There is a classic dialogue in Notre Dame.
The bishop said: "The result will not be good. ”
John said: "But it would be good to start. ”
This implies that life is a process, and that the beginning and the result are part of the same process, except that the two stages are equal and equally important.
Such is the case with Arietti the Little Man Who Borrowed Things.
Miyazaki's works have always been to heal the soul, especially adults, and "Arieti the Little Man Who Borrowed Things" was particularly touching after reading it, and it was more romantic than the innocence of children.
Poke at the softest part of the person, as if someone had slipped into your knee with a cream-coated brush. Even if you know the ending, you still want to have a beginning, as long as you can taste this happiness, even once.
Arieti calls herself a "family of borrowers", who live in human homes and come out at night to borrow human things, cookies, tissues, sugar cubes, take a little bit and use it for a long time, these insignificant thefts, called borrowing, can also be.
Compared with Arietti's bravery, good at rock climbing, parkour, as a male protagonist who is several times stronger than the borrower family, he is a sick and weak teenager, his heart is waiting for surgery, and although his parents love him, they have no time to accompany him.
The male owner came to the old house to recuperate, and accompanied the little fat cat.
Gentle men are always easy to attract strong women.
With this kind of plot of making friends with mini-villains, I remember watching a movie called Arthur and His Mini Kingdom, directed by Luc Besson.
However, Arthur is telling the story of human adventure and growth, which is very inspiring, like the reality can not be achieved to the villain country to achieve.
Borrowing a piece of things, the sick and weak teenager found that there were villains in the house that his grandfather said, which made his quiet and boring life more alive, but reality was still reality.
Just like the emotional line between the male protagonist and Arieti, beautiful but fragile.
The male protagonist's family is very kind, his ancestors have seen the villain, and the descendants believe in this legend whether they have seen it or not, and they even built a luxury dollhouse for the villain.
After the man met the villain, he gave the kitchen in the dollhouse to the villain, demolished a wall of Arieti's house, and put it into the new kitchen.
The male protagonist represents the beautiful side of human lust. He was gentle and kind, courteous and courteous, and had enough patience with Arietti.
However, there are more than one side of human beings, and the decline of the population of the borrowing family is related to the discovery of humans, and Arieti's parents have always warned Arieti not to contact humans.
The man's clues were discovered by the nanny in the family, who caught Arietti's mother.
When humans see the unknown, their first reaction is control plus destruction.
Although it is an animated image, the ugly face of humans who want to hurt other species because of a little interest is enough to scare the audience.
This kind of greed and selfishness is reminiscent of illegal acts such as poaching and smuggling, as well as playing with dead goldfish and painting on dogs, which are based on the pain of other races.
The male protagonist did not hesitate to choose to help Arieti, even if his heart was loaded.
Humans and his miniature friends complete the rescue mission together.
After this incident, the male protagonist realized that there was something beautiful and suitable for hiding in the bottom of his heart.
Perhaps his ancestors were also worried that the villain was in danger, so he left only the legend of the villain, but there was no trace of the specific villain.
The Arietti family was about to move away, and they were greeted by wild villains.
His abilities are amazing, but his primitiveness and wildness are also incompatible with the Arietti family.
Perhaps, for Arietti, the human boy is just a little bigger, emotionally, the boy's slender sensitivity also wants Arietti to have a protective desire.
In the past, the fat cat was a beast that Arietti needed to avoid, but because of the male protagonist, the fat cat came to Arietti psychicly.
Arietti and the cat have a heart-to-heart relationship.
The fat cat prompted the male owner to show him the way, and the male protagonist endured heart discomfort and finally caught up with the last side of Arietti.
The man gave Arieti a sugar cube:
This is the beginning of their fate and the farewell of their feelings.
You gave me a piece of sugar, but you took my heart away.
When Arietti first returned the male candy cube, she looked in the mirror and checked her dress, because the male protagonist was a young man she had seen since she was born, except for her father.
The male protagonist saw Arieti on the first day he came here, and the bond between them was heart-warming, beautiful and pure.
Arieti is like a legend of human love, where a woman gives a gift related to her hair to a man to convey friendship.
We don't know where the Arieti family will move, they will not have cookies, tissues and sugar cubes in the future, and will the man's surgery be successful the day after tomorrow?
Arietti's appearance gave him a little more courage to face the operation, how lonely he was to recuperate alone.
Human beings are sometimes innocent and pure, and there is a little sustenance, and it is better to talk about comfort.
Whether they are cats or mini-people, they are their own personal beauty in the human heart.
For Arietti, a young girl of the borrowed family, the prince who lives in the castle is indeed touching, but the teenagers of the same clan may be more suitable for a lifetime.
If the love divide is race, then a touching feeling at a glance is also beautiful enough to be able to recall a lifetime.
Instead of having no future, it's better to leave it alone.
"Dad said we had to try to survive, even if it was dangerous, to move to a new place."
Even the smallest ethnic groups have their own creeds of survival.
Although, like humans, the little human race is temporarily borrowed from the world.
But for the small human race that borrows things, clinging to human survival looks beautiful, but it is actually very dangerous.
When a person, no longer for a person, is called growing up.
"What fate? If you hadn't done so much, we wouldn't have had to move so hard now. ”
"We've been trying to live, we're trying desperately to survive, but you just don't know."
The film is small to see the big, to see the small with the big, the contrast is strong, the picture is fine, and the content is fresh and profound.
Every time you look at it, there is a taste every time.