years old, and he could not be afraid of fireworks, but Madame Wang put her arms around him, reflecting the loving mother's pampering of her children.
Aunt Xue let her daughter not hug anyone else. Represents her sacrificial heart for Xue Baochao.
The Xue family fell, and Aunt Xue brought her children into Beijing to the Jia family in an attempt to marry Jin Yuliang. No matter how it sounds good, it is the intention of sacrificing her daughter for the benefit of her son and the Xue family.
Xue Baochao knew his mother's heart, but he couldn't oppose it! Aunt Xue did not consider her daughter's thoughts.
Therefore, Baochao will have "Liu Shu Ci" in the later text, "Good wind with strength, send me to Qingyun", which is both her ambition and her desire to break through the shackles of reality. With Lin Daiyu's "May the slave be born with wings and fly with the flowers to the end of the sky" is a meaning.
In fact, the mother-daughter relationship between Aunt Xue and Xue Baochao, Cao Xueqin wrote very cryptically. However, it is clearly reflected through the relationship between the attacker and the mother, Hua Bozi.
When the Hua family was bankrupt and could not survive that year, Hua Baozi sold her daughter for the first time to let the family survive.
When the attacker grew up, she thought about redeeming it again. The attacker unceremoniously exposes his mother, but he is just greedy for another bride price and the attacker's savings in the Jia family.
The pain of attacking people is xue baochao's pain. Aunt Xue's not hugging Baochao and hugging others at this time is the most subtle embodiment.
Secondly, why did Aunt Xue hug Shi Xiangyun?
Aunt Xue did not hug Xue Baochao, nor did she hug Xue Baoqin, but wanted to hug Shi Xiangyun. Shi Xiangyun is a big miss of the Shi family and a niece of Jia Mu. Many times Shi Xiangyun was given the role of Jia Mu's "microphone" by the author.
Aunt Xue hugged "Shi Xiangyun", which meant hugging Jia Mu's thigh. Jia Mu is the representative of the Jia family.
Sacrificing her daughter Xue Baochao to hug the Jia family is the essence of Aunt Xue's attempt to marry Jin Yuliang.
In the end, why was Aunt Xue "rejected"?
Shi Xiangyun was not afraid of fireworks and firecrackers, nor did he need Aunt Xue to hold him. It makes Aunt Xue "shave her head and pick a hot head". Isn't this the status quo of Jia Mu's rejection of Jin Yuliang's marriage!
Jia Mu took the opportunity to express her position countless times: to celebrate Xue Baochao's birthday, to move for the Xue family, to refuse Zhang Daoshi's proposal, to say that "it is not a wrongdoer who does not gather their heads", to love Xue Baoqin, to Give Baoqin Qiao Qiu, Jia Baoyu Tonching Jinqiu, to ask Xue Baoqin's birthday eight characters, to borrow "Phoenix Seeking Luan" on the night of the Lantern Festival to break a lie, pointing out that it is "thief's love" for guests to seduce the host's marriage match...
All of Jia Mu's statements were to reject the marriage between Aunt Xue and Jin Yuliang. Aunt Xue was still "uninteresting" to hug jiajia's thigh. It's destined to be a "joke"!
In summary, Cao Xueqin's rejection of Shi Xiangyun through Aunt Xue reflects her reality and embarrassment in the Jia family. It also exposes the essence of her "selling her daughter", which makes people look at it coldly, ridiculously sadly and pitifully!
Wen | Junji Yakan Red Chamber
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