The Shenzhen Museum of Ancient Art opens its doors before New Year's Day, and it is a branch museum established after the renovation of the old museum of Shenbo. Although I was not particularly surprised after reading it, I still want to praise the profound and knowledgeable deeds. The collection of ancient calligraphy and paintings is not much, but it is still the exhibition of calligraphy and painting in this collection, "Art for the Voice". In fact, Ming and Qing dynasty calligraphy and paintings are really not so delicate, and they are not afraid of routine display, and it is good to change it once every six months.
Looking at shenbo's calligraphy and paintings, I found that most of them were donated by Mr. Shang Chengzuo and his family, and the situation of shenbo was a bit similar to that of Guangzhou Art Fair, and it was also a person's collection that supported a museum. Shang Chengzuo and Rong Geng are both professors at CUHK, and they have been in a relationship for sixty years, but they are afraid to look at each other in their later years, which is a digression.
Ming, Zhu Yunming, "Cursive Evening Qing Endowment Lychee Endowment Scroll"
Copying Du Mu's "Evening Qing Fu" and Zhang Jiuling's "Lychee Fu", Zhu Zhishan was once in Xingningzhi County, Guangdong, and should be no stranger to lychees, and this volume may carry memories of the life of Lingnan officials and eunuchs. At the beginning of the volume, there is a collection seal that reads", "It is ridiculous to look at this authentic handwriting as if it is a fake", I don't know who it belongs to, but it is also an exclamation that I often have when I look at calligraphy and painting.
The installation environment of Shenbo is very good, but the lighting is dim, in fact, Ming and Qing paintings really do not need to be so dark, and the use of induction lights similar to Shangbo, but the reaction seems to be a little slow, moving half a day will be bright. In addition, this time I brought a fool machine that I bought ten years ago, and the photo effect is average.
Ming, Dong Qichang," "Xingshu Linyan Zhenqing Scramble for Seat Post To Send Liu Taichong Preface"
Dong Qichang's so-called pro is actually from his own pen, basically can not see what has to do with Yan Zhenqing.
Ming, Zhao Bei, "Ten Thousand Rods of Smoke and Rain Picture Scroll"
Zhao Bei was a scholar at the end of the Wanli Dynasty, good at painting bamboo, the history of painting is not very famous, and the bamboo painted in this volume is weak.
Ming, Chen Zun,"Lu Yan Tu" (partial)
Chen Zun was also a member of the Wanli Dynasty. It was handed over by Kowloon Customs in 1982.
Ming, Wu Ling, "Sitting and Watching the Clouds Rise"
Wu Ling is a late Ming painter, self-titled Jing Hao, in fact, in that era, Jing Hao is rarely seen, this painting style is quite similar to the late Ming Ding Yunpeng group of deformist painters, or influenced by them.
Ming, Wang Asked "Cursive Miscellaneous Poetry Volumes"
Wang Qing was a jiajing eleven-year soldier, and the works could still be seen to have the influence of mi fu.
Qing, Wang Yuanqi, "Landscape Fan"
There is a "subject" character, but there is no Qing Palace Tibetan seal.
Qing, Wang Zhen,"Bamboo Forest Qingxia Map"
It is written imitating Zhao Mengfu, but the style is not significant.
Qing, Zheng Xie, "Four-sided Wind and Bamboo Diagram"
The title is a common "Bamboo Stone" poem, but the last sentence is slightly adjusted, "Ren'er's east-west, south-north wind" was changed to "Ren'er's crazy four-sided wind".
Qing, Wang Luqing, "Bamboo Forest Fun Map"
The self-title is a pro-pipe ascending work. Wang Luqing was a female poet in the early Qing Dynasty and a disciple of Wang Shizhen. Shang Chengzuo's collection of paintings has more bamboo themes, or is it his personal preference?
Qing, Yi Bingshou "Lishu Does Not Deceive Himself"
Written by the Inspector Hu Ke of Jiangsu Province, the book was written in the year of Yi Bingshou's death.
The things of "Art for the Voice" look at these things, and there are many late Qing Dynasty and modern ones that are not watched. Next, look at "Danqing Huazi - Exhibition of Qing Court Paintings collected by the National Museum of China". Guobo has a strong relationship with Shenzhen, and in addition to frequent lending, it will also have to build a Jianguobo Shenzhen branch.
Qing, Yongyao "Yuanpu Guifan Picture Scroll"
Yong Yao was the sixth son of Qianlong, and this volume of ink was good.
Qing, Hongsheng "Guishun Poetry Atlas" (Part 1)
Only this one is carried out with the original, and the remaining six are carried out with reproductions.
Qing, Zhang Zongcang, "Yunlin Temple Picture Scroll"
Yunlin Temple is today's Hangzhou Lingyin Temple. The "Xiaochen Zhang Zongcang Gong Painting" is very humble.
Qing, Xu Yang's "Summer Album" (Part 1)
This set of albums depicts a total of eight stories of the ancients to cool off, and this one tells the story of Ji Kang.
Qing, Lang Shining,"Song Crane Rejuvenation Map"
Very three-dimensional. According to Mr. Kaze Izumatsu, the day he went to see the exhibition, the work fell directly, hoping that there would be no damage. The height of the branch of Shenbo is a major defect, and many vertical shafts cannot be hung directly.
Qing, Wang Yi, "Tang Yin's Poetic Intentions"
Write Tang Yin's poetry in Zhao Danian's pen. Titled Tang Yin poem "Grass covered the virtual pavilion stone wall, the railing dry low paste water cloud township." Guests do not need to burn dragon musk, their own lotus flowers are full of swamp incense. ”
Qing, Yu Zhiding,"Xipi Zhiyan Scroll"
The masterpiece, learned from Ma Hezhi's ant painting, even the painting method of leaves is very similar, the figures in the painting are the great collector Song Xi and his grandson, it seems to have given a lot of polishing fees.
Qing, Qian Weicheng,"Yuncheng Lin Lu Tu Scroll"
Qing, Wang Yuanqi, "Thirty-six Landscapes of summer resort" (part 3)
Similar to the "Ten Pictures of the West Lake", Wang Yuanqi's real-life paintings of fengzhi paintings are relatively neat and meticulous.
Qing, Xu Yang, "Qianlong Southern Tour Volume VIII Stationed in Hangzhou"
Because it is placed in a flat glass cabinet exhibition, the light is played from the top, and it is completely impossible to take pictures, only to see a few parts. This volume depicts the scene of Qianlong visiting the West Lake, and basically paints the landscape around the West Lake, including the Leifeng Pagoda, which was already grassy at that time. It can be compared with Wang Yuanqi's "Ten Scenic Pictures of the West Lake" written by Wang Yuanqi seventy years ago to see what has changed.
Eastern Han Dynasty, Ziyou Monument, Collection of Chinese Character Museum
The design of the Shenbo Ancient Art Museum is relatively unique, there is a staircase from the top floor all the way down, and a few clockwise walks just to see all the exhibition halls. This work belongs to the exhibition "Residual Stone - Cao Cao Tomb Seven Women's Revenge Image and Ziyou Monument Calligraphy", is a pocket exhibition about the portrait stone, the seven women's revenge map is discussed in detail in Mr. Wu Hong's book "Wuliang Ancestral Hall", this exhibition I will not expand. The Ziyou Monument was originally stored in the Ximen Leopard Ancestral Hall in Anyang County, Henan Province, and was later cut into two sections, the upper section is now stored in the Tianjin Museum, and the lower section is the Chinese Character Museum in Anyang. This stele is a fine collection of early Eastern Han Dynasty lishu.
In addition, there is "Peach Blossom Still - Tang Dynasty Poets Epitaph Tuoben Exhibition", I have little interest in rubbing, and I will not say it.
Eastern Wei, Zhai Men sheng stone pillow (partial)
The exhibition "Immortality: Confucianism and Taoism in Chinese Cultural Relics" brings together the collections of four domestic folk museums, namely the Shenzhen Jinshi Art Museum, the Shaanxi Huaxia Ancient Art Museum, the Shaanxi Han and Tang Dynasty Stone Carving Museum, and the Guangdong Daguan Museum. Among them, the Zhai Mensheng sarcophagus bed of the Shenzhen Golden Stone Museum was once lent to the Nanshan Museum for a year, but it was not expected to be lent to the Shenzhen Museum until the end of the year. Most of these folk things come from unknown sources, such as sarcophagus beds can basically only be stolen from tombs, whether private collections should be allowed, I have reservations.
Han, Min Ziqian portrait stone
Min Ziqian was one of Confucius's disciples and was known for his filial piety. Since the exhibits are not attributed in the exhibition, I can't tell who is who.
Northern Dynasty, Hara Gu Takashi Tushi Enclosure (Partial)
Eastern Wei, Zhai Men sheng stone bed enclosure screen (partial)
Northern Qi, bronze gilded bodhisattva statue
Tang, a fragment of a seated Buddha statue
Spring and autumn, dragon pattern copper square pot
"Jijin Chunqiu - Shenzhen Museum Bronze Ware Exhibition" is a permanent exhibition, I did not expect that there are so many bronzes in Shenbo, and many of them came from the Sanmenxia Yuguo Cemetery in Henan province in 1989, and this batch of things is not known when it was transferred.
Tang, copper ox cart
Some of the bronzes in Shenbo were handed over by the public security organs and customs, and this one was handed over by the Shatoujiao Branch of the Shenzhen Public Security Bureau in 1992.
Tang, a three-colored female clay figurine
"Ask Tao Journey - Shenzhen Museum Ceramics Exhibition" has nothing particularly amazing, and the collection is still worse than the Guangdong Provincial Museum. Some of the porcelain, including this Tang Sancai, was donated by a Japanese friendship group, and I was curious about what kind of group it was.
Northern Song Dynasty, green glazed melon ridge holding pot
In 1993, it was allocated by the State Administration of Cultural Heritage.
The exhibition is still very careful, and the exhibition brochures are always exquisite, and I hope that this ancient art museum will continue to bring us more good exhibitions.
●"Art as the Voice of the Heart- Shenzhen Museum Calligraphy and Painting Exhibition"
Exhibition period: December 29, 2020 - March 14, 2021
●"Danqing Huazi - Exhibition of Qing Court Paintings collected by the National Museum of China"
Exhibition period: December 29, 2020 - March 7, 2021
● "Remnant Stone - Revenge Image of the Seven Daughters of Cao Cao's Tomb and Calligraphy of ziyou stele"
● Immortality: Confucianism in Chinese Cultural Relics
Exhibition period: December 29, 2020 - December 31, 2021
●"Jijin Spring and Autumn - Shenzhen Museum Bronze Ware Exhibition"
Duration: Long-term
●"AskIng Pottery Tour - Shenzhen Museum Ceramics Exhibition"
Venue: Shenzhen Museum of Ancient Art