Qin Keqing is "the outline of this book, the great bito, and the great satire" (the seventh lipogram), and the si palm too illusory realm of the police illusion, although the two names are different, but in essence they are the same person, both are all implicitly referring to the nickname "secret" Yin Rong [Note 1], just as Li Yanzhai pointed out that although there are two names, people are one" (the forty-second return to the previous batch), is "the author uses the magic pen also".
Jia Baoyu, the first orthodox person in the text, is listed together as the "Tongbu Outline", and the only time the two "Tongbu Outlines" meet in the first eighty times is in the fifth. This time, Jia Baoyu sleepwalked too illusory, and played the "Dream of the Red Chamber" of "Huaijin Mourning Jade" in the dream, and later Baoyu also followed the training of police illusion, and "its bright and feminine, similar to Baochao; The merry-going Yuanna is also like The Milk Name of Daiyu "And Beauty" of Qin Keqing.
Lipogram pointed out: "Huaijin mourns jade, which has great meaning." So, what exactly do the "gold" and "jade" of "huaijin mourning jade" that "have great meaning" refer to? Li Yanzhai did not say the deep meaning of it, but it was so far, was she mysterious, or was it really "profound"?
1. What is "gold" and what is "jade"?
From the highest principle of creation, "Xiangling and Qingwen generations do not have to be again" (fat batch), therefore, the "Dream of the Red Chamber" of "Huaijin Mourning Jade", the text shows us only the main summary of the life of the twelve zhengchao, but Xiangling and Qingwen generation are "can not be nothing" (fat batch), therefore, "Dream of the Red Chamber" and the text does not show the side songs related to Xiangling, Qingwen and so on.
Since "Dream of the Red Chamber" is all related to the life of the Twelve Nobles, the "Gold" and "Jade" in the "Huaijin Mourning Jade" must be closely related to the Twelve Nobles.
The "Lifelong Mistake" and "Mistrupt Eyebrows" in "Dream of the Red Chamber" of "Huaijin Mourning Jade" are actually Jia Baoyu's version of "Huaijin Mourning Jade", which is the "Crown of All Yans" (the seventeenth return to the previous batch) Jia Baoyu mourns the tearful Death of Daiyu at the end of the story, and feels the baochao who is still tenacious and alive after the end of the prosperity of the end of the world.
BaoChao wears the eight characters of "do not abandon, Fang Ling Yong Ji" given by the leper monk, Jin Yongluo is also one of her symbols, and the leper monk is one of the author's avatars, therefore, the Baoyu version of "Huaijin Mourning Jade", in which "Jin" refers to Baochao, who has a "golden jade marriage" with Jia Baoyu, and "jade" naturally refers to the Daiyu that Jia Baoyu has in mind.
Jia Baoyu's "Lifelong Mistakes" and "Mistruptuous Eyebrows" of Jia Baoyu's "Dream of the Red Chamber" of "Huaijin Mourning Jade" are the first two in addition to the introduction, and the importance of the two in the "Dream of the Red Chamber" is self-evident. The sixteenth lipogram pointed out: "Where the treasure jade is cleaned up, the furniture is the big key", and the important "lifelong mistake" and "False Eyebrows" are obviously a "big key" that is "cleaned up by the treasure jade".
"Lifelong Mistake" and "Mistrupt Eyebrows" are directly related to Chao Dai, and the "Huaijin Mourning Jade" is therefore also a "big key", and the "Big Key" role is indeed worthy of the role of "Big Key", one "Yan Guan Qunfang" (the sixty-third time), and one with Jia Baoyu and called "the Lord of Tongbu" (the first lipogram).
As the representative of the twelve, the life of the "big key" Is also the epitome of Zhu Fang's life. At the end of the story, Zhu Fang either dies like Daiyu, or lives tenaciously and wisely like Baochao. Therefore, the "gold" and the mourning "jade" in the "Dream song of the Red Chamber" of "HuaiJin Mourning Jade" are the twelve jade represented by the "gold" and the "jade" dai.
2. "Huaijin Mourning Jade" is related to Qin Keqing
Although Chao Dai is the representative of Zhu Fang and plays an irreplaceable role in the vast red chamber text, in the unique red chamber text, they are not yet the source of the story. The source of the story of the text is someone else, who is also a positive person.
The sentences and dream songs of the Twelve Zhengchao only summarize his own life experience and ending, except for Qin Keqing, who died the earliest, but his sentence and lyrics also summarize the general situation and ending of ningrong's second house, and attribute the "root of the loser" to Qin Keqing's "style and moon appearance", the reason is that Qin Keqing is "the outline of this book, the big bito, the big irony" (the seventh fat batch).
The text of "Zhen Shiyin" performed by its practical "Jia Yucun Dialect" is "Yu Ye in the table" (fat batch). The author uses the "Jia Yucun Dialect" to clearly cultivate the "boardwalk" of "great purpose of intercourse", but it is intended to secretly cross the "Chen Cang" of political realities. Therefore, Under the pretext of "the outline of this book, the great bito, and the great irony", Qin Keqing used it as a symbol of "love", so that she was transformed into "its bright and feminine, resembling Baochao" in Baoyu's "love heaven and love sea" that was too vain in baoyu's "above the hated heaven and filled with sorrows"; The "love body" of Dai Yu, that is, the milk name of Qin Keqing of "Gai Zhi Xue Lin Ye" (the fifth fat batch), entangled with Bao Yu, and finally let Bao Yu fall into "Mizu", with the saying that "sustenance is always due to love".
Bao Daichao is the three most important dreamers in the dream of the Red Chamber, and after that, Bao Daichao and the Twelve Nobles and other evils have gone through the wind and moon waves in the illusion of the Grand View Garden [Note 2] centered on the stage of Bito Yu in the Too Illusory Realm, and will eventually return to the Too Illusory Realm. This means that Bao Yu and Qin Keqing's too vain dream is a shadow of the main text of the Grand View Garden with Bao Daichao as the protagonist in the future, and the relationship between these two parts is bito and bito, and the time interval is "I don't know the geometry of the calendar".
Therefore, since the "Huaijin Mourning Jade" that "has great meaning" has a lot to do with the "big key" Offidelity, the deep meaning of it must have a lot to do with Qin Keqing, who "both beautifies" The Jade.
In fact, "Dream of the Red Chamber" is from the "too illusory realm" controlled by the police illusion fairy, Qin Keqing and the police fantasy fairy are actually the same person, which also means that the "Huaijin Mourning Jade" with "great meaning" has a lot to do with Qin Keqing.
Qin Keqing implicitly refers to the abolition of the prince Yin Rong, and the identity of the deposed prince of Yin Rong means that the "Huaijin Mourning Jade" that has a great relationship with Qin Keqing really has "great meaning".
3. "Huaijin Mourning Jade" and Grand View Garden
Because there are both Qin Keqing and Jia Jing within the Jia family, the "sorrow of the partridge and the power of Tang Di" (the second lipogram) within the Jia family of "writing falsehood is to know the truth" (the second fat batch) is not only an artistic reproduction of the author's family past, but also a metaphor for the orthodox and unorthodox disputes between the princes.
Qin Keqing of "The Outline of this Book, the Great Bito, and the Great Irony" alludes to Yin, which is of course the orthodoxy in the text; Jia Jing, who "Ji Qiu decadences and degenerates are all respected", alludes to Yongzheng, which is of course the unorthodox in the text. In the fable "Ninety Spring Lights" (the first lipogram), the text metaphorically refers to this dispute between orthodoxy and unorthodox, "the sorrow of the partridge, the power of the tangdi" has never stopped.
The most important stage of the Twelve Nobles is undoubtedly the Grand View Garden, and, as the place where Baoyu and Zhu Fang reside, the Great View Garden is "the Jade Brother and the Twelve Nobles of the Great Illusory Realm" (the sixteenth fat batch), so the "Huaijin Mourning Jade" that is closely related to the Too Illusory Realm is also closely related to the meaning of the Grand View Garden.
The Grand View Garden, as the most important stage in the Tongbu book, under the peach red willow green, song and swallow dance, is not really quiet, but the dark tide. The seventeenth time, Jia Baoyu tried to ask the question of Daguan garden, and before the bao yu title "Ting Ting Hua Li", the Qing Ke drafted the two names of "Wulingyuan" and "Qin Ren Old House" respectively. "Wulingyuan" and "Qin people's old house" have great meaning, for the three words of "Wulingyuan", Jia Zheng laughed: "Implemented again..." To the four words of "Qin people's old house", Bao Yu said: "This is more and more exposed, 'Qin people old house' said to avoid chaos..." The sixty-third time, the first raider of the deputy twelve chao people occupied the peach blossom name signature, the title was "Wuling Farewell Scene", there is a poem on it "Peach red is another year of spring", this old poem comes from the Song Dynasty Xie Fangde's "Qingquan An Peach Blossom", the text quotes this sentence, in fact, the meaning is in the previous sentence" Find a paradise to avoid Qin." The deep meaning of the Grand View Garden is already very obvious, that is, the Grand View Garden containing the "Tateshina Flower Garden" is actually another "too illusory realm" carefully set up by the author to avoid the chaos of "Qin".
Qin Keqing's "Qin", a metaphor for Yin Rong's "Qing", is a symbol of orthodoxy and can be called "ZhengQin"; "avoiding the chaos of Qin", that is, avoiding the unorthodox Qing represented by Jia Jing (Yongzheng), can be called "violent Qin". Therefore, as the perch of Jia Baoyu and the Twelve Nobles, the Grand View Garden has the meaning of an orthodox symbol[Note 2], which also conceals the dispute between orthodoxy and unorthodox around "Qin".
In the midst of it, how could the Twelve Nobles stay out of the way? Under the cruel dispute between orthodoxy and unorthodox, how many beautiful lives were involved, and eventually the unorthodox side took the orthodox side and replaced it, and Baoyu and most of the Zhufang [Note 3] either died or were persecuted, and had to begin the arduous journey of exploring the way of survival, that is, Qin Keqing's soul entrusted Fengjie's parting words: "After the three springs are gone, each party must find its own door."
In fact, the so-called "Avoiding the Chaos of Qin" of the Grand View Garden, perhaps has its literary prototype, but in reality it does not exist, because Baoyu and Zhu Fang and other cadres of the wind and currents have created a history of illusion, it is the end of the world, at this time, Yin Rong is dead, "Zheng Qin" is only a faint remnant, and "Violent Qin" is very popular, so in the text presented in the form of a dream, the Grand View Garden is only "the illusory realm of the Jade Brother and the Twelve Nobles", which is an illusion in the illusion.
Therefore, as the fat criticism says, "with gold and mourning jade, there is a deep meaning", and it is not just like the opening author Ziyun, "originally to record the girlfriend's feelings of the day", so as to convey the feelings of nostalgia and mourning, but boldly "interfere with the corridor temple" (the fifth fat batch), which in the era of "word prison" is absolutely intolerable and heinous crime, and Li Yanzhai does not dare to say the deep meaning of it, which is why.
Note 1, for details, see the "Walking" Red Chamber" series of humble articles 7 "Qin Keqing and Police Illusion are the same person?" 》 14 "Too illusory, "four words can be thought of""
Note 2: For details, see "Walking" to the Red Chamber" series of humble article 15 "The Symbol of the Orthodoxy of the Grand View Garden"
Note 3, the reason why not all are used is because although the twelve chao are all in the orthodox symbol of a large view garden, but not all belong to the orthodox side, for example, Li Feng has a son Jia Lan who is like a shadow with jia huan, the representative of the non-orthodox side, "after the three springs are gone" The beneficiaries of the non-orthodox side gain power, follow the son of the spring wind, become the rebellion of the Grand View Garden, and run with the unorthodox side to the end of "falling into a white expanse of land is really clean". This will be further explored in a follow-up article.
Author: Guo, this article is to read less of the original works of the Red Chamber.