The Influence of Sikong Tu's Twenty-Four Poems on Calligraphy (III)

The difference between metaphysical and metaphysical is the contrast between clouds and earth, so there is no meaning to belittle the land, because the land is the foundation of all things on the earth, just as calligraphy is inseparable from traditional techniques and ideas, once detached, it is water without a source, a wood without roots, but any technical theory is extremely absurd, immersed in nothing else, and eventually can only be reduced to a mechanical hand, which will gradually lose its vitality.

Our ancients were great and wise, in any way extremely can not be compared with the present ancient times, they are so full of magnificent imagination, beyond time and space and the universe, such as Zhang Ruoxuan, such as Li Bai, such as Wang Wei such as the Sikong Tu I want to talk about today and the content he wrote, reading their poems, including the various books of the predecessors, too many emotions haunt the heart, sometimes even read the smiles and tears of the heart! But now, as today's people, do we have this kind of feeling, can we write such and such poetry classics, in today's era of information explosion, the so-called economic prosperity flooded the blue sky and clear water, all kinds of unexpected conveniences led to the lack of emotion and the dullness of thinking, somehow, we seem to have lost passion for everything, which has to be said to be a sadness, since we can't write the words and sentences of the ancients ourselves, then, let us read her more, why use the female character next to her? Because if you read her in depth, there will be hope to conceive,

Fiber

Harvesting flowing water, fluffy far spring. Deep in the valley, see the beauty of the time. Peach full of trees, wind and sun waterfront. The willow yin road curves, and the flowing warblers are next to each other. The more you multiply, the more true your knowledge becomes. If it will not be exhausted, it will be new with the ancient.

See, sikong tu's poetic aesthetics are also suitable for calligraphy! What is fibrous? The superficial meaning is slender and stout, slender and plump, is a strong contrasting relationship, and calligraphy is secretly in line, in fact, reading the poems of the ancients, if forced vernacular interpretation, is really a kind of blasphemy, because the loss of the original sense of beauty and boundless imagination, the meaning of the meaning is actually better, in short: the world of calligraphy contains all the elements that make up the world, there are spring, summer, autumn and winter seasons alternate, there is the beautiful harmony of spring light and flowing water, in that deep valley, any sound will have an echo, in calligraphy, All kinds of things alternately presented, there are bearers and princesses competing for narrow paths, there are also planned in place or not the city and city streets, neighbors looking at each other, chickens and dogs smelling each other, you can also take things from the air, these are the levels that the eyes can see, what is the deeper level, is the thought, is to understand themselves, but also to understand the thinking of the ancients, the various meanings of the written content, the various emotional spring, summer, autumn and winter brought about, the hesitation and transcendence of the image, the various interpretations of the surface of various things, this realm, only a shallower difference The deeper standard is none, it is infinite, because it is infinite, so it is more attractive!

Therefore, calligraphy is a wonderful creation of nature and out of nature, we can only approach her infinitely, including the ancients, we need to strengthen the closeness to nature, the absorption of ancient classics, let our soul become pure, let our spiritual tentacles become sensitive and amorous, let our personality become rigid and soft and principled, so that what our eyes see can be timely feedback to the mind to the mind instead of looking at the flowers! Only in this way will the calligraphy art we are engaged in bring its own temperament, and if it can be so, what a happy and joyful thing it will be!

I am trying to approach this realm of my own words, although the road is dangerous and obstructed, but in the process of traveling, along the road are beautiful scenery, I pick one by one, in fact, the process is more important than the result, we are on the road of the real world, in the journey of life is not long, all the processes will be memories, there are happy, there are unhappy, are worth cherishing the wealth,

Therefore, calligraphy needs to be imagined, it needs emotion, it needs to be deeply studied, and what we should learn in this section is fiber.

Or copy the explanation of this section below, although there is no taste in the original text, but even if it is the dullness of the vernacular, there is still one-sided nutrition, isn't it, take the nutrition of this piece of noodles, as a guide, take us to go deeper,,,

The flashing water is bright and dazzling, and the boundless yang spring flowers are full of flowers. In the secluded valley, another beauty appeared, and the flowers of the peach were full of trees, swaying with the wind at the water's edge. Shade of willows, bends of paths, soft whispers of warblers, and one after another. The more in-depth the work is, the more it can be written in a real and natural way. Timely inquiry, never stopping, will be as fresh as the masterpieces of the past.

Isn't this something to learn from,,,

This article is original except for the original text and explanation of the Sikong map, the others are original, hereby declared!