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Zhang Xin: The calligrapher and painter traveled east to Japan from Yun Shouping and had a profound influence on the painting world of the Edo period

author:Jiangsu Shiqu Baojian
Zhang Xin: The calligrapher and painter traveled east to Japan from Yun Shouping and had a profound influence on the painting world of the Edo period

Zhang Xin (清) was originally named Kun,Qiugu (秋谷), and after his name was changed, he changed his name to Qiugu (秋谷), a fisherman from Xiling, a native of Renhe (present-day Hangzhou), and a native of Wu County (present-day Suzhou, Jiangsu). When I was a child, I loved to draw, often all night long, all night, without stopping.

Zhang Xin: The calligrapher and painter traveled east to Japan from Yun Shouping and had a profound influence on the painting world of the Edo period

Middle-aged cross-sea tour to Ryukyu and Japan. In the forty-sixth year of Qianlong (1781), he visited Nagasaki and had a profound influence on the Japanese painting scene of the Edo period. Good at writing flowers, setting beautiful colors to get the method of Nantian, unfortunately lack of leisure interest. According to Kao Zhang Xin, Zhang Kun is an alias of Zhang Kun. Writing flower specialist Yun Shouping, the book is similar. During the period of the signature Autumn Valley, more ink bamboo was painted, and after the change of the word Autumn Valley, more colored flowers were used.

Zhang Xin: The calligrapher and painter traveled east to Japan from Yun Shouping and had a profound influence on the painting world of the Edo period

Floral lake stone vertical shaft ink silk

Plutonium Seal: Zhang Xin, Qiu Gu, Xiling Angler. Inscription: The flowers outside the wall bloom in the evening, and the new cool into the cup. Autumn light is full of sentences, leaving the poet to take the second cut. Akitani pen.

Zhang Xin: The calligrapher and painter traveled east to Japan from Yun Shouping and had a profound influence on the painting world of the Edo period

Fragrance Vertical shaft colored silk book

Plutonium Seal: Qiu Gu, Zhang Xin, Appreciate the Conscience. Title: The green sleeves are jagged and the color is new, and the ridge ridges are old and the clouds are embraced. Boundless business is thick and full of pearls. Six out of the vomit, the wind is fragrant from afar. Trees like Tianzhu Forest, people in Qionghua Pavilion. Qiu Gu Zhang Xin was seventy years old and three.

Zhang Xin: The calligrapher and painter traveled east to Japan from Yun Shouping and had a profound influence on the painting world of the Edo period

Spring flowers bloom Vertical axis coloring paper

Seal: Zhang Xin, Qiu Gu, Yuan. Inscription: Peach bamboo old legend of the blue sea, bamboo peach now see The Vermilion Column. The fragrance of spring solstice can be far apart, and the flowers and leaves in autumn are different. The sparse bushes are different hairs, and the mirifi is knotted. I don't believe that a thousand years can bear fruit, and I am wrong to suspect that bamboo is waiting for the roost. Akitani Zhang Xin.

Zhang Xin: The calligrapher and painter traveled east to Japan from Yun Shouping and had a profound influence on the painting world of the Edo period

Clear flowers and clusters (two paintings) vertical axis ink/colored paper

1. Plutonium printing: Zhang Xin, Qiu Hub. Inscription: After the group of fangs shakes, there are forest ponds in color. Imitation of the text to be written in zhao, autumn zhang xin.

2. Plutonium printing: Zhang Xin, Qiu Hub. Title: The fighting wind has a red wisp, and the moon is silent and green. Fa Baiyang Mountain people penmanship, Autumn Hub Zhang Xin when the age of seventy two.

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