Tang Xuanwu
Senior Arts and Crafts Artist
Purple sand plastic art, since the Ming and Qing dynasties rapidly developed, with dragons, phoenixes, lions, tigers into the type, self-contained system, the formation of a realistic and freehand mixed type of dual-track development model. Until modern times, the ability to deal with the complex level of the pot body in creation has become stronger and stronger, and the artistic sense of the tea pot has been strengthened by the ji beast, and the decorative treatment has become better and better.
Fearless in the world
Works by Tang Xuanwu
The pot body is a solid geometry of the drum belly, the mouth lid is tight, the lid is decorated with a circle line, there are changes in the flat, the pot button is a crouching tiger, and the breath supports the whole pot, majestic and robust. The pot stream is the shape of a tiger's head, the pot handle is curled into a mighty, carefully looking at the details of everywhere, and the blocks, surfaces, and lines comprehensively shape its charm. The whole device design is harmonious and vivid, the transition is natural, the lines are strong and moist, the rigidity and softness are harmonious, and the lei lei is generous. Inside a pot, there is no sense of far-fetchedness, and the fearlessness of the world jumps on the instrument.
Generations of famous masters borrowed from ancient instruments,
Navigate between realism and freehand.
Freehand and craftsmanship are originally a parallel relationship,
It is not the decline of craftsmanship that occurs freehand.
Freehand and craftsmanship develop in parallel,
Influence each other, contain each other,
Twists and turns, through transmutation,
Only to form the special style and aesthetic of modern purple sand.
Just as it is difficult to draw a tiger and draw a skin,
An artifact with the theme of tiger and tiger life,
In terms of strength, intensity, difficulty, temperament has its own style,
The divine product must be perfect and shocking in order to stand tall and high.
In the Year of the Tiger, there is a tiger spirit, in order to make the tiger out of the mountain and the tiger and tiger to be mighty.
Fearless in the world, focusing on the balance of plastic arts,
The mighty tiger, with the stocky pot type,
The realm is vast and magnificent.
The details of the various places of care, but also soft and elastic, wide open and close,
There is a state of emptiness and showiness, and there is a sense of wantonness.
The whole vessel fog cage peak side, endless, seems to want to be higher than the Tiangong test, and the mangy original domain is unified; the shape and momentum are consistent, just like a tea and a tool, a pot and a lamp, relying on each other. The whole instrument rhyme reveals its erection in the majesty, reflects Shao Xiu in the recklessness, sees the innocence in the plain, and breathes in the calmness.
"Tiger" is a work by Gao Jianfu, one of the founders of the Lingnan School
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