【 Qing Yun Shouping "Hundred Flowers"】 Volume, color on silk, 521×30cm, collection of the Metropolitan Museum of Art. The flower names of this painting are Yueji, Daffodil, Fish Peony, Hui, Thousand Leaf Peach, Golden Cherry, Hypericum, Poppy Poppy, Wodan, Thousand Petals Hollyhock, Pale Bamboo Leaf (Bi Cicada), Iris, Heavy Petal Rose, Purple Begonia, Zhuge Cai, Single Petal White Wood Fragrance, Wood Hibiscus, Sandalwood Lily, Ziwei, Marigold, Pomegranate, Wisteria, Peony, Chrysanthemum, Begonia, Scissors Autumn Luo, Caryophyllum, Monk's Chrysanthemum, Golden Chicken, Carmine (Purple Jasmine), Calendula, Zhao Pink Peony, Magnolia, Shu Red Camellia, Plum Blossom, Yangfei Camellia.
This painting captures white lilac branches and uses ink to depict the scene of its flowers blooming like snow. Write the branches in light ink and blend into leaves. The inflorescence is sketched in stick figures, that is, indulgent and free and full of charm. Ye Zhi leaned back and leaned back, all using different pens, practicing to convey the gods. The picture is fresh and elegant, beautiful and natural. Collection of Shanghai Museum.
Tang Yin's "Mo Mei" vertical axis
Tang Bohu has a wild and uninhibited personality, but in painting, he is unique, self-contained, with a beautiful and meticulous penmanship, with a dashing and elegant charm. His calligraphy is from Zhao Mengfu, handsome and yiqun, quite powerful. Tang Yin has profound literary and artistic accomplishment, experienced ups and downs, seen a wide range of knowledge, and has a deep understanding of life and society, which has a poetic cloud: "Everything is demanded by heaven, why should we use hard work and scheming; when we are satisfied with three meals, we can receive it with a smooth wind." When is the birth of a trouble, the harm to everyone is a few hours off; it is advisable for the wronged family to solve the problem and look back at the back of each other. ”