16
Oct
"Sushan Temple" is the work of the Tang Dynasty poet Jia Dao. This poem writes about what the poet saw and felt when he stayed at the mountain temple at night. The first link highlights the height of the Buddhist temple, the jaw link depicts the wonder of the night scene, the neck link reflects the height and depth of the mountaintop, and the tail link sets off the secluded environment on the mountain. The poetic style is quiet and elegant, the language is concise, especially the two sentences of the jaw link highlight the subtlety of the poet's refining, which is appreciated by posterity.
Translations
The peaks carry the cold air, and a Buddhist temple stands on the top of the mountain.
From between the gaps in the scattered branches outside the temple, I saw the meteors in the night sky, and the light clouds slowly fluttered, as if they were moving in the opposite direction with the moon.
The top of the mountain is sparsely populated, and the pine trees stand on the high ground like lonely wild cranes.
An old monk over eighty years old had never heard of anything that was happening in the world.
exegesis
(1) Zhongxiu: Mountains. KEY: Peaks. Shrugging: Shrugging, entrusting.
(2) Jinglu: A small Buddhist temple.
(3) Meteors: Not meteors that flash by in the general sense. The term "meteor" (the stars are moving) here is used in the following sentence to "walking moon" (the moon is walking). Hydrophobic: The author divides water into hydrophobic, dense water, waterphobic clear and transparent; dense water is thick and opaque. The phrase "shooting star" means that through the clear and slow flowing water, you can see the stars in the night sky; the water is flowing, but it looks like the stars are flowing.
(4) Retrograde clouds of the moon: The clouds are moving, but it looks like the moon is moving (of course, the moon is also walking, of course, it is more static than the flowing clouds).
Appreciation
Jia Dao's "Sushan Temple" is published in quan tang poems, volume 573. The whole text is a mountain, a temple, a star, a water, a month, a cloud, a pine, a crane, a monk, come here for a night, can't help but be annoyed with the purification, the thought of refuge is born. The cold of the crowd, the sparkle of the meteors, the sparseness of the trees, the reverse of the moon, the journey of the clouds, the height of the pine nest, the ungroup of the cranes, the chaos of the old monks, the fit, the poet's penmanship, the secluded land, far from the world, the high heart, the superiority of the group, the casual hand, the flow between the lines, it is really breathtaking.
Starting from the visual image to write: the peaks are towering, the mountains, without more ink, with a "cold", its color is self-green, the emerald color floats in the air, revealing a chill; and the "towering" word is extremely godly, the mountain is high, and the peak is extremely tall. The temple where the poet stayed sits at the top of a mountain surrounded by peaks. The author uses the technique of ink painting to outline the characteristics of the lonely and cold mountain temple.
The jaw connection first saw the strange pen, "meteor through the water", the stars do not move, the shadow falls in the water, the water flows and reverses like the flow of the stars, flowing, the stars pass away with the water, not the night sky shining through the night sky of the meteor, the sky is clear and clear, fascinating. The strangest thing is that the poet divides the water into sparse and dense, sparse and transparent, the stars reflect the water, and the thick is turbid, and it is difficult to penetrate the light. The reason why a poet is called a poet is that his feelings must be different from ordinary people. The moon does not move, and the clouds drift, the clouds line and the opposite is like the moon, and the two things go in opposite directions, the poet is just five words, and it is all. The meticulousness of observation, the wonder of the conception, and the inability to do so without a sensitive heart are amazing. The magic of these two sentences renders the atmosphere of the empty mountain and the quiet and clear ling, which effectively sets off the cold and desolate silence of the mountain temple.
Five or six sentences from the natural landscape to the personnel discussion. "There are few people at the top", which means that the mountain temple is inaccessible because it is at the top, revealing that the mountain temple is far away from the city dust. "Takamatsu cranes are not herds", written on the monogamous cranes on top of takamatsu. The crane is a fairy bird, Qingxiao's legacy, not in the company of chickens and ducks, that is, it is out of the ordinary, benefiting from the high pine next to the ancient temple, the nest on it, doubly showing its unsacky, outstanding. In classical poetry, the pine crane is often used as a symbol of purity and longevity, and seeing the pine crane now naturally reminds people of the people who planted pine cranes. This paves the way for the monks in the temple to be written below.
The last two sentences write that there is only one eighty-year-old monk in the temple, although he has experienced spring and autumn for a long time, his feet have never fallen into the world, and he has never been in dispute with the world. Looking at the two sentences "There are few people at the top, and Takamatsu Cranes are not in the crowd", it is precisely to show the living environment of this monk with symbolic significance. Pushing the whole poem, it can be seen that there are many people surrounding the empty mountain, there is this temple of absolute loneliness, there is this temple of absolute loneliness, there is this transcendent monk; and there is only one poet who is immersed in the scene, staying in his temple, and seeing his monks. If so, the poet's sentiments are self-evident. This is where the author's intention is brilliant.
Celebrity reviews
"Poetry Source Discernment": such as "Unknown Wandering Ziyi", "Go to have a patrol partner", "The crowd shrugged the cold color", "Hair combed a thousand times", four articles, also like the late Tang Dynasty.
"Tang Poetry Moment": The tail link is allegorical. The three or four writing scenes are extremely accurate. Ruo Zimei's "flying stars over the water white, falling moon moving sand void", although extremely depicted without a trace of carving, can not be the same.
"Tang Poems Picking Money": Intended to be outside the words (the last two sentences).
"Cold Skinny Collection": The first cross is the usual scene in front of you, and once the giant hand comes out, it can be amazing.
"Yingkui Law Pulp Review": Feng Ban: Sub-Lian Qi Sentence. Ji Yun: "Meteor" and "Moon" are not good. The last four sentences suddenly became plain words, but they flowed away in one breath, and there was a scattering. Xu Yinfang: The whole poem has a strange atmosphere. Three or four is a jingjia sentence, Xiaolan rebukes it with the literal words of "flow" and "walk", and covers the rope rhythm poem with the example of trying to post taboos, which is harsh and absurd. The last four sentences also come out of the refinement, the five words of "Takamatsu" are very vigilant, and Xiaolan is also dismissed as a plain language, which is not a public opinion. Anonymous (B): Taste this scene, and be surprised to pick it up.
"Tang Trisolaran Poetry Review": "Cold color" is twilight, and it is also at the top. Youyun: The concluding sentence also wants to abandon human affairs and avoid the world from it. The sentences are superb, the gods and immortals.
"Tang Poetry": The down-the-road cloud is hidden by the moon, and the magic is all in the word "reverse".
"Dragon Sex Hall Poetry": Jia Langxian "Yangtze River people fishing for the moon, the wilderness burning wind", "meteors through the sparse wood, walking moon retrograde clouds"... True Buddha worship.
"Re-fixing the main guest diagram of the Middle and Late Tang Dynasty poems": "The word "through" and the word "go" are too refined, and they are reverted to the slang (under the two sentences of "shooting star"). The knot is super ancient.
"The Poetry of Hagihara Says": The Fa cannot be combined, such as a movement must be quiet, a high must be a little, a vertical must be horizontal, a more must be less, and such can be recursive. For example, Geng Wei "braved the cold to speak less, and the moon candle came to be rare", "rare" and "less" clapped. Li Zongsi "extinguished the flames in the whole world, and hid the smoke in the land", "all" and "all" clapped together. Jia Island "meteor through the sparse wood, walking moon retrograde clouds", "flow", "walk" palm... This is also the disease of poetry.
"The Record of Quitting": The poem has the same semantic meaning and the work is clumsy and far away, such as Jia Changjiang's "retrograde cloud walking on the moon", which can also be described as the most descriptive, trying to compare with Wei Suzhou's "trees are born in summer, and the clouds are flowing and the moon is tuhua", which is really unbearable to be a slave.
Jia Dao (779–843), zilang (阆) xian, was a poet of the Tang Dynasty. Han Chinese, a native of Fanyang County, Youzhou, Hebei Province (present-day Zhuozhou, Hebei Province) during the Tang Dynasty. In his early years, he became a monk and had no merit. Self-proclaimed "Jieshi Mountain Man". It is said that during the time in Luoyang, due to an order prohibiting monks from going out in the afternoon, Jia Dao complained about poetry, and was discovered by Han Yu for his talent. Later, he was taught by Han Yu and also participated in the imperial examination, but he did not pass the first place. When Tang Wenzong was expelled, he was demoted to the title of yangtze river master. At the beginning of the year, Emperor Wuzong of Tang joined the army from Puzhou Sicang to Become Sihu, but died of illness.