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The appearance of the treasure of the Sansu Ancestral Hall is different from the Su Dongpo calligraphy seen in normal times?

author:Cover News

Cover news reporter Li Qing Wang Yuexin

On January 21 (the 19th day of the lunar month), the 985th anniversary of Su Dongpo's birth, "My Family Dongpo - Su Shi Theme Cultural Relics Special Exhibition • "Su Shi Calligraphy Complete Collection " (45 volumes) Catalogue Special Exhibition" was launched in Sichuan Meishan Sansu Ancestral Hall style Su Xuan. What is remarkable is that the treasure of the Sansu Ancestral Hall, Su Shishu "Drunken Pavilion Record" Song Tuoben, was exhibited for the first time in 63 years.

However, the big characters in the orthography of "Drunken Pavilion" also made some visitors feel strange: the font is square and majestic, why is it different from the "stone pressure toad body" on the east slope that you usually see?

The appearance of the treasure of the Sansu Ancestral Hall is different from the Su Dongpo calligraphy seen in normal times?

Song Tuo's "Drunken Pavilion" has a great beginning 63 years ago, the Forbidden City transferred it

The Tale of drunken Pavilion is a famous prose written by Ouyang Xiu in the sixth year of the Qing calendar (1046). In the sixth year of the Northern Song Dynasty (1091), Su Shi wrote at the request of the King of Chuzhou Zhizhou when he was in Yingzhou. This calligraphy, "dashing and vertical, wrapped in iron in the cotton", is one of Su Shikai's famous works. In 1959, the Sansu Ancestral Hall established the Sansu Memorial Hall, and the Palace Museum donated the Song Tuoben of the "Drunken Pavilion" to the Sansu Ancestral Hall.

Due to the lack of exhibition conditions, the nearly 10,000 cultural relics in the collection of the Sansu Temple are basically "locked in the deep and unknown". At the end of last year, the Renovation and Upgrading Project of the Sansu Ancestral Hall-style Suxuan Cultural Relics Warehouse and Exhibition Hall was successfully completed. Taking this exhibition as an opportunity, the treasure of the Sansu Ancestral Hall also began to appear in The Style Su Xuan. Su Shi's book "Drunken Pavilion" Song Tuoben is one of the treasures of the Sansu Ancestral Hall.

Ouyang Xiu and Su Dongpo are giants in the history of Chinese culture, so the works of his two masters and apprentices are naturally superior, and later generations call them "Owen Su Characters, Pearls and Pearls", which are regarded as rare treasures. Feng Ruoyuyun of the Ming Dynasty: "The most author of the Song tablet text is the Second Monument of Ou Gongchu." ”

The appearance of the treasure of the Sansu Ancestral Hall is different from the Su Dongpo calligraphy seen in normal times?

"What is very rare is that the "Drunken Pavilion Record" stored in the Sansu Ancestral Hall is Song Tuoben. Infinitely close to the original, very precious. Zhang Jiawei, curator of the special exhibition of calligraphy, said, "Ouyang Xiu is Su Dongpo's teacher, and Mr. Dongpo also wrote this picture very carefully. ”

"Stone pressed toad body" is self-deprecating Su Dongpo somewhat "Versailles"

"Through the "Drunken Pavilion" and this calligraphy exhibition, everyone can see a different Su Dongpo." Professor Cao Jian, director of the Institute of Chinese Calligraphy at the College of Letters of Southwest University and editor-in-chief of the Complete Works of Su Shi Calligraphy, said, "Dongpo calligraphy, represented by the Cold Food Post, has made many people mistakenly think that Su Dongpo can only write lines. In fact, his handwriting is very good, in addition to the "Drunken Pavilion Record", you can also look at the "Table Loyalty Monument", which is called imposing! ”

Cao Jian said that the inscription must have been written in letters, but there are fewer letters handed down by Su Dongpo. Because there are also records in the historical materials, many people ask Su Dongpo to write a monument, but he refuses.

The appearance of the treasure of the Sansu Ancestral Hall is different from the Su Dongpo calligraphy seen in normal times?

"Su Dongpo not only said that he wrote 'stone pressed toad body', but also said 'I can't make a book', in fact, it is all a joke." He had already laid a solid foundation in his youth and in the Sansu Ancestral Hall in order to have the later "Cold Food Post". Cao Jian said.

The appearance of the treasure of the Sansu Ancestral Hall is different from the Su Dongpo calligraphy seen in normal times?

It is understood that in December last year, the sansu temple museum and the Southwest University College of Literature Chinese calligraphy research institute cooperation project - "Su Shi Calligraphy Complete Collection" compilation results were officially released, which is also the first time that Su Shi and Su Shi's calligraphy works have been comprehensively sorted out and studied. "My Family Dongpo - Special Exhibition of Catalogues of Su Shi's Complete Calligraphy (45 volumes)" is based on this project, focusing on more than 170 pieces of Su Shi's calligraphy works and ancient books.

It is reported that the exhibition will last until May 5 this year.

The appearance of the treasure of the Sansu Ancestral Hall is different from the Su Dongpo calligraphy seen in normal times?
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