Qing Deng Shi such as "Xun Zi Yu Sitting" axis, paper, seal book, 117 cm in length, 74 cm in width. This is a transcript of "Xunzi Yu Sitting".
Deng Shiru seal book has a variety of appearances, early to abide by the ancient law, after middle age to break through the traditional jade seal style, into the characteristics of the golden stone inscription, and mixed with the calligraphy, with a graceful and round, free style. As a fine work of Deng Shiru's early seal books, this is deeply influenced by Qin's "Yishan Stele" and Tang Liyang's ice seal method, which belongs to the category of traditional jade seals, with well-rounded strokes, slightly sharp at the end, rigorous structure, and clear and handsome wind.
Confucius temple in Lu Huan Gong Temple, there are Vessels. Ask
Keeper: What is this? Right: This cover sits. hole
Zi Yue: I smell the instrument of sitting, the virtual is the empty, the middle is correct, full
Then, mingjun thought it was the most commandment, so it was often placed on the side of the seat.
Gu Zhi disciple: Try to inject water. Pour the water, the middle one
Positive, full is covered. The master sighed: Yu Drama! Husbands have
Whoever is full but not overwhelmed. Zi Lu Jin Yue: Dare to ask and hold full
Daohu? Zi Yue: Wise and wise, keep it foolishly; merit is taken by heaven
Down, keep it to let go; be brave and vibrant, keep it timidly; be rich
The four seas; to be humble is the so-called way of loss and loss
also. The Book of the Lord of the Yi Zhai. Deng Yan.
Deng Shiru (1743-1805), a native of Huaining, Anhui, whose original name was Yan (琰), the character Shiru (石如), the number of Diebo, a native of Baishan, was a native of Baishan, who avoided the name of Emperor Renzong of the Qing Dynasty, so he used the character line. His calligraphy is best known for his seals, and his achievements lie in the small seals.
Deng Shiru Suigong Four-Body Book, especially the Seal Book, with Qin Lisi and Tang Liyang Bing as the sect, slightly involved in the meaning, called Shenpin. As a calligrapher who shakes the ancient world and the present, Deng Shiru is a model that we respect for his genuine innovation. His contemporary Bao Shichen listed his calligraphy as a "divine product" in the "Art Boat Double Tree", praising him as "the first of the four-body book of the country".
Deng Shiru seal book has a variety of appearances, early to abide by the ancient law, after middle age to break through the traditional jade seal style, into the characteristics of the golden stone inscription, and mixed with the calligraphy, with a graceful and round, free style.
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