Mi Fu "Sheng Zhi Ti"
Mi Fu's Sheng Zhi Ti, cursive ink, 27.4 cm in length and 32.4 cm in width, in the collection of the Palace Museum in Beijing.
Commentary: Treasures, sense of pride. Day and night were pulled out for acquaintance, but they did not see each other. The work of cold light, I wish it. One or two days to face each other. Bowen head. Apocalypse pro.
This post is one of Mi Fu's friends Cai Zhao (Character Apocalypse) Ruler. The small lines of grass gestures fly and the form is exquisite; the three characters of "Apocalypse Kiss" are written in one go, dripping with pain and pleasure, fully expressing the artistic characteristics of "brushing words". The use of the word "黻" instead of the word "芾" in the signature can be proved to have been made before the age of 41.
Cai Zhao, the character Tianqi, a native of Danyang, Runzhou, learned from Wang Anshi and Su Shi successively.
Mi Fu's "Baojin Yingguang Collection" records his interaction with Wang Anshi: "Gai Servant Yuanfeng spent six years, went to XiDao (i.e., Liu Yu) Jinling to engage in the opening, huigong (Wang Anshi) who lived, and began to know the gong at Zhongshan. That is, in the sixth year of Yuanfeng (1083), Mi Fu went to Jinling to plot to "engage" in the post of Liu Yu because of Liu Yu's recommendation, and Liu Yu went to the end, so he failed. At this time, when Wang Anshi was living in Jinling Zhongshan, Mi Fu was seen in poetry, Wang Anshi was praised by people, but Yu Mishi's poetry was quite appreciative, and discussed calligraphy with him, and after watching Wang Anshi's calligraphy, he identified the influence of the five generations of calligrapher Yang Ning, and Wang was greatly impressed, saying that "no one knows". At this time, Mi Fu was only thirty-three years old, but his amazing ability to appreciate had already appeared.
When Wang Anshi lived in Zhongshan, Cai Zhao learned from An Shi, and for this reason, Mi Fu had to intersect with Cai Zhao, and The epitaph of Mi Fu was written by Cai Zhao, but the two had a deep intersection.
Partial appreciation
▼
Treasured, glorious. Day and night
Pulled out for acquaintance, he did not get forward
see. The work of cold light, fixed as desired
also. One or two days to face each other. Bowen head.
Apocalypse pro.
Dong Qichang: The old rice seems to have been made for Cai Tianqi, and the magic of the pen and ink glyphs is all seen here. Dong Qichang question.
Because it is a letter, the wind and bone are super easy, the view is through the post, the grass is interspersed, and the more you write, the more you see the spirit.
The first line starts. Out of the book. Then it's grass-based. The pen is fast and astringent, round and smooth without floating, written to the paragraph "The head of the dragon", at this time the ink on the pen is not much, the line pen is like gossamer, but also like the pink butterfly playing flowers, dragonflies whisking water, but although the matter is clear, the meaning is still unfinished, the empty paper is still there, so the pen is full of ink, indulgently sprinkled, until the three words of "Apocalypse Kiss" stand majestically. Its madness and eccentricity, its indulgence and wantonness, as if in front of its eyes.
Looking closely at the whole work, the first line and the last three lines of the font are inconsistent, the four characters of "Shengzhi Treasure" show that this work should give people the feeling of stretching outwards, but with some deliberate brushstrokes; and "Rong sense of day and night" below there is a letter pen written, the smooth sense of continuous to the end, the more you write, the more you write, the last stroke is brought up, the last pen is picked up, and a little is attached, so that the whole work is more full of meaning and does not leak out. Although the first four words give people a sense of solemnity and caution, the four words of "Sense of Glory Day and Night" reconcile the upper and lower attitudes, and from a slow and fast speed, the mood of Mi Fuxin's hand-held pen is still unfinished, and the three words of "Apocalypse Kiss" are even more dashing. Later, there is Dong Qichangbao: "The old rice seems to have been made for Cai Tianqi, and the magic of the pen and ink glyphs is seen here." ”
Overall, this post has a lot of thin joints and a strange attitude.
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