Cui Hanbai's writing is not to hold the bones of the cloud mountain, that into the heart of gold and stone, the natural odd festival, falling ink to see the high placket. This is a poem by the Qing Dynasty painter Gao Fenghan, "Chapter Cursive Writing". The feeling of this word as a whole is elegant and ethereal, with ancient meaning. It can be seen that the author's creative ability is very strong. Looking closely at individual glyphs is very problematic, such as the words hug and cloud in the first line.
Wang Xi's poem is written about the pond on the lanai in May cool, a hundred flowers bloom to the water and incense. Gold buys wine to invite poets, drunkenly pouring the green jade bed in front of the eaves. This is a poem by the Tang Dynasty poet Chen Yu, "Summer Feast Jiuhua Pond Gift to the Master". This painting looks warm and beautiful, smooth and free, and the points and lines have unique features.
Gu Songzhang's character is first of all a very eye-catching change in ink color, the texture of the lines is very strong, giving people a very elegant and innovative feeling.
Lin Jinghui's writing is that the plain forest desert is full of smoke, and the cold mountain area is sad and blue. Twilight into the tall buildings, some people upstairs worried. The jade steps stand empty, and the birds return to the flying fast. Where is the homecoming? Long pavilions with short pavilions. This is One of Li Bai's poems, "Bodhisattva Man."] The large character body is dipped in five strokes of ink, the ink color gradient effect is good, sprinkled, the thickness of the line and the size of the word, it seems a little uniform.
Zhang Lian's writing is that Mo Fang's spring and autumn days have passed, and it is most difficult for the wind and rain to come. This painting is written in a fresh and elegant way.
Jiang Lezhi's painting reads that the ghost bird goes through the fence, and the neighbor collects medicine back. The clouds came out from the bottom of the pond, and the flowers bloomed in front of the Buddha. This is a poem by the Tang Dynasty poet Sikong Tu. This painting has strange knots and skewed glyphs, which is very interesting.