Purple sand, like painting and sculpture, is both a graphic art and a spatial art. Traditional Chinese aesthetics emphasize that utensils should be full of melody, that is, to fill the plane and space with the rhythm of music, hidden but not revealed, hidden but not visible. Cain is for better exposure, evoking deeper and more distant contemplation; hiding is for better manifestation, revealing a richer and more touching world. The ancients said: "Deep text hidden, aftertaste song bag." "The key is to have taste, to have space that inspires people's imagination."
Tang Xuanwu
Senior Arts and Crafts Artist
Xiangyun is the dragon cloud of Rui
Tang Xuanwu system
The pot shape is solid, the pot button is kneaded into a dragon shape, as if rolling in the clouds; the pot handle extends out of the cloud pattern, and the pot flow runs through, leaving a blank place as if there is a flying dragon infested, turning the waves, the wind halo smoke cage, changing trance, from the interior of the decoration to arouse a flying dragon in the heavenly realm, very artistic expression. The decoration of the cloud and the dragon, the mysterious movement of the dragon in the clouds, the hidden and sometimes appearing, the contrast between the two is clear, so that the pot body can produce an excellent momentum.
The cloud decoration on the pot,
Constant change, endless operation, flying vigorously, calmly in the middle,
It's a dancing melody.
The so-called melody is to use the dynamics of the line,
Break the original solidified body of the pot,
In the blank world, dance out meaningful lines,
Finally, the clouds and smoke are ethereal,
The effect of Lin Quan's masking is like in a painting.
Near the end of the year, the red clay small stove sencha, plum branches ignited, sitting alone and drinking, more fun. To appreciate the momentum of the dragon and the clouds, it lies in the fact that the still place is the place of movement, the place of movement is the place of meditation, the flight in the silence, the frustration in the flight, or the transcendence from the normal, the wild dance, the lack of the broken place, the pursuit of a clear stream of life, dynamic and static changes, and the flying of the Tao to achieve the most smooth life presentation. As a result, the pot body is accompanied by carved immortal birds and mythical beasts and winding clouds, which can set off the artistic charm of deification and ethereality.
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