When the blue and white porcelain developed to the Xuande period, it was already very mature, belonging to the best stage of the Ming Dynasty.
Many antique collectors like Xuande's blue and white, especially the unique blue and white pigment is very popular. Even in today's collection market, as long as Xuande's genuine products appear, the things of the qing dynasty must all stand on the side.
A heavy instrument of Xuande in the Ming Dynasty, if placed in today's market, whether it is a large bowl or a large plate, is estimated to be at least hundreds of millions of yuan. But there is such a thing, it is Xuande's heavy weapon, and it is in line with the style of large plates and large bowls, but it is not very good to estimate.
According to Ma Weidu, things like this kind of thing were taken at that time to take the blue and white route of the exit. An official kiln heavy vessel of the Ming Xuande period, the individual is also large enough, the painting style is in the Arabic style, and the blue and white large reclining foot bowl.
This thing is not easy to value, because there are not many blue and white pieces like this kind in the market, and the pattern is particularly interesting, so let's talk about it in detail.
Since it is a large bowl, the entire size is more than 15 centimeters, and this reclining bowl presents a typical Xuande skimming bowl form. Especially the feeling of the shallow arc abdomen, which is particularly wonderful. Coupled with the typical Xuande small recumbent foot, there are some characteristics that imitate the Song people's wine vessels.
Originally, the bowl shape was atmospheric enough, with a small low circle foot, this piece of artifact is interesting, especially the outer wall of the instrument shape along the edge of the painting of the tangled lotus pattern, and there is a ruyi pattern arrangement, which is particularly interesting.
As mentioned earlier, the focus of this artifact is the layout of the blue and white ornamentation, since it belongs to the Arab style, of course, there is a certain difference from the aesthetics of the Chinese people. Enlarging these patterns, the pigments of the blue and white flowers have penetrated deep into the entire carcass, and three layers of ornaments have been painted, namely the circle belt ruyi, the tangled lotus and the four ruyi figurines formed by the treasure pestle.
Although painting is a style that foreigners like, it is actually in line with the typical Chinese aesthetics, and the culture and content are very Chinese. The shape of the whole instrument is very regular, the tire quality is firm and atmospheric, especially the glaze has become the finishing touch, and the feeling of clarity and luster is very strong.
To use the jargon of antique people to describe it is that the orange peel texture is strong, the good goods are undoubted, and the blue and white hair color of the whole utensil is calm and colorful, and a beautiful Xuande heavy weapon is really rare in the folk.
Just imagine, with the words of the Daming Xuande year system at the bottom, how fierce the baby, good goods, received!