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The Majesty of tang sikong tu's "Twenty-Four Poems"

author:Old Ginger learns calligraphy

Poetry, calligraphy and other forms of artistic expression are different, and their principles are also the same!

Great use of the outer fibula, the real internal charge. Anti-void into the mud, accumulation of health for the male. With all things, across space. Desolate oil clouds, few long winds. Beyond the image, in its ring. Persistence is not strong, it comes from infinity.

The Majesty of tang sikong tu's "Twenty-Four Poems"
The Majesty of tang sikong tu's "Twenty-Four Poems"
The Majesty of tang sikong tu's "Twenty-Four Poems"
The Majesty of tang sikong tu's "Twenty-Four Poems"
The Majesty of tang sikong tu's "Twenty-Four Poems"
The Majesty of tang sikong tu's "Twenty-Four Poems"

Sikong Tu, the last poet and poet of the late Tang Dynasty. The word table is holy, self-proclaimed zhifeizi, and also called the insulting layman. Shanxi Yuncheng Linyi people. He honored and humiliated his mentor, and was willing to give up his civil servant status and follow the already degraded mentor Wang Ning as a staff member. After Wang Ning's death, Sikong Tumingzhe lived in seclusion. During his reclusive stay in his hometown in Shanxi, he did not communicate with the people's official palace, but "will take a pot of idle sun and moon, and go deep into Wuling Creek with long songs", "The Nong family has its own Qilin Pavilion, and the first meritorious name is only poetry." When he was nearly seventy years old, the great warlord Zhu Wen invited him to be the official Shangshu, and he pretended to be an old man and fled. In 908, the Tang Emperor Li Yu was killed by Zhu Wen. When the news came, Sikong Tu went on a hunger strike and vomited blood and died. His "outstanding deeds" were thus incorporated into the Book of Tang.

Sikong Tu loves to write poetry, but also taste poetry. He has more than 200 poems in existence, but in the starry and famous Tang Dynasty, his poems were easily obliterated.

He is best known for his treatise on the Twenty-Four Poems, which uses twenty-four poems to discuss the twenty-four styles of poetry. It is also with this twenty-four poems, Tang poems or majestic, or elegant, or refined, or subtle, or bold, or qingqi, or ethereal, or broad... They all have their own personality.

Su Shi commented on Sikong Tu's poems: At the end of the Tang Dynasty, Sikong Tu was rugged and chaotic, and the poems were elegant, like the legacy of Chengping.

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