The Northern Song Dynasty Han Qi Kai Letters and Letters volume (see the end of the text for the whole picture) is a national treasure-level cultural relic, and it is also the only legal book handed down by Han Qi, a famous minister of the Northern Song Dynasty.
The Paper has learned that from January 21, this cultural relic will be unveiled in the Guizhou Provincial Museum "Qing Ping Le - Han Qi Kai Letters and Letters" and song Dynasty literati charm exhibition" exhibition. The exhibition takes this volume as the center, and shows the scrolls of Han Qi, Fan Zhongyan, Ouyang Xiu, Su Shi and other literati of the Song Dynasty through more than 100 cultural relics, including Ouyang Xiu's essay "Xiangzhou Day Jintang Record" included in the "Ancient Literature Guanzhi".
Han Qi (1008-1075), courtesy name Zhigui, was a native of Anyang, Xiangzhou (present-day Anyang, Henan). Famous generals and generals of the Northern Song Dynasty, the three dynasties of Renzong, Yingzong and Shenzong. During the reign of Emperor Yingzong of Song, emperor Shenzong of Song died in the eighth year (1075) of the reign of Emperor Shenzong of Song, with the posthumous title of "Zhongxian", and Emperor Shenzong wrote a monument to his imperial title of "The Founding Father of the Two Dynasties' Gu Fate", and allowed him to enjoy the temple court of Emperor Yingzong, and was posthumously awarded the title of King of Wei during the reign of Emperor Huizong of Song.
The statue of Han Qi in the Song Dynasty's anonym "Eight Phases Diagram" is collected by the Palace Museum
Northern Song Dynasty Han Qi Kai Letters and Letters Volume Xin Su Ti
Part of the "Letter Post"
In the Song Dynasty, the implementation of civil rule and the implementation of the cold door to take soldiers, the style of Shangwen from the bottom up throughout the society. Under the infiltration of strong literary popularity and bookish atmosphere, Han Qi and his contemporaries of literati and doctors, on the one hand, have the world in mind, integrating the Confucian "outer king" and "inner saint"; on the other hand, they pursue a pure and idyllic and transcendent realm of life. They have a strong interest in literature and art, piano, chess, calligraphy and painting, and jinshi antiques, and they have built a delicate world filled with rich book fragrance and elegant imagery by virtue of their identity, status, knowledge and cultivation, thus forming a kind of convergent shape, indifferent, rigorous and subtle, elegant and thin, exquisite and delicate cultural characteristics. All this made the Two Song Dynasties an era of "depressed wenzai" in the ideal of Chinese literati.
The "Letters and Letters of Han Qikai of the Northern Song Dynasty", which has been circulating for nearly a thousand years, is a collection of Calligraphy books related to several Song Dynasty scholars, a good text passed down from generation to generation, and a famous inscription. This gives you a glimpse into the elegant world of the two Song dynasties.
The exhibition focuses on the volume "Letters and Letters of Han Qikai of the Northern Song Dynasty", presenting more than 150 exhibits of Porcelain, Stone Carving, Bronze Mirror, as well as celebrity calligraphy and paintings, inscription rubbings, and ancient book editions that reflect the culture of the Song Dynasty in later generations.
White glazed pearl ground tangled branches of floral porcelain pillows
Weng Fanggang title Su Shi "Xuelang Zhai" stone carving rubbings, Qing Jiaqing four years (1799)
Yang Cang Tomb Female Chamber Dragon Head Stone Sculpture, Southern Song Dynasty
Rhombus treasure phase flower copper mirror
Taste people
The exhibition is divided into three parts based on the idea of books and literary works, that is, character, the first part is Pin Ren, which mainly shows the social culture of Han Qi and the Song Dynasty. This part divides the display of cultural relics and the display of layout into two lines, and the cultural relics are mainly based on the artifacts of the Song Dynasty to restore the style of the Song Dynasty. The layout is mainly based on Han Qi's life, showing Han Qi's life from three aspects: liyan, meritorious service and lide.
During his lifetime, Han Qi wrote a wealth of works, including 200 volumes of the Records of Emperor Renzong, 30 volumes of the Detailed Compilation of Jiayou, 50 volumes of the Anyang Collection, 1 volume of The Poetry of Reading Gutang, 60 volumes of "Reference to ancient and modern family sacrifices", 60 volumes of "Duan Gong Since The Xuan Shu Zhazi", 5 volumes of "Erfu Zhongyi", and 736 extant poems in the first volume of "Ritual Rituals".
As a famous minister and famous general, Han Qi lied to the three dynasties of Renzong, Yingzong, and Shenzong. During the reign of Emperor Renzong of Song, Han Qi and Fan Zhongyan joined forces to take charge of the defense of Shaanxi, jointly conquered Western Xia, and won decades of peace on the border of the Northern Song Dynasty. There is a song from time to time: "There is a Han in the army, and the heart of the western thief is cold." There was a model in the army, and the western thief was shocked to hear it. In the third year of Emperor Renzong's qing calendar (1043), Han Qi and Fan Zhongyan were both appointed as privy councillors, which opened the prelude to the new policy of the qing calendar. In the third year of The reign of Emperor Renzong of Song (1056), Han Qi formally paid homage to him and began his ten-year career as chancellor, assisting Emperor Yingzong and Emperor Shenzong.
Read the post
The second part of the exhibition is the reading of posts, which is mainly to interpret the circulation, inscription and printing letters of the "Northern Song Dynasty Han Qi Kai Letters and Letters".
The Northern Song Dynasty Han Qi Kai Letters and Letters is a volume of Han Qi's two authentic handwritten inkblots on paper, namely the Xin su ti and the Xun Ri Ti, which are framed with the thirteen inscriptions of the Yuan and Qing dynasties in later generations. Among them, the Xinsu Ti and the Xun Ri Ti were created in the middle of the Northern Song Dynasty, and are the only Fa books handed down by Han Qi today for nearly a thousand years. In 2012, the volume of "Letters and Letters of Han Qikai of the Northern Song Dynasty" was included in the "Catalogue of Cultural Relics Prohibited from Export exhibition (Calligraphy and Painting)" by the State Administration of Cultural Heritage, and together with Wang Xun's "Boyuan Thesis" volume, Lu Ji's "Pingfu Ti" volume, Shenlong Ben's "Orchid Pavilion Preface" volume, Han Di's "Five Bull Diagram" volume and other 37 ancient calligraphy and paintings, it has become a national treasure level cultural relics under national key protection and prohibited from being exhibited abroad.
The Xin Su Ti (信宿帖) is a letter of thanks written by Han Qi to Ouyang Xiu, another northern courtier of the Northern Song Dynasty who was also an official of the Same Dynasty, also known as "Xie Ouyang Xiu Ti" or "Xu Xie Ti". Length 30 cm, width 40 cm, tooth color column plain paper, orthographic writing, strict font structure, correct strokes, in and out between Yan Liu, and the skill is not shallow. This post was selected as a book of the Law of Transmission and the Post-Post Cai Jingxing Wenbao in the "Three Xi Tang Fa Ti" selected during the Qianlong period of the Qing Dynasty, and was engraved and passed down to the world. The full text of the "Letter Su Ti" is fifteen lines, more than 150 words, except for a few words that are damaged, most of which are clearly visible.
The Northern Song Dynasty Han Qi Kai Letters and Letters volume, the right side is the "Xin Su Ti", and the left side of the "Xun Ri Ti" handwriting is mostly illegible.
The "Ten Days" is 30 cm in length and 40 cm in width. Unfortunately, most of the handwriting is indistinct and illegible, and only about twenty words can barely be read. Nowadays, comparing the few surviving words seen with the words in the "Xinsu Ti", it is found that the words in the two posts are written by the same person, the font is tight and strict, and the face is willowy, so it can also be judged as Han Qi's authentic handwriting.
The "Xin su ti" and the "Xun Ri Ti" were passed down to later generations as the title of the Legal Book, and were cherished and enjoyed by collectors of all generations, followed by thirteen passages inscribed by eleven people of the Yuan and Qing dynasties. In the order of mounting, cai jingxing, Tai Buhua, Yang Jingde, Zhu Bo, Ban Weizhi, Li Qi, Zhang Shengqing, Li Mao, Chen Liang of the Yuan Dynasty, and Wang Hongxu and Gao Shiqi of the Qing Dynasty. The nine people of the Yuan Dynasty were all famous Yuanshi scholars who were known for their articles; the two were close ministers of the Kangxi Emperor of the Qing Dynasty, and they were also famous scholars and connoisseurs.
The Northern Song Dynasty Han Qi Kai Letters and Letters volume is partial
In addition to the name and font size of the inscription person, there are also several square treasure seals on the volume of the Northern Song Dynasty Han Qi Kai Letters. The Xinsu Ti has the Six Seals of Qianlong and the seals of the jiaqing emperor and the xuantong emperor. In addition to the Jianzang seal letters of the three foreign emperors, the Northern Song Dynasty Han Qikai Letters and Letters contains the seal of Gao Shiqi, a famous calligraphy and painting collector of the Qing Dynasty.
"Sanxitang Jingjian Seal" Zhu Wen Changfang Seal
"Shiqu Baodi" Zhu Wen Changfang Seal
"The Treasure of Qianlong Imperial Collection" Zhu Wenyuan Seal
"Treasure of Xuantong Imperial Collection" Zhu Wenyuan Seal
Appreciation
The third part of the exhibition is an appreciation of the text, centered on the "Xiangzhou Day jintang record", showing the travels of Ouyang Xiu, Han Qi and Cai Xiang, as well as the grand situation of the Song Dynasty's literary style.
Ouyang Wenzhong official text copy, (Song) Ouyang Xiu (Ming) Mao Kun commentary, Ming carved Zhu Mo overprint
Ouyang Xiu and Han Qi can be said to have similar interests in politics, literature, and handling affairs, so the two have frequent exchanges. There are forty-six letters from "With Han Zhongxian Wang Zhigui" preserved in the Complete Works of Ouyang Xiu. Han Qi also has several poems in the Anyang Collection that interacts with Ouyang Xiu. Ouyang Xiu regarded Han Qi as a confidant, and Han Qi also said: "Those who know Qi in the world are like Ou Gong." The gentlemanly friendship between Han and Ou is often praised by future generations. In the Southern Song Dynasty, Zhu Xi's "Later Collection of Famous Ministers' Words and Deeds" is recorded in volume 1: "(Han Qi) knew Uncle Yong in the evening and was the deepest in love. Uncle Yong deeply obeyed the virtue of the Gong and tasted: "Tired of hundreds of Ouyang Xiu, how dare you hope that Han Gong will?" (Han Qi) Gong Yue: "Uncle Yong knows that there is no other, qi is only sincere." The Xiangzhou Daytime Jintang Chronicle and the Xinsu Ti, which has survived to this day, are also testimonies to the friendship between the two.
In the first year (1056) of emperor Renzong of Song, Han Qi served in his hometown of Xiangzhou and built gardens in Xiangzhou, one of which was named "Day Jintang". More than ten years later, Han Qi returned to the dynasty as prime minister, and at this time Ouyang Xiu was serving as vice chancellor, and the two were officials of the dynasty and had a close relationship. Han Qi asked Ouyang Xiu to write an essay on the Day Jintang, and Ouyang Gong responded to his request and wrote the "Record of the Day Jintang in Xiangzhou". This article was later selected as a famous article in the "Ancient Literature Guanzhi" and has been praised to this day. "Xinsu Ti" is the article written by Han Qi for Xie Ouyang Gong's "Xiangzhou Day jintang record".
Inscription of the Book of Day jintang
The inscription of "The Chronicle of the Day Jintang" is engraved with rubbings
The Three Absolute Monuments of the Day Jintang
Ming Dong Qichang's painting part of "The Scroll of the Book of the Day Jintang"
Ming Dong Qichang's "Day Jintang Calligraphy and Painting Scroll" calligraphy part
Zhang Hong's "Manor Atlas" Ming Dynasty
Zhang Hong (1577-?) ), zi jundu, hejian, a native of Wu County (present-day Suzhou, Jiangsu). Good at painting landscapes, he was the backbone of wumen painting in the late Ming Dynasty. This painting depicts Han Qi's Daytime Jintang built in Anyang, and there is a self-titled poem on the folio: Daytime Jinyan is vulgar, Wei Gong is absolutely vulgar. Non-disciple merit is long, and it is appropriate to see that the heart has no desire. Supplemented by three kings, two built fixed books. Loyalty runs through the sun and the moon, and heroism lays the foundation for qiankun. Once the sun is thick, the red writing is also the river. The hall chats drunk and white, and the pavilion is full of foxes and gulls. There is absolutely no suspicion of being far away, and Lin Quan is particularly happy. Transcendent gentleman's heart, the multitude does not know the ears.
Fan Zhongyan, Ouyang Xiu, Su Shi, Xin Zhiyi... The most important names in the history of Chinese literature come from the Two Song Dynasties. For thousands of years, their poems and articles have been enshrined as classics and widely praised. Literati and writers of past generations have frequently quoted and written in couplets, poems, and articles. These ancient sayings have become the source of living water in the spirit of the afterlife, and they have been flowing endlessly.
Qing Ping Le - "Han Qi Kai Letters" and song dynasty literati style exhibition
Exhibition period: January 21, 2022 - April 10, 2022
Venue: Hall 6, Minus 1st Floor, Guizhou Provincial Museum
The complete volume of the Northern Song Dynasty Han Qikai Letters and Letters (horizontal reading)