Those naked humanity in Hong Kong dramas

Those naked human nature in Hong Kong dramas...

Gentlemen are poor, and villains are poor. The Analects of Wei Linggong has no perseverance, and it is all about letting go of evil and extravagance. "The Matter of Qi Huan Jinwen" Is also a villain. "Honor and Disgrace" "whether every maturity increases karmic obstacles", human nature and reality are falling into the panic of "zero-sum game" every minute and every second. Whether sexual goodness or sexual evil has been debated for thousands of years.

All plays that talk about human nature are still the "blockbusters" that have been active for several years. In 1999, TVB produced the fashion merchant war drama "Genesis", with a total investment of 150 million yuan, which is a huge production in Hong Kong dramas. The detailed portrayal of human nature and reality in the play can be called the peak of Hong Kong opera classics, which is unmatched by latecomers. The different levels of smiles and the cycle of rewards of the characters alone are worth pondering.

Less desire and inaction, body and mind at ease. The Buddha Says the Eight Great Enlightenment Sutras

In the play, Xu Wenbiao, his mother ran away, his father was corrupt and gambling, and his brother and sister's bad habits were difficult to change. The pain of the original family, the screenwriter did not hide everything 22 years ago, but to let Xu Wenbiao, who lives in such an environment, stand up for a kind and upright personality, he protects his wings angularly, and pursues the ideal world that belongs only to him with full enthusiasm. At that time his smile was pure and glowing.

A thought of anger arose, and a million barrier doors opened. Every moment when the Huayan Sutra starts to move, it seems to be rewriting the fate of helplessness. In the confusion of growth, everyone constantly reshapes their three views. You and I do too! In the eleventh episode, Xu Wenbiao smashes the mirror with a hammer, along with more than twenty years of faith. The hesitation and hesitation that the character falls into is the foreshadowing of the screenwriter's preset of conforming to the turn of human nature. In episode eighteen, Marathon, Xu Wenbiao reminisces about the past, his struggles, his distress, and the silent silence seems to be more touching than hysterical roars and questions. Under the afterglow, he bent down and breathed heavily, and a chill welled up in his eyes; in the moment he got up, the actor worked hard to interpret different levels of smiles with superb acting skills, from grievances to helplessness to relief. Finally, he took off the number on his chest and turned around inches away from the end, smiling evilly and confidently, creepy. Yes, he no longer needs to try his best to run to the end, because he has found a shortcut to the worldly end, that is, there is no bottom line!

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