<h1 class="pgc-h-arrow-right" data-track="1" > preface</h1>
Looking at Xie Hao's "Four Ming Poems", in addition to talking about poetry, it also talks about the exchanges between poets. I can't help but think of what Cao Pi said in the "Treatise on Classics": Literati are light and light, and they have been since ancient times.
Xie Hao said:
Whoever makes a name, the commentator has the same heart, so why should he wait for the benefit and change it?
Or see that there are good passages, although the face is good, the silent life is ruined, and it is sown outside, and the taboo in this poem is also.
Or see that there are strange sentences, pretending to be contemplative, wanting to say nothing, and doubting himself, the adultery in this poem.
Or see the work of the famous Gong Juqing, informal, extremely praised, the praise in this poem.
The medium of the slanderer's profit, the opportunity of the adulterer's profit, and the envy of the profit. However, if you are careful to pay, you will keep your name.
It is said in this passage that there are three kinds of people in the poetry world, or jealousy, or adultery, or slander, and it is best to stay away from these three kinds of people.

<h1 class="pgc-h-arrow-right" data-track="30" > first, the taboo in poetry</h1>
The first: Or see that there is a good passage, although the face is good, the silent life is ruined, and it is sown outside, and the taboo in this poem is also.
When you see other people's good poems, you say good in front of your face, but you can't say well behind your back, and when outsiders mention this poem, you have a critical attitude.
It's jealousy too strong.
Poetry is good or not, although there are opinions, but the level is in the eyes of experts, and there is a scale.
However, the level of readers is limited. Critics turn black and white upside down, bystanders echo it, and masterpieces are treated as inferior. Such as the evaluation of antique cultural relics, authenticity and authenticity, we most people can not understand. Another example is calligraphy works, most people are laymen, some people say good, some people say bad, in the end, dwarves watch the drama and listen to a lively bar.
This is a manifestation of the jealous.
In addition, Xie Hazel has several paragraphs on "taboo":
Or the final praise, not the word female yellow, I am afraid that if there is a mistake, I laugh. Or to see its flaws, although there are strange words hidden but not to say, afraid of people to complete their beauty, to enhance their name, is it unexpected, not taboo?
People who are jealous also have a kind of performance. Seeing someone else's imperfect work, but refusing to raise a single objection.
There are two reasons here, one of which is that I am worried that my level is not enough, and the opinions I put forward are not right to make people laugh.
Second, the level is enough, but also see the flaws of the other party, there are strange words in the heart, but they refuse to tell the other party. The reason is that you don't want the other person's work to be perfect, and you don't want the other party to be famous for the good work. Isn't that jealousy or what?
<h1 class="pgc-h-arrow-right" data-track="31" > second, the adultery in the poem</h1>
The second kind: or see a strange sentence, pretending to be contemplative, wanting not to speak, so that he doubts himself, and the adultery in this poem.
Nor are they good people. Seeing that there are wonderful good sentences in other people's poems, but pretending to be contemplative. It is like a person who appreciates a treasure and sees a real treasure, but hides his selfish intentions and refuses to tell the other party explicitly.
Two years ago, I saw a news report on a lawsuit, saying that a valuable ancient painting of someone was identified as a fake by the treasure connoisseur, and it was bought at a very low price. Unexpectedly, many years later, the painting appeared in the auction house, and the price was as high as tens of millions. So, the original owner went to the door to theorize, and the result was not clear.
This kind of adulterous villain.
<h1 class="pgc-h-arrow-right" data-track="42" > third, the verse in the poem</h1>
The third kind: or the work of the famous Gong Juqing, informal, extremely praised, the praise in this poem.
The third type of person is the most common, encountering celebrity high-ranking officials and blindly flattering. Regardless of whether the work is good or bad, the level is high or low, just touting it all the way up, so that the author can't figure out his own level.
There are too many of these phenomena. How many works of celebrities and high-ranking officials in modern times, word for word?
The Five Dynasties Wang Dingbao's "Tang Dialect" records:
Wang Boshao was lonely and poor, and he tasted the Mulan Courtyard of Huizhao Temple in Yangzhou and accompanied the monks to eat. The monks were tired of it, sowed to the end, and had eaten. After the second century, the broadcast of the heavy position out of the town is the state, because of the visit to the old tour, the title has been on the blue screen. The broadcast follows in two sentences: "... The upper hall has gone to the west and the east, ashamed of the bell after the meal. Twenty years of dust, now the sarongs are beginning to be green.
Song Wu Chuhou's "Miscellaneous Records of the Green Box" Volume VI also has a story of inscription poems. Rather, two people in the same period were treated differently because of their different statuses, and their inscriptions were also treated differently:
According to legend, Wei Ye tasted from Lai Gong (Kou Zhun) to visit the monks' houses in Shaanxi Province, each with a title. After the same trip, see the poem of Lai Gong, which has been protected by a green sarong, while the wild poem is alone, and the dust is full of walls. From time to time, there are prostitutes who are from the line of officials, and they are quite wise, that is, they are whisked away with the gong. Ye Xu said: "If you have to brush your red sleeves often, you should also be better than a blue sarong." Lai Gong laughed.
Wang Bo this time and another time, after becoming famous, the inscription wall poems also have the protection of the biscuit cage. Wei Ye and his friend Kou Zhun have different statuses, and at the same time, the poems inscribed on the wall, one has the protection of the bisaki cage, and the other is full of dust.
Is it really because of poetry?
<h1 class="pgc-h-arrow-right" data-track="45" >4</h1>
In the twenty-eighth year of Jiajing (1549), the world-renowned Xie Hazel guest traveled to the Beijing Division, and Li Panlong invited him to a gathering of the Poetry Society of the Punishment Department. Xie Hao recorded such a story:
On the night of the Mid-Autumn Festival, Li Zhenglang's son Zhu Yan was joined by Li Yulin (Li Panlong), Wang Yuanmei (Wang Shizhen), and Yu Xiangyue. Because of the poetry, yu does not avoid the ugliness, and has the end of the chen. Yu Lingmi pinched his hand with his fingers and made it silent. Yu Yue felt flying, and he did not quit, and the moon was returned. Yu Scale walked with him: "Zi He is too leaky?" Yu Yue: "More important points are not to be said." "What?" "It's like thinking of head beyl." Yu Scale was silent.
During this period, Li Panlong, Wang Shizhen and others were far less famous than those of their descendants, so they treated Xie Hazel with courtesy, and Xie Hazel talked in front of everyone.
However, Li Panlong quietly squeezed his hand many times, meaning less talking. But Xie Hazel was in high spirits and chatted happily, and it didn't end until late.
On the way, Li Panlong said, how do you tell everyone the secrets of poetry? Xie Hao said, is there still the most crucial thing not to say? Li Panlong asked, what is it? Xie Hao said, for example, the meaning of the poem is different.
It can be seen from here that Li Panlong has selfish intentions. Good horses also need Bole enlightenment, but teach the apprentice to starve the master, look at Li Panlong's behavior, is it very common in life?
<h1 class="pgc-h-arrow-right" data-track="71" > concluding remarks</h1>
This article speaks of the dark side of the poet. Xie Hao talked about several kinds of "poet friends", which is a ruthless dissection of human nature in the poetry world. At the same time, Xie Hao said that one of the above three kinds of people is not a good thing to be around you. Try to stay away.
As the big brother in the "Last Seven Sons" and the predecessor in the poetry world. Xie Hao was later ostracized by his younger brother, Li Panlong Wang Shizhen, who had revered him at that time, and was reduced to the "Seven Sons".
Does the intrigue between poets also exist in today's poetry world?
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