Li Kejian Shi Tao's poems are full of rivers and stones
Text/Lee Can Dye
When painting landscapes, the most important problem is "artistic conception", which is the soul of landscape painting.
What is Mood? I think that the artistic conception is the combination of scenery and emotion; writing scenery is writing love. Landscape painting is not a description and illustration of geography and natural environment, needless to say, it of course requires the accuracy of physical geography, but what is more important is to express people's thoughts and feelings about nature, see the scenery and live feelings, scenery and emotions should be combined. If you one-sidedly pursue the natural science side, painting flowers and birds will become dead specimens, painting landscapes also lack of interest, no painting intention, you have not been moved, of course, you can not move others.
Li Ke dyes the Xiangjiang Pavilion
In our ancient poems, there is often a good mood. Although there is not a single sentence about "people", through writing scenes, it fully expresses people's thoughts and feelings, such as The verse of Li Bai's "SendIng Meng Haoran to guangling": The late man said the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March. The lone sail is far away and the blue sky is gone, only to see the skyline of the Yangtze River. Here contains the sorrow of friends who regret to say goodbye, which is reminiscent of the scene of Yiyi's farewell: the sail has been far away and disappeared, and the sender is still looking at the river, as if the heart has gone with the sail and the flowing water... It's all about the scenery.
Li Keyan Spring Rain Jiangnan Map
None of these four poems, the writer's feelings, especially the last two, completely describe the natural scenery, but it is in these two sentences that people deeply appreciate the poet's deep friendship. The artistic conception of Chairman Mao's poems is very deep, such as the three poems of the sixteen-character order, each capital is written scene, and every word is a mountain, but every poem and every word fully expresses people's thoughts and feelings. The three poems respectively reflect the height, momentum and strength of the mountain, and here there is no direct description of people, in fact, they all sing the praises of people and praise the heroism of people. The ancients said that "fate and things send affection", and to write scenery is to write love. When poetry and painting have an artistic conception, they have a soul.
Li Ke dye Song of the mountains and forests
How do you get a mood? I thought that it was necessary to have a deep understanding of the object, and to have strong and sincere thoughts and feelings.
The emergence of artistic conception depends on thoughts and feelings, and the generation of thoughts and feelings is related to the depth of understanding objective things. To understand the object in depth and comprehensively, it is necessary to be immersed in the scene and observe for a long time. For example, Qi Baishi paints shrimp, that is, in the process of long-term observation, in the process of continuous performance, the understanding of shrimp is gradually deepened, and only when the understanding of things is comprehensive, so that "the whole horse is in the chest", "the chest is confident", "the white paper is in the blue sky", and "the creation is in hand", can we grasp the spiritual essence of the object and give life to the object. We can't imagine that Qi Baishi can paint shrimp and paint such a work as today with a glance and a brush, but the mental state of the shrimp is very familiar, and the shrimp comes alive under the painter's pen. If you are not familiar with or unfamiliar with objective objects, you must not be able to draw a good picture.
Lee can dye the land of fish and rice
Writing scenery is to write love, this point has always been very clear in the hearts of china's outstanding poets and painters, whether writing poetry or painting, it is required to stand above reality, so as to observe and understand reality, it is possible to go all-round and deep. For example, the first two sentences of Chairman Mao's "Qinyuan Spring": "Thousands of miles of ice, thousands of miles of snow", fully embody the lofty realm of the poet's mind and thoughts.
Lee can dye snow
Chinese painting does not emphasize "light", which is not unscientific, but focuses on the results of long-term observation. In the case of painting pine trees, in the view of Chinese painters, if there is no special time requirement (such as the morning mist, etc.), 8 o'clock in the morning or 12 o'clock in the afternoon, it is not important, what is important is to express the spiritual essence of the pine tree. Like the five generations of painter Jing Hao described pine trees on the Taihang Mountain, he observed the pine trees for a long time in the twilight of the dynasty, painting pine "where tens of thousands of books, the beginning of its truth." In the past, I saw an author go out to sketch, and I painted more than a hundred pictures in two weeks, which of course can only be a glimpse of the light, it is impossible to deeply understand the object, and it is impossible to create an artistic conception. If a painter really strives to express the spiritual essence of the object, then a tree can sing a major play.
Li Ke dyes the mountain city of Chongqing in the sunset photo
I remember that there were four ancient cypress trees in Suzhou named "Qing", "Qi", "Ancient", and "Strange", which had experienced storms and lightning strikes, and one big tree had fallen to the ground like a giant dragon; but the branches and leaves were luxuriant and the vitality was strong, making people feel very young. After more than two thousand years of constant struggle with nature, the ancient branches are as strong as iron and stone, and a thousand branches and leaves have been reborn, making people feel its momentum and the power of the universe. A tree, a mountain, looking at its spiritual essence, after the exaggerated rendering of the painter's thoughts and feelings, the artistic conception will be more distinct. Painting woodenly cannot paint well. Each landscape has its own different characteristics, just like the difference in human personality. The Sichuan people said: "Emei Tianxia Xiu, Gongmen Tianxia Danger, Sword Pavilion Tianxiaxiong, Qingcheng Tianxia You." There is a point in that.
Li Kejian Chairman Mao's words mean
When we look at the scenery of the Summer Palace, it is magnificent and gives people the impression of golden splendor. A landscape painter must have strong, sincere, and simple feelings for the scenes he depicts, and it is not okay to tell lies. Some painters, without deep feelings, without expressing their own strong desire to feel personally, always repeat others, can not talk about the originality of the artistic conception.
Li Kejian Summer Palace
To be sure, painting must have an artistic conception, otherwise the power is nowhere to be used, but it is not enough to have an artistic conception, but it is also necessary to have a craftsman; in order to convey ideas and feelings, we must do everything possible to find a way. The design of the means of expression and means of expression is simply the means of processing. Qi Baishi has a seal "Lao Qi Means", indicating that his paintings are very artisanal.
Li Keyan Shanshui City, Wanxian County
Artistic conception and craftsmanship are the two main keys of landscape painting, with artistic conception, without artistic craftsmanship, artistic conception will be empty. Du Fu said that "the craftsman is in dismal operation" and "the language is not surprising and endless". In order to convey their feelings to others, poets and painters must work hard to find an artistic language that touches people's hearts.
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