Song Weiyuan, character Yin Ru. In 1984, he graduated from the Chinese Painting Department of the Central Academy of Fine Arts and stayed on to teach, and was included in the "Who's Who in the World" of the University of Cambridge in the United Kingdom. He studied under Ye Qianyu, Li Keyan, Li Kuchan, Jiang Zhaohe and many other masters of art. He has a high degree of attainment in Chinese painting of figures, landscapes, flowers and birds, calligraphy, seal carving, poetry, and identification of Chinese paintings, and has studied guqin and Peking opera. His painting talents have been highly praised by the famous Japanese art master Kayama Yuzo. In 1991, Mr. Song Weiyuan began to lecture and travel overseas for ten years, conducted in-depth and systematic research on Chinese and Western painting, and advocated the "pure blood" of Chinese painting. His works are widely collected by major art museums and individuals at home and abroad.
Ancient rhymes with new voices at leisure
Text/Famous contemporary poet and poetry critic Wang Yansheng
In the journey of life, afraid of our loneliness, there will always be constant feelings, feelings, touching, sentimentality, excitement, and enlightenment to accompany us. These inner thoughts, which absorb the information of thousands of worlds, once spewed out from a high artistic level, that is the birth of poetry.
Poetry takes lyricism as its mission, and love and ambition itself are not equal to poetry. Children are spoiled and charming; three years of godson, deep affection; shrews scolding the street, tears... These are not poems. Poetry speaks with images and pictures, it must be allegorical to the feeling, allegorical to the form, when it has the rationality and interest, it is possible to enter the highest realm of the fusion of scenes, the forgetting of things and me, and the unity of heaven and man.
Professor Song Weiyuan is a famous Chinese painter, who not only has a deep knowledge of landscapes, flowers, birds and figures, but also has his own experience in calligraphy, seal carving, and even guqin and Peking opera. Immersed in ink and danqing for a long time and living in an artistic atmosphere, he has a deeper understanding of the principle of painting and poetry. His poems, which are the refractive light and projection of his paintings, reflect his aesthetic taste and aesthetic ideals. For calligraphy and painting, Professor Song advocates "pure blood". This means that every genetic code in Chinese painting is ineligible and indestructible; variation and hybridization should be prohibited. This shows the persistence and persistence of his creative philosophy. For poetry, when Professor Song inherits the superb and flowing ancient style, he is more inclined to the rule of "ancient for my use", that is, to borrow the cup of ancient times to serve the fine wine I brewed today. This also shows the other side of his ancient and not ancient world.
Reading through Professor Song Weiyuan's "Drunken Dust Building Poetry Manuscript", his poems are mostly inscribed paintings, chants, scenes, and travels, and the homework of feeling time, lyricism, and Ming Zhi occupies a considerable proportion. He wrote the musical and exquisite "Feelings":
The moon is small and big, and the cloud is long and connected to Beiming.
The wind frightens the geese at the bottom, and the waves beat the stars in the sea.
The wine is red in color, and the flowers are still green.
The end of the world is empty and lonely, and the wanderer feels handsome.
He also wrote the witty, almost colloquial "Inscription Painting Hanshan Pick-up":
The palms of the hands are back, and the brothers are good friends.
Eat and drink Lasa, pick lice and fleas.
Anyone says that I am the way of the Buddha.
In Professor Song Weiyuan's eyes, there are definitely ancient methods and ancient precepts of traditional poetry, but in his heart, it is just the carrier of shu's feelings. Therefore, when he came, he wrote four words and four sentences, five words and six sentences, six words and six sentences, and arbitrarily waved them, even at the expense of breaking the rules and rhymes. And as a reader, through the window of each of its poems, we see the trajectory of his life, art, and heart, his ambitions, temperaments, interests, and love and hatred. What else is required to have this?
December 15, 2008 In Peace
· Appreciation ·