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Fu Shan Xingcao's "Shu Sikong Tu Huaxia"

author:Calligraphy code

Fu Qing's calligraphy tradition is very strong. Quan Zuwang 's Strategy of Mr. Fu Qing lord of Yangqu' Yun (傅山): "Gongshu, self-sized seal, subordinate to the following, all refined, concurrently work painting". His Xiaokai "Thousand Texts" directly followed King Zhong, simple and clumsy. At the age of eight or nine, he started from Zhong Xuan, then learned from Wang Xizhi and Yan Zhenqing, and by the age of about twenty, he had "been passed down from generation to generation in all the Jin and Tang Dynasties." Xi wrote books with the seal penmanship, heavy bone strength, Zong Yan book and participated in the Zhong Wang Yiyi, and was influenced by Wang Duo's calligraphy style, forming his own unique appearance, which had gained a reputation before middle age.

Fu Shan, who was in the midst of Dong Zhao's book style enveloping the world of books, also studied Zhao Mengfu, but later denounced Zhao Zi very much. "Yu is not very fond of Zhao Ziang, thin his people and evil his books, close to the scrutiny, not thick and wrong, mature and charming, about to be lowly, Runxiu round turn is still in the right vein, cover from the "Lan Ting" slightly changed and so far and the times are also by luck, not only the article is also." ("Frost Red Niche Collection"), this passage of calligraphy comments on the typical conclusion of "books like people" in history, naturally this is related to the special period of his birth and easy generation, he also said that "writing characters before people, people strange characters since ancient times." Gang often rebelled against Zhou Kong, and the pen and ink could not be repaired. ("Writing Characters to Show Children and Grandchildren"), this kind of exposition is undoubtedly a sobering agent for the early Qing Dynasty book circle where "slave books" were prevalent at that time. He vigorously advocated clumsiness, demeaned ingenuity, and took the natural nature as the best, and he was a man and a genuine artistic proposition of calligraphy, which can be emulated by future generations, and it is precisely because his "learning festival" is valued by people, and the world values his calligraphy.

Although this volume is a book, it mostly uses cursive pens, the lines are flowing and unrestrained, the size of the chapters is very different, the virtual and real changes, the thickness and grandeur, and the momentum is endless.

Fu Shan Xingcao's "Shu Sikong Tu Huaxia"

[1] The spring return of the homeland has not yet ended, and the small lancer is high in other people's homes.

Fu Shan Xingcao's "Shu Sikong Tu Huaxia"

[2] Five more hope to stay alone, like self-harm lamplight

Fu Shan Xingcao's "Shu Sikong Tu Huaxia"

[3] Falling flowers. Fu Shan Book.

Fu Shan Xingcao's "Shu Sikong Tu Huaxia"

【】The spring return of the homeland has no end, and the small lancer is high in other people's homes. Five more hope to stay alone, like self-harm lamps shining flowers. Fu Shan Book.

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