The "Weng Fanggang Poetry Manuscript" is not divided into volumes (Qing) Weng Fanggang wrote (Qing) Qian Zai batch point
QingQianlongjian Weng Fanggang Manuscript Manuscript Weng Fanggang Inscription Qian Zai Batch Point
钤: Qin Xi (Zhu Fang), Fang Gang (Bai Fang), Jingcheng Qianhou (Zhu Fang), Qin Xi Draft (Bai Fang), Zheng San Yi Zi Zhongxu (Zhu Fang), Weng Fang Gang (Bai Fang), Nag Shi (Zhu Fang), Ou Zun (Zhu Fang), Daozhou He Collection (Bai Fang), Bu Bei Fu (Bai Fang), Nai Fu Qichu (Bai Fang)
Weng Fanggang
There were many schools of poetry in the Qing Dynasty, one of which was the Texture School, and the founder Weng Fanggang (1733-1818) was zhongxu and zhengsan, qinxi, Suzhai and Yizhai, and was directly subordinate to the daxing (now beijing). Shao Conghui, at the age of nineteen, dengjin shidi, Xuan Hanlin Yuan Shu Jishi, Qianlong twenty-four years (1759) and twenty-seven years (1762) respectively served as the chief examiner of the Jiangxi and Hubei township examinations, Qianlong twenty-nine years (1764) as Guangdong Xuezheng, thirty-eight years (1773) to participate in the revision of the "Four Libraries of the Whole Book", and then successively served as Shandong Xuezheng, Cabinet Attendant, and Hongxu Temple Secretary, Jiaqing twenty-three years (1818) died at the age of eighty-six. He is the author of "The Golden Stone Of the Two Han Dynasties", "Supplementary Correction of Jingyi Examination", "Supplementary Notes on Su Poems", "Shizhou Poetry", "Fuchuzhai Anthology", "Fuchuzhai Anthology" and so on.
Before Weng Fanggang put forward the theory of texture, the poetry of the early Qing Dynasty already had the prevalence of the Wang Shichen Shen Yun School and the Shen Deqian Style School, and the theory of Weng Fanggang's texture was aimed at these two schools. Zhang Weiping's "Listening to Songlu Wen Banknote" recorded: "Mr. Qin Xi discussed poetry, saying that the word 'Shen Yun' in Yuyang is super wonderful, but its drawbacks are afraid of air conditioning, so he specially picks the word 'texture', and Gai wants to seek truth and virtuality." Weng Fanggang believes that shen yun and style are too abstract and flow into illusory emptiness, while poetry creation should be realistic, like human skin, with clear texture. In the "Fuchu Zhai Anthology", there is "Imitation classmates for a happy student", in which Weng put forward the word "texture": "Xi Li, He Zhi disciple, empty words style, to Yuyang is the charm of words." Style, charm, there is no way to start. For this reason, I have to refer to it as 'texture'. Shaoling Yue: 'The texture is delicate and the flesh and bones are even', this cover is tied between the bone and the flesh, and the harmony between man and heaven is very difficult! In the Preface to the Collected Sayings, he also emphasizes: "Today, the light of the scriptures overflows the universe, and for the sake of learning, the evidence must prevail, and the poetry must be based on texture." ”
In terms of specific writing, the texture school mostly uses words such as scripture and evidence into poetry, so it is also called "learned poetry school". When discussing Weng Fanggang in the Draft History of the Qing Dynasty, it is said: "The poems that are written are all carried out from the annotations of the scriptures and the examination of historical transmissions, and the combing of the golden stone characters, and the commentators say that they can take learning as poetry." The most typical of his poems, such as the "Song of the Fragments of the Han Shi Jing": "The table is lishu guozhengshi, and the chapters and sentences are similar and consistent." Hong's "Interpretation" is a ceremony of discipline, and now I am like Chen Can. "Spring and Autumn" Yan Yan "Poems" hairy, only less Xi Yao elephant and Yan. For this kind of poetry, the Qianjia students who advocate Pu Xue are certainly gratifying to read, but for people in temperament, they are greatly impressed. Yuan Ming, a contemporary of the Spiritual Sect, was particularly displeased with Weng Fanggang's texture, and in the "Suiyuan Poetry", he pointed out that Weng Fanggang "mistook learning as poetry", and also made "On poetry and absolute sentences" to satirize: "There are guests in tianya who are stupid, and mistakenly regard copying books as poetry." Copy to Zhong Rong's "Poetry" day, it is time for him to know the spirit of sex. "Because it is far from the artistry of poetry, the influence of the texture school in the poetry world is not as wide and deep as that of the style school and the Shen Yun school, but it has also been entangled for more than a hundred years, until the early years of the Republic of China, and gradually dissipated."
First, the origin of the "restoration of the first fast"
No matter how later generations evaluate the texture school, Weng Fanggang is very concerned about his own poetry, and before he died, he tried to compile it by hand and asked his friends to approve it. Nowadays, it can be seen that there are many versions of the "Fuchu Zhai Poetry Collection", of which manuscripts, banknotes, engraved copies, and photocopies all exist, and the common "FuChu Zhai Poetry Collection" is sixty-six volumes, which were edited by his protégé Wu Songliang and others, and there are four volumes of "After the Poems", which were supplemented by his disciple Li Yanzhang, and Liu Chenggan in the Republic of China also engraved twenty-four volumes of "Collected Poems", which were compiled by Miao Quansun from the manuscript.
Weng Fanggang title, Qian Zai batch point "Weng Fanggang Poetry Manuscript" home page
The manuscript of Weng Fanggang between the thirty-seventh year of Qianlong (1772) and the forty-first year of Qianlong (1776) was originally four volumes, scattered into one hundred and forty-eight pages due to water robbery, fortunately without damage to the handwriting, clearly readable. This manuscript was originally a green grid manuscript paper book, there are also Zhu columns in between, each page has more Zhu Mo two-color criticism, and from the eyebrow batch can be known, the original title of this collection is "Bao su room small grass", there is also the title of "Su Zhai poetry manuscript". The Fuchu Zhai Poetry Manuscript is compiled chronologically, of which volumes 11 to 14 are "Baosu Room Grass", that is, this draft is also. The large characters on the first page are titled "One of the Unpaid Notes", and there are "癸巳正至乙未 August", and there are also "Two hundred and ninety-three poems in this book." It barely survived for the change of two hundred and twenty-three songs. It seems that those who take the other path by trickery cannot be saved, and the seven musts such as re-looking under the lights on September 5 and the four absolute rhymes of the Daoyuan Garden, so remember this, then the future works must not be careless. ”
This page has three seals of "NaiFu Qichu", "Not Far Away" and "Qinxi Draft", all of which are white square, and the printing surface is turned smaller in turn, and it has never been allegorical in the past. Weng Fanggang is not only famous for his poetry, but also for his calligraphy and collection of books, and his calligraphy is called "Weng Liu Chengtie" along with Liu Yong, Prince Cheng, and Tie Bao, and the library has Xiao Penglai Pavilion, Su Mi Zhai, Bao Su Zhai, 30,000 Volumes Zhai, Zhi Shu Lou and Graphite Lou. In the "Collection of Poems of Fuchu Zhai", there is "Self-titled Thirty Thousand Volumes of Zhai", poem Yun:
Laughing on the frame inserted the Marquis of Yi, has been ashamed of the Huzhou directory and.
Xiushui kitchen is difficult to 80,000 plans, and the yellow and gan characters are added in two lines.
The Han stele was grassy and grassy, and Song Zhuan rarely worshiped Zi Zhan.
"Huadu Mingtu" imitates Fan Lao, and gives the library to print a light plutonium.
With this poem alone, it is conceivable that Weng Fang Gang YiJia not only has inscriptions, Song editions, but also books given by the emperor. Qian Yong's "Words of the Garden" records: "Mr. Qin Xi of Daxing Weng ... The Baoan Temple Street outside the front door of the Beijing Division, books and literature, interstitials, and those who ascend to the hall, such as entering the Valley of Ten Thousand Flowers, are dazzling, and those who have no time to tan theorists are also. ”
Although weng Fanggang has many hall numbers in the collection, they all have sources. His name is Qin Xi (覃溪), for reading the Book of Han, because of Mu Yangzi's Qin Si. Also because of MuHaiyan Chen literature Su Nunnery, "Su Zhai" Yan Room, to show the meaning of private Shu. In the thirty-third year of Qianlong (1768), Weng Fanggang obtained Su Shi's book "Skyline Dark Cloud Thesis", and called himself Su Zhai. In the thirty-seventh year of Qianlong (1772), because of the inscription of Su Shi "Yingde Nanshan" and the inscription of Mi Fu "Yaozhou" Ershi Yuzhai, the inscription "SuMizhai" hall number. In the thirty-eighth year of Qianlong (1773), he obtained the thirty-one fragments of the Song carved "Shi Gu Zhu Su Poems", so he used the "Baosu Room" Yan Zhai and inscribed a plaque on his own, which is also the source of the previous poem "Song Zhuan Few Worship Zi Zhan". In the forty-first year of Qianlong (1776), the word "Poetry" was carved in stone by Lu Fangweng, and a plaque was placed in the bookstore. In the forty-second year of Qianlong (1777), Huang Yi used the fragments of the Han Shi Jing to be inscribed, and he also inscribed the plaque "Xiao Penglai Pavilion" in the room. In the forty-seventh year of Qianlong (1782), he obtained the sixth volume of Song Tuo's "Great View Thesis", so Yan Qi's room was called "Jinguantang", and because he purchased Wen Zhengming's book "Records of Xiyuting", yan Qizhai with "Yuxiang"; later, because he purchased the old version of "Huadu Temple Pagoda Inscription", Yan Zhai was called "Graphite Library". In the fifty-first year of Qianlong (1786), he used the poems of Muhuang Valley and Yu Daoyuan, and also used the "Valley Garden" Yan Zhai. If he is like the Thirty Thousand Volumes of Zhai and the Book Building, he states the quantity and source of the collection of books, but his collection of essays is collectively called "Fu Chu Zhai", and the source of this number, I have not seen anyone say, today I can see the three-way Tibetan seal of this manuscript, and realize the intention of Weng Fanggang.
"Not far away" is said in the "I Ching" "Fu Gua": "Chu Jiu, not far away, no regrets, Yuan Ji." "The gist is that the journey is not long and the return is not long, so it will not lead to regret, Yoshi." The last sentence of this gua "Yan" is: "Fu, its heart to see heaven and earth!" It echoes the bottommost "is the beginning of the restoration" seal. This Gua Chu Jiu is the best one, Yi Yang lives under the yin of the group, and the Yichuan Yichuan Yun: "The way of learning has no other, but if it is not good, it will be quickly changed to be good." And "Nai Fu Qichu" quotes Zhu Xi's "Primary School Inscription": "Yuan Henry Zhen, the constant of the Heavenly Dao; benevolence, righteousness, and wisdom, and the outline of human nature." In the beginning, there is nothing wrong with it. ...... Line has spare strength, recite poems and read books. Chanting and dancing, thinking or passing. Poor reason and self-cultivation, great learning, clear destiny, reckless inside and outside. Virtue is widespread, but it is the beginning of the restoration. Weng Fanggang used these two seals to remind himself to reflect from time to time, to change what has been done, and to return to his good nature through learning. And the name of "Fu Chu Zhai" is even more time to wake up to oneself. The Uong's self-criticism, which can be seen everywhere in the manuscript of the poem, also confirms his introspective traces at all times, and the following are the following:
First: Self-vigilance before the volume: those who are not true in words, the disadvantages of the general set; those who are too loose and too elderly, the disadvantages of following the trend; the disadvantages of Fu hui fighting, the disadvantages of looking up books; those who are too involved in debaters, the disadvantages of being demure; those who are delicate and delicate, the disadvantages of currying favor. To go to these five disadvantages and be suitable for the right path, but also to be profound, but also to open up the ability to do things, the nature of intercession, rebirth.
The poet, at one end of the text, the poem does not understand and the text has nothing; the writer, at the end of the Tao, the text does not understand and the Tao does not exist. Han Zi □□ he is not a gentleman but a villain. Qianlong thirty-seven years in addition to the night lamp under the note.
Second: there are only about seventy surviving ones here, but this cover is also a slightly self-expansive word, in fact, the survivable ones may not have this number. Yesterday's stone cloud must always be rectified by itself, not only elongated, but written to the side of scattered fragments. This is purely reading, and its brewing law is not read. From now on, it is even more forbidden to do a floating business with others. Beware Chinese New Year's Eve under the lamp.
Third: People can be self-consciously insufficient day by day, and they still can't have more than enough, but they have more than enough self-consciousness. Qianlong thirty-eighth year of the first day
Dawn to try to write a book.
Fourth: reading and nourishing qi. If you say too much, you can't enrich your qi, and the more difficult it is to cultivate it. It is necessary to start □ privately, and to conquer is to cultivate. Qianlong thirty-ninth year of the first day of the dynasty to withdraw the test pen book.
Fifth: The five ancients use the present reality to transport their own true qi, and the algae color style takes the ancients. But the algae color must not be filled with heart, and the style must not be imitated by the ear. A □ the twenty-fifth day of the first month of the lamp to write down.
Sixth: Do not slacken off, must be lifted at once; do not hold tight, must be carved and expanded. On March 28, the rain was recognized under the south window of the Qingtang Bookstore, and it was the Day General Fu Gu Teng Shuya Shiya.
Seventh: Always be in awe. Qianlong forty years of the first day of the first day of the trial writing.
One of the "Poetry Manuscripts of Weng Fanggang"
The second part of weng fanggang's poetry manuscript
As the above words, mostly out of the Chinese New Year's Eve, the first day, when the whole world celebrates, the Si people are alone in the study, checking the poems, reflecting on themselves and vigilant, their intentions can be seen, the style of the predecessors of the scholars, but also enough to emulate my generation. Because most of the books are in the Chinese New Year's Eve and the first day, the position of the title is either a single paper and another book, or an important and eye-catching place. Carefully reading the inner text of the poem, the inscription on the end of the volume, such as self-warning words are also frequently seen, such as "Yesterday saw two songs", the eyebrow end self-criticism: "Can not yet arrive, can not be stored." In the future, do not write such poems. The twenty-fourth day of August is written down by the lamp. After this phrase is written in ink, it is circled by Zhu Pen, which shows the meaning of caution. And this poem manuscript because it is used in the collection, so there are many to take, those who take, with Zhu notes "save" the word, those who do not take the whole poem circle, this poem because "can not be saved", so also with Zhu pen circle. But what kind of poem should be so deliberately circled and reminded itself to "do it again" in the future? The original poem in this recording is as follows:
Yesterday I saw Feng Lang thin and could not remember the past.
East Hwaseong Strange Road, autumn and summer noon locust yin.
Heaven and raw flowers, people pity to sell endowments.
Bleak Boy Day, crisp short and long groan.
Yesterday, I saw Yang Langzha and chased after the childish teeth.
The evening wind is fragmented, and the cool moon is clothed.
The fish in the river and the sea rise, and the in-laws and sisters think.
The same is a dream, and it is ten years late.
As a representative of the texture school, Weng Fanggang's poems are characterized by the inclusion of learning in poetry, the words of more evidence, and the rare idle and humorous sentences. When Mr. Liu Shinan's "History of the Qing Poetry Genre" discussed Weng Fanggang, he said: "To be fair, the Fuchu Zhai Poetry Collection is not without true poetry. ...... Unfortunately, there are too few such true poems, accounting for ninety-nine percent of the five or six thousand, as Tao Liang said, there are only two. "And these two are the golden stone inscription and the inscription calligraphy and painting. What is "true poetry", Mr. Liu Shinan has given examples, such as "In the past years, Zeng and Changqing poems, it was when the leaves fell in Huainan", "Shuyuan lights corresponded, Lin Shen's dreams were still round", etc., and if you wanted them, the poems that revealed their true feelings were also revealed. And the person who was deleted by Weng Fanggang in this draft is not only a revelation of true feelings, but also a clear and elegant one. If it is a work, it was actually deleted by Weng Fanggang as "not yet able to arrive", and what kind of standard in his mind was "to" is beyond my generation's knowledge, but reading this poem, it can be seen that Weng Shi is not without true feelings, nor is he not good at writing real poetry, but he is unwilling to show people with this feeling.
Weng Fanggang took the title of "Fu Chu Zhai" and inscribed a reminder to guard against micro-gradualism and small over-establishment, which shows that he is cautious and cautious, and if he falls into detail, it is the transmission of poetry or not. When the mood comes, the poem has been chanted, just as the "far" of the fugua has been taken, but the wind has passed the heart, and it is about aware that the poem is too swaying, so it goes with an ink pen, just as the "far and repeated" of the fugua will be returned to the idleness that will be thrown out, which is the true meaning of the "fuchu fast".
"Weng Fanggang Poetry Draft" "Yesterday see two poems"
Second, the poem manuscript was lost to the Liuli Factory
This manuscript was once obtained by He Shaoji during the Light Years of the Qing Dynasty, so the volume contains the "Daozhou He Collection" White Fang. He Shaoji (17991873) Zizhen (字子贞), dongzhou (東洲), late trumpet 猨叟, ape叟, yi zuo 蝯叟, Hunan Province. Daoguang sixteenth year (1836) Jinshi, Xianfeng second year (1852) official Sichuan Xuezheng, because of the time affairs of Chen, fell back to his post, successively taught Shandong Luoyang Academy, Changsha Chengnan, Yuelu Academy, and invited Zeng Guofan and Ding Richang to preside over Suzhou and Yangzhou Bookstores. Gong calligraphy, the history of the general scriptures, is particularly deeply examined in the "Shuowen", and he is the author of "Dongzhou Caotang Poetry Collection, Wen Banknote", "Water Classic Annotation Error" and "Xi Dao Wei Zhai Jing Shu".
He Shaoji also collected books, and his collection includes Dongzhou Caotang, Yunlong Wanbao Library, Mianqin Pavilion, Huanhua Lou, Xidao Weizhai ( Xi Dao Wei Zhai , Jianguang Pavilion , Bao Xue Xuan , Hei Nü An, etc. Some of these hall numbers are named after the inscriptions of the books he collected, such as Bao Xue Xuanyuan who received the "Monument to the Zen Master of Xinxing" written by Song Tuo Xue Ji, and the Black Nunnery yuan received the Northern Wei "Zhang Xuan Epitaph". There is a manuscript of the "Dongzhou Caotang Collection Bibliography" that has been handed down to the world, and it is now preserved in the Hunan Library, and there is a Ye Qiqi inscription: "There are many old collections in Yude Dongzhou, and those who are outside this item are eighty-nine times out of ten, and they know that this is not the entire catalogue of his family collection." Scrutinizing this item is a handwritten book of the Viper, and the cover is the purpose for which it is to be reviewed. ”
He Shaoji
He Shaoji's collection of books originates from his father He Linghan, Ye Qixun's "Records of the Book of the ShijingLou": "Yu Xiangde He's books have thousands of volumes, most of which are copied by celebrities, or written by the roots of the book, or repeatedly read in circles. You can imagine his boats and cars, his hands are constantly draped in the scene, and every time he browses, he has a deep admiration. He Shaoji also commented on the collection and reading of books in the poems of his friends: "Books are not interpreted, such as children playing with pearls and jade." Reading cannot be hidden, such as a thousand miles without grain. From this, it can be seen that He Shi is not a slave to wealth, but a collector and a reader.
In the draft of Lun Ming's "Chronicle Poems since the Xinhai Dynasty", there is a poem given to He Shaoji and his people, Shi Yun:
Ze Chuan V was suspicious of what to do, and the title of the book of the Viper was known.
Most afraid of confusing Zhang Heinu, Kang Chengyi also interpreted poems.
There is a small note under this poem, Yun: "Daozhou He Clan Collection, Ziwen An Gong Ling Han, Chuanzi Shaoji, Zi Zi Zhen." ...... Its books are thick and thick, and the foot of the book has three or four volumes for one subject, and the Zizhen pen is also. Where the scriptures are written by The Son's Hand, the value increases by more than three or four times. However, the schoolbook is more fake, and its characters and disciples to servants are all imitating Zizhen calligraphy, which can be almost chaotic. Most of them are too neat, and they are suspicious also. Zizhen learned from Zhang Black Female Monument, and deeply kept it secret. Nowadays, takumoto is popular, but it is difficult to believe that it is the original ear. ”
Whenever I read this, I often suspect that Lun Ming has exaggerated it. The more legendary the shulin su is, the more people like to say it, and the more it is passed on, the more prosperous and floating it is. If the head of the family likes to recite poetry and books, and the servants are literate and normal, but even the servants can work on the books to be confused, the credibility is doubtful. Now I can see that in the final draft of the "Chronicle Poems of the Book Collection since Xinhai", this poem was not received, and it is unknown what the reason was, perhaps Lun Ming thought about it after fixing it, but also felt distorted, discarded and used, and it is not known.
He Shao received Weng Fanggang's "Fuchu Zhai Poetry Manuscript" based on what year, but unfortunately I did not see the relevant inscriptions and sayings, and I could not know the details. In the chapter "The Testament of a Scholar" in volume VI of The Little Chronicle of Liulichang by Ran Sun Dianqi, there is a gift from Huang Zhao entitled "Zizhen Purchased a Manuscript of Weng Qinxi's Scholar's Handwritten Poem at the Liulichang Book Stall", detailing the details of He Shaoji's purchase of this poem:
He Lang good ancient into the cream, the day from the factory to search for ball Lang.
The remaining stele was searched for, and the pieces of paper were only collected diligently.
Su Zhai's manuscript fell apart, and Li He threw himself into the bag.
A gold is easy to steal joy, and Jia Hubi's eyes are poor and proud.
I want to write poetry to know good things, and I want to see the old people and the madness.
The fish gate is the most densely packed, and there is no such thing as a merchant!
Reading and nourishing qi can be seen that the five evils have gone back to Kangzhuang.
From the beginning of the month to the eighth month of the second month, more than 200 songs were from Zang.
Su Zhai was endowed with a nearly strict core, and for seven years the school scholar toured my hometown.
Yushan yisu out of Zhupu, surrounded by a huge wooden forest gate wall.
After the poem, it is to serve the money, and the opinion is low.
The tong yin in the volume is also high, and now I am thinking of sang.
He Lang and I are the most friendly, and the friendship through the door is the same goose.
It is not uncommon to hold a strange hug, and is sitting on the makeup of the ancient shyness.
Yesterday, I sat down under the self-entertainment xuan, and the lake light was faintly in the window gap.
Mao Zhu'er's old style bones, staff and painted whiskers and eyebrows.
Su Zhai inscription chronicle, poetry chronicle is slightly more detailed.
Who can inherit the flow of the predecessors? Qianjia is still looking at each other!
He Lang Ben's storage towel box, someone for The Burning South Fengxiang.
He Shaoji's Collection of Books and Seals "Daozhou He Collection"
Huang Zhao (1787-1853) Zi Gusheng, Xiang Tie, Guangdong Jiaoling people. In the twenty-fourth year of Jiaqing (1819), he was a scholar of Chaoyang County, a hanlin yuan to be edicted, a cabinet secretary, and Zhang Wei, Huang Xiangshi, Lin Xinshan, etc., and had the title of "Seven Sons of Eastern Guangdong", and wrote "Reading The Poetry of Baihua Caotang". Huang Zhao and He Shaoji have known each other for more than forty years, and their love is like brothers, and there are often fish books back and forth, just like Huang Zhao's poem "The friendship of the door and the goose trip". He Shaoji's "Dongzhou Caotang Poetry Notes" also has a number of articles about Huang Zhao's works, and the ones with deep affection include "When Sending Huang Xiangtie, the Scholar Moved to Hanlin Classic Book", which shows the contract of the two people's intersection:
I came to the five sheep on the festival, and the old man's eyes were full of amusement.
Aggressive old iron is not visible, nine times a day to my intestines.
Hui Shuyue suddenly came again and again, and Crane Fa Weng wrote the word "fly head".
Poor one sees it as difficult as a promise, what is the matter with a thousand letters!
……
Friendship with Jun than Tang Di, forty years of temperament.
Although he was more than an old man, he still forged every book he gave.
He Shaoji's poem calls Huang Zhao "Old Iron", which shows that the cordial relationship between the two is not a word of harmony on the scene. The two tried to live together in the Beijing Division, and He Shaoji had gained something, so he invited Huang Zhao to enjoy it together. According to Volume IX of the Second Collection of Poems of Reading Baihua Caotang, Zhi Huangzhao gave this poem to Daoguang Yanwei (Daoguang Thirteenth Year, 1833). In the poem, it can be seen that He Shaoji purchased Weng Fanggang's poetry manuscript from Liuli Factory, and the person who sold the poetry manuscript at that time did not know the preciousness of this manuscript, so he abandoned the poem manuscript in the "broken coffin" and was purchased by He Shaoji with the incorruptible value of "one gold". And selling books in The Liuli Factory, I don't know the name of Weng Fanggang, also known as Yiqi.
Regarding weng Fanggang's posthumous affairs, the "Yuandu Lu Diary Notes" quotes Ye Chang's diary of Ding Hainian (Guangxu Thirteenth Year, 1887) on the fourth day of the first month of February: "The sheep beauty thorn Shi Lai, the seal incense comes, show the Weng Book obtained yesterday, all think that it is a fake Dingye." Yu Yu saw no less than dozens of kinds of books in Su Zhai, such a volume of more than 5,000 words, the beginning and end of the book, and the book was written by the age of eighty-four, the structure is rigorous, has reached the old age, how can others look like. Yu Chu suspected that such a special thing, its straightness is particularly incorruptible, should not be exiled to the market, and now it is known that it is abandoned by the skin lovers. Can it be left to Persia when it meets Persia early? Ju Pei bluntly said that Weng Shu was a "special thing", and the envy of the flowers fell on the people's homes, and the words were fully revealed.
However, with the great name of the Weng family, its old things are actually scattered in the market with a low value, and the treasure hunters are happy to cherish the secrets, but it is inevitable that there is a general feeling of common sorrow, at least in my reading, it is always a taste. Ye Changchi's "Diary of Yuandu Lu" is worthy of being one of the "Four Great Diaries of the Late Qing Dynasty", which records many facts that are not contained in his books, such as the "Diary Notes" in the ugly year (Guangxu fifteenth year, 1889) in the first seven diaries of Weng Fanggang's posthumous events, which makes people feel quite sad to read:
The Bone Dong family holds more than ten old Zha Tong, there is a book by Jiang Litang Xiangguo and Qin Xi's son-in-law, Hanlin, which describes qin xi's posthumous events in great detail, because the record is as follows: Re-enlightened, Qin Xi's master Shangyuan Qianshang still sent a hand to show, did not intend to return to Daoshan, in terms of Wen Wangshou examination, there were no regrets, but the door Zuo Zero Ding, only five years old grandson, especially pitiful. After the brother heard the letter, he had a thin hand, and the place where he would fund every year thereafter belonged to the Wu Chao Song Taishi of our relatives, and met ru shi and mother, and learned in detail. ...... Although Wen's internal affairs are like the master's mother,000, the outer furniture is the manager of Liu An. Liu Benyuan was born in soap, it was difficult to rely on, and when the former teacher was there, such as the puppet drama Nanzi singing and singing, there were several times in January, and although he lost his life several times, he could not avoid it. The fourth sister-in-law is very miserable, in fact, the monthly rent is quite a lot (I don't know how many), and the manager is not suitable, and must hand over the internal affairs to the fourth sister-in-law, and the outside is replaced by Liu An, which can be a long-term plan. According to my brother, if this is the case, it is not false. The door of the thief is very small, and there is no expectation of strong relatives, although there are many people under the door, they are rare and smell family affairs. Grandpa Ge may not be able to avoid resentment. ...... All my master's life's work was in books and stones, and there were many scrolls and tablets in his collection, and his life works were engraved and unpublished. At this time, the Liuli factory store household business was chained and retailed, and it was particularly sighing, hoping to store them properly for inspection and inspection, make two books, store them in a dignified place, and hand them over to the fourth sister-in-law for storage, and dry them once a year to avoid losses.
After Ye Changzhi recorded this note, he also said: "The name of the fifth-year-old grandson referred to in this letter is Yingda, and even if qin xi's legacy is ruined for his husband and wife. At this point, Weng Fanggang's life's work has been lost, and the often believers will eventually gather and disperse!