Admire the works of six famous calligraphers today.
Wang Xi's painting is written by Bai Juyi's "Spring Trip to Qiantang Lake", the north of the Gushan Temple, Jia Tingxi, and the water surface is low at the beginning of the clouds. A few early warblers compete to warm the trees, and whose new swallows peck at the spring mud. The flowers are becoming more and more attractive to the eye, and asakusa can have no horseshoes. Favorite lake eastbound is insufficient, green poplar shade in the white sand embankment. This painting is wide open and closed, the lines are strong and stretched, the ink color is rich, and it is full of vitality, absorbing many things of the Huang TingJing.
Tian Xiaohua's painting is written in Liu Yuxi's "Buried Room Ming", the mountain is not high, and the immortal is named. The water is not deep, there are dragons and spirits. Si is the Burrow, but Wu Dexin. The moss marks are green on the upper level, and the grass color is green. There is a great deal of laughter and laughter, and there is no white ding. You can tune the piano and read the Golden Scripture. There is no silk bamboo messy ear, no case of labor shape. Nanyang Zhuge Lu, Western Shu Zi Yunting. Confucius Ziyun: What is ugly? This painting is exquisite, upright, fresh and elegant, and pleasing to the eye.
Huang Yanping's writing is a heavenly rat paste, is there a cure for deafness? Those who have tests are medicines. Where Zhu Churen is now, he has obtained his book, but the letter does not take an answer. Now, because of the answer to his book, he may be able to attain it. Foot under this year's political seventy yeah, know the body is always good, this big celebration also. I want to return to work and recuperate. My ears are down and I push it. This content is Wang Xizhi's "Seventeen Theses" of the "Heavenly Rat Thesis", "Zhu Chu Ren Ti", and "Seventy Posts". In the end, the "Seventy Theses" were not finished, and there were still some words. This work writes the content of the "Seventeen Theses" on the fan, which is also quite interesting.
Guan Jun's writing is that plum blossoms and cold birds do not have to be copied, and the sun shadow draws the window to make a drawing. The cold bird dissolves the flying flowers and dances, and the king looks at this painting ancient and modern. This is a poem by Yang Wanli's "There are cold birds in the plum shadow of the east window". This painting is rigorous in penmanship, exquisite in dot painting, and the knot is wide, generous and handsome. Very well done.
Zhang Hua's writing is a mountain house guqin, although the quality is not purple Qiong green jade, the ringing is not in the Jiaowei bell. Put it on the stone bed, and make a quick count; There is no one in the mountains, the water is blooming, and it is absolutely cold. This passage is from the "Little Window Memoirs". This painting is elegant and free, the rhythm is bright, fresh and elegant.
This painting of Cao Wanfeng is written in the shape of a number of green dragons, and Qiao Ba must teach this place to be born. Infinite wildflowers can not bloom, half of the mountains cold color and spring contention. This is Pei's "Bamboo in the Mountains of Spring". This painting is elegant and bold. Personally, I feel that there are still improper handling of individual places, the number is too large, the words behind lack echoes, and the last word is awkward in the position of the word.