Flower and bird painting is a kind of Chinese painting, which depicts flowers, birds, insects, etc. In Chinese painting, paintings depicting flowers, flowers, birds, fish and insects, etc., are called flower and bird paintings. There are three kinds of painting methods in flower and bird painting: "gong pen", "freehand writing", and "part-time work with writing".
Gongbi flower and bird painting uses thick and light ink to outline the object, and then color it in layers of shades and shades; Freehand flower and bird painting is to draw objects in a concise and general way; Between the pen and the freehand is called part-time work belt writing, and the form is realistic.
Xie Zhiliu Orchid
The pleasing one is the upper, the pleasing one is the lower, "not in the artistic conception", there is no "taste outside the words" and "outside the string". As Su Dongpo said: "On painting in the form of similarity, see the neighbor with children; the poetry must be this poem, and it must be known that it is not a poet."
Lu wei non camellia double life
In the creation of painting, we pursue the artistic realm of artistic conception, that is, to pursue an artistic realm of blending scenes. Without scenery, emotions cannot be transformed from the subject into the object, the scenery is tangible, the emotions are invisible, and if you enter the scene with emotion, you can seek form with God and write About God in form. The focus of the image is not the craftsmanship and depiction of the scene, it does not seek to be fully reproduced, it should be "like the color in the picture, the moon in the water, the image in the mirror", which is the image outside the image, the scene outside the scene, and the infinite artistic conception outside the rhyme.
Li Shouzhen Pisces
In the non-Min magnolia ribbon
The beauty of Chinese flower and bird painting. After the development and growth of Chinese painting from the literati painting of the two Song Dynasties, it not only pays attention to the poetry and subtlety of the painting content, but also pays more attention to the writing of the painting line and the fluency of the line. Both painting and calligraphy use the same tools and materials: brushes, brick benches, ink and paper silk, providing a common material basis and a technical basis with an intersection for the two different art forms. Writing is not only a part of the daily life of the literati, sometimes almost accompanied by their life's activities, this kind of activity cultivates the literati's perception of pen and ink, for lines, and for ink rhymes, from the feel of the technical level to the expression of the spiritual level, calligraphy and painting activities penetrate into the blood of the artist.
Zhang Daqian Lotus
Xiao Lang Wisteria Bee
Zhao Shaoang chirped
Dunn's Emerald Bird
Of course, only by deeply understanding the spiritual essence of objective objects can we have a more profound artistic conception. There are many examples of successful use of painting creation in this regard, such as the breakthrough of the eight landscape paintings in the intention and image has reached an unprecedented level, he has achieved an unprecedented level with ethereal and flowing composition, simple and implicit brush and ink, so that the content and form of the work have reached a high degree of unity, he sends emotions to the landscape, through the integration of emotional scenery description, expressing his feelings and moods, the picture has produced a desolate and desolate, profound mood with thousands of emotions.
Wu Guannan Flower Butterfly Diagram
Huang Xianwu Peach Blossom Bird
The artistic image should grasp the essential characteristics of the object and emphasize the performance, which cannot be ordinary. Only by emphasizing and exaggerating the people or scenes that have been typicalized in the conception, abandoning the general, superficial, cumbersome, and secondary things, and avoiding all aspects and everything, can the painting works be higher, more concentrated, more typical, and more ideal than real life, and make the painting more beautiful than nature. Only by trying to describe the most important things can we give the object a distinct personality, attract people, and move people's hearts. In order to strengthen artistic expression and appeal, mountains can be higher, trees can be smaller, water surfaces can be wider, boats can be farther away, and realms can be higher.
Golden City Peony
Li Shouzhen Goldfish
Lu Weifei Qiu Gao Sanshou
Su Xiaosong Magnolia Starling
Wang Shizi Qiu intention
Chen Zhifo Pigeon
Wang Xuetao Peony
Wu Hufan Bamboo stone diagram
Jiang Hanting Autumn Real Map
Zheng Mukang Hongmei
Fu Tie Nian Qiu Ju Tu
In the non-Min blue butterfly diagram
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