"There is no time for vines and flowers, and ten thousand flowers bloom at once." This is the wisteria in the Tang Dynasty Bai Juyi's pen.
It is the season when wisteria flowers bloom, and large bunches of purple flower spikes hang from the branches, which are brilliant and prosperous, which is amazing. In the Qing Dynasty, Yun Nantian inscribed wisteria painted with the sentence "Purple mushroom hanging group silk, treasure tent fluttering". In fact, in the creation of calligraphy and painting, wisteria seems to have gradually flourished from the Qing Dynasty, which is not unrelated to the pursuit of the taste of gold and stone in painting at that time, especially in modern and modern Wu Changshuo, Qi Baishi, etc., with its bone strength to form the peak of wisteria flower freehand.
The "Forbidden City Flower Letter" column of The Paper, Ancient Art, presents wisteria collected by the Palace Museum and the National Palace Museum in Taipei.
Wisteria Surging News Photo
Qing Yun Shouping "Fish Algae Diagram" axis
Qing Yun Shouping "Fish Algae Diagram" Axis Collection of the National Palace Museum in Taipei
Yun Shouping (1633-1690), first name Ge, character Shouping, character line, also character Zheng shu, alias Nantian, No. 1 Baiyun Waishi, Yunxi History, Dongyuan Ke, Chao FengKe, Higashino Relic, Caoyisheng, Yokoyama Woodsman. Jiangsu Wujin people. In his early years, Yun Shouping learned to paint landscapes from his uncle Yun Xiang (a landscape painter of the late Ming Dynasty), taking Wang Meng, Huang Gongwang, and Ni Zhan from the Fayuan Dynasty, and going back to Dong Yuan and Ju Ran. After middle age, he turned to painting flowers and birds and insects. He drew creative experience from the works of Shen Zhou, Sun Long and others in the Ming Dynasty, and then referred to the literature of painting history to create a boneless flower painting method that "imitated Xu Chongsi of the Northern Song Dynasty", and even took Xu Chongsi as the sect, taking the strengths of each family and greatly developing boneless painting. The flowers painted are rarely outlined, colored and rendered in ink, with subtle brushes, neatly painted, bright and concise, and full of fun. Yun Shouping's artistic creation has his own original artistic insights, and he declared in "Nantian Painting": "When laymen talk about painting, it is easy to set colors, and it is extremely difficult to render." He also said: "The Song Fa is depicted without change, because of the portrayal, the magic is in the reference and there is no obstacle, the practitioners regard it as qi and two, and the world is confused..." This is to say that the Song painting is neat, the yuan painting is freehand, and the two should be referred to in order to enter the magic.
Qing Yun Shouping "Fish Algae Diagram" Axis (Partial) Collection of the National Palace Museum, Taipei
Qing Yun Shouping "Fish Algae Diagram" Axis (Partial) Collection of the National Palace Museum, Taipei
This painting has the self-title of Yun Shou Parallel Book: Purple Weeping Group Silk, Treasure Tent Fluttering. Nantian Ke Yun Shouping sketching.
Qing Yun Shouping 《紫藤》
Qing Yun Shouping "Wisteria" This page is selected from the "Painted Flowers" volume, the collection of the National Palace Museum in Taipei
Qing Yun Shouping "Xianglin Purple Snow Map" fan page
Qing Yun Shouping "Xianglin Purple Snow Map" Fan Page Collection of the National Palace Museum in Taipei
The fan page has a self-title: "Xianglin Purple Snow, Yunxi Shouping." "Yin Shou Chu " Blow Wan " Zhu Wenyin, "Gardener" Bai Wenyin. He also asked himself: "Spring twilight Donggao Garden Pool, enjoy the vines and flowers in the sky, purple clouds fluttering, good wind blowing incense, falling Ying colorful, real wonders also." Write a branch of the play for entertainment. "钤"寿平" white text seal.
This picture has the same name as the Wisteria painting fan (the year model "壬戌", Yun Shou is usually 50 years old) in the Nanjing Museum, and the painting style and calligraphy style are similar, so it is inferred that this painting without a creative year should also be yun's later years. This is a sketch of the scene, and the author suggests the invisible wind and the poetry of "good wind blowing incense" by painting the fluttering form of wisteria. The clear colors of the whole picture and the skillful brush strokes show the author's keen observation and painting skills that are proficient in detail.
Qing Li Li "Pine Vine Diagram" axis
Qing Li Li "Pine Vine Diagram" Axis Collection of the Palace Museum
Li Li (1686-1756), zi zongyang, futang, alias chagrin Daoist, Mo Moren, born in the twenty-fifth year of the Qing Kangxi Dynasty (1686), died in the twenty-first year of Qianlong (1756), Xinghua of Yangzhou Fu, Jiangsu Province, the sixth grandson of Li Chunfang, the chancellor of the Ming Dynasty. Qing Dynasty painter, one of the "Eight Monsters of Yangzhou". In the fifty years of the Kangxi Dynasty, Kangxi was summoned to the inner court for the fifty-third year, and his court craftsmanship was very accomplished, and he was forbidden to leave his post because he did not want to be bound by the "orthodox" painting style. Qianlong served as the governor of Teng County, Shandong Province, for three years, and won the hearts of the people, and he was deposed because he offended his superiors. Later, he lived in Yangzhou and sold paintings for a living.
Li Gonggong poetry calligraphy and painting. He studied painting with Jiang Tingxi and Gao Qipei. Later, under the influence of Shi Tao, he was good at flowers, bamboo stones, and pine cypresses, and in his early years, his painting style was meticulous and rigorous, and he was quite legal. The middle-aged painting style began to change, turning into a thick brush stroke, swinging and spicy, full of momentum, and had a great influence on the late Qing Dynasty flower and bird paintings.
Pine cypresses were a very common subject in ancient painting, while those painted specifically with pine trees and vine flowers were very rare. Li Li is very fond of themes such as pine vines, and there are many "pine vine pictures" shafts that have been handed down, and the composition is similar, but the picture inscriptions and details are slightly different. This painting is self-aware: "Rambling at the bottom of the snake, who can start alone in the world." Pines are covered with greenery, and vines are more and more flowery by climbing high. Yongzheng wrote in October of the eighth year of Yongzheng. "Plutonium" Li Peng" and "Futang" are two sides of india.
In the eighth year of Yongzheng, that is, in 1730, Li Li was 45 years old. In August of that year, he was given a second opportunity to enter the court, but he did not blindly imitate the ancients and engage in neat and rigorous painting because of pleasing the rulers, but with his own painting ideals. In October, he created this "Pine Vine Diagram". On the screen, the old pine stem is wrapped with tufted vines, the composition is exquisite, the color is light and elegant, the pen is vigorous, the ink is splashed, and the dye is random, but it is not messy, and it has a sense of wholeness. He is especially good at using water, and the picture is as wet and fresh as when he first finished painting. It is a representative work of Li Qi's freehand painting, which reflects his painting style of expressing his temperament as his personality.
Qing Jiang Tingxi 《紫藤》
Qing Jiang Tingxi "Wisteria" This painting is selected from the "Imitation of Song People Flowers and Birds" collection of the National Palace Museum in Taipei
Jiang Tingxi (1669-1732), also known as Youjun and Yangsun, Nansha, Xigu, and Qingtong Jushi, was a native of Changshu, Jiangsu, an official, painter, philologist, and bibliophile during the Kangxi and Yongzheng periods of the Qing Dynasty. Brother of Jiang Chenxi, governor of Yungui. Jiang Tingxi was a kangxi priest in the forty-second year (1703) and was taught Hanlin to edit. After the Yongzheng Emperor ascended the throne, he successively served as a waiter in the Ceremonial Department and a Shangshu in hubu. In the sixth year of Yongzheng (1728), he was a scholar of Wenhuadian University, and still served as the head of the household department and served as the president of the Ming History. In the following year (1729), he was crown prince. Accumulate a first-class Adahahafan. Yongzheng died in 1732, with the nickname "Wensu".
Jiang Tingxi had a great reputation for taking care of the government and eliminating accumulated shortcomings in the official and impartial government. Erudite and sensitive, especially good at poetry and painting. Good at flowers and birds, sketching with yi pen, odd positive rate work, applying color halo ink, both a painting, can be natural and harmonious, the wind god is vivid, and the charm of Yun Shou Ping is obtained.
This book is self-titled: vine flower cage purple mist, ghost bird sitting in the spring wind. Pro Xuan and Ben. Unitary.
Qing Fei Danxu 《Wisteria Hydrangea》
Qing Fei Danxu "Wisteria Hydrangeas" This painting is selected from the "Flower Painting" volume, collection of the National Palace Museum in Taipei
Fei Danxu (1802-1850) was a Painter of the Qing Dynasty. Zi Zi (字子苕), nicknamed Xiaolou (小楼), also known as Huan Xisheng (桓溪生), HuanZhu Sheng (环渚生), a native of Sanbei Township and Changfang , a descendant of Changfang , was a native of Wucheng (present-day Wuxing District, Huzhou, Zhejiang Province) in Wucheng ( present-day Wuxing District , Huzhou , Zhejiang Province ) . Fei Danxu is famous for painting ladies, working on landscapes and flowers, and is known for his qingling elegance.
The author of this painting is self-titled in cursive: Purple Jade Song Turning Spring, Crystal Curtain Roll Moon Tuan Luan.
Qing Ren "Painting Wisteria" into a fan
Qing Ren Xiong 《 Flowers Four Screens 》
Qing RenXiong "Four Screens of Flowers "Wisteria Axis", collection of the Palace Museum
Ren Xiong (1823-1857), zi Wei Chang, Yi Zi Xiangpu, No. Giving Up, Zhejiang Xiaoshan people, a famous painter in the late Qing Dynasty, one of the representative figures of "Hai School" art, Zhejiang Xiaoshan people. His paintings had a great influence on the "Maritime School" and modern Chinese painting.
When Ren Xiong was a child, his family was poor, and he learned to paint portraits with a school master, and later lived in Suzhou and Shanghai to sell paintings for a living. Wandered to Ningbo. He lived in the Fanhu Caotang of his close friend Zhou Xian for three years, and met the famous literati Yao Xie, who studied painting at his home "Dameishan Pavilion" and was deeply impressed by the Song dynasty.com. Ren Xiong is an all-rounder in painting, with figures, flowers, landscapes, feathers, insects and fish, and animals. Chen Hongshou, the emperor of painting, together with his brother Ren Xuan, his son Ren Pre, and his nephew Ren Yi, were collectively known as the "Four Ren on the Sea", and together with Zhu Xiong and Zhang Xiong, they were collectively known as the "Three Bears of Shanghai".
"Four Screens of Flowers" is composed of four paintings: "Oleander Chicken Diagram", "Peach Willow Double Swallow Diagram", "Wisteria Diagram" and "Ammonite Diagram". The content of the work is based on nature and the style is realistic.
The axis of "Wisteria Diagram" has no author's print on this page. A wisteria hangs lightly next to the lake stone. Wisteria is made of indigo, bright and moving, beautiful and elegant, while the lake stone is rendered with large pieces of ink, without outline, and the vertical and horizontal ink color presents the moist appearance of the southern lake stone. The composition of this work is the most exquisite of the four screens. The beauty of the lake stone in the world is the Taihu stone as the most, and the Taihu lake stone is leaky, transparent, thin and wrinkled as the best product, and the lake stone in this painting should leak and penetrate. The wisteria hidden behind it is still faintly visible, and its looming beauty makes people think of it. This work is the most exquisite of the four screens.
Qing Liao Yunjin "Vine Luotu" fan page
Qing Liao Yunjin "Vine Luotu" Fan Page Collection of the Palace Museum
The fan page has a self-title: "Nongzi Qiuzhong wrote for Meizhou Brother." Weaving clouds. "Plutonium" Jinyun " Zhu Wenyin.
This picture shows a colored flower that combines work and writing. The vines of the wisteria extend from right to left, the bunches of vine flowers are dyed with purple without pen marks, the leaves are first hooked and then dyed, the color is light and light, the pen is slender and neat, paying attention to the performance of the leaves yin and yang to the back, and each leaf has a three-dimensional sense. His painting style is stripped of the worldly customs, and he sees xiuya in Yanli, and he reveals a clear posture in powder and ink, and he is self-explanatory, which is beyond the reach of ordinary learning.
QingXugu "Wisteria Goldfish Diagram" axis
Qing Xu Gu "Wisteria Goldfish Diagram" Axis Collection of the Palace Museum
Xugu (1823-1896), a painter of the Qing Dynasty, one of the four great masters on the sea, has the reputation of "the first painting garden in the late Qing Dynasty". Commonly known as Zhu, the name Huairen, the monk's name is vain, the character is virtual valley, alias Ziyang Shanmin, Tired Crane, room name Jue Fei An, Gubai Caotang, Thirty-Seven Peaks Caotang. He was born in Xin'an (present-day SheXian County, Anhui) and lived in Guangling (present-day Yangzhou, Jiangsu). The first General of the Qing Army fought against the Taiping Army, and he was touched, and later became a monk. Landscapes, flowers, animals, birds, especially squirrels and goldfish. He is also good at photography and works under the letter. The painting has a beautiful interest, fresh color, vivid shape, cold brush, unique style. The temperament is lonely, and those who do not get along deeply cannot get their pieces of paper.
This picture depicts several goldfish swimming comfortably during the blooming season of wisteria flowers. The wisteria goldfish in the Void Valley are all titled "Purple Silk Gold Chapter". The so-called "Purple Silk And Golden Chapter" comes from the sentence "Xiang Guo, Xiang Xiang, All Qin Officials, Golden Seal Purple Silk" in the Book of Han. Such paintings are deeply loved by the people for their auspicious meaning of official and noble. The flowers and leaves of the wisteria in the picture are directly dyed with color, and the full moisture shows its fresh vitality. The vines are represented by intermittent and frustrated flanks, and the pen is broken and the air is connected, forming a elegant pen and ink charm. The form of the goldfish is concise and exaggerated, although it is made of red colored grass, it does not lose its moving interest. This picture shows the author's unique artistic charm in a clean and cool style.
Department: "Purple Gold Medal." Write to lord Fang Bo. Void Valley. "Plutonium" Virtual Valley" Zhu Wenyin.
Qing Wu Changshuo "Wisteria Diagram" axis
Qing Wu Changshuo "Wisteria Diagram" Axis Collection of the Palace Museum
Wu Changshuo (1844-1927), a native of Anji, Zhejiang. The character Changshuo, also known as Cangshi, alias 缶庐, bitter iron, also signed broken lotus, old miao, big deaf, after the age of seventy to line the word line. Good poetry calligraphy and painting seal carving, calligraphy is best at shigu text, painting from Zhao Zhiqian to yangzhou eight monsters, fushi Shi Tao, bada, Chen Chun, Xu Wei. Yun used gold stone calligraphy into the painting, and the influence on future generations was extremely profound.
This picture is made by Wu Changshuo in 1905 when he was 62 years old, and it is the last of the four screens of flowers. Paragraph: "On August 8, 1905, Anji Wu Junqing was promoted to the Thirteen Peaks Grass Hall." 钤 "Seal of Wu Jun". Painted vine leaves are leaning in the air, like dragons and phoenixes dancing. The rattan coils and curls back, and the stones are wrapped several times. The author skillfully uses wild grass-like brushwork, flying fast, in one go. At the same time, this painting does not paint shapes, and pursues the aesthetic interest of calligraphy. As he said to himself: "Cursive writing makes grapes, and the pen moves away from the dragon", and he also said: "Linfu stone drum Lang Jie pen, play for Youlan a photo" and so on. This style of painting with books in painting has a profound impact on the creation of modern Chinese painting.
In addition, the tu shi mo is thick and calm and vivid, and the composition is informal, and it is clever in setting up the layout. The vivid brush and ink give the wisteria vitality, and the painting situation it shows fully confirms the inscription poem: "The purple jade of the rich and the beautiful, the strip is good spring." The flowers grow well and the painting hall is full of flowers. "The poetry.
Qing Wu Changshuo "Wisteria" axis
Qing Wu Changshuo "Wisteria" Axis Collection of the National Palace Museum in Taipei
Qing Wu Changshuo "Wisteria" axis (partial) Collection of the National Palace Museum in Taipei
This painting is written with bold brushwork Wisteria, and the vine branches and leaves are twisted and oblique, intertwined, and almost become a wild grass of flying ink. And the gesture is firm, the ink color is thick, and the branches and leaves are full of spirit, which is the work of his eighty-one years old in his later years.
Qing Wu Changshuo Pu Hua cooperated with the "Wisteria" axis
Qing Wu Changshuo Pu Hua cooperated with "Wisteria" axis, Collection of the National Palace Museum in Taipei
Wu Changshuo cursive title: counting poles to repair bamboo window screens, plum rain at the beginning of the sunny sunset oblique. Boat shell There are pearl vines that can make up the house, and it is a summer flower. Make a pudding strong summer flower. Because of the end of the play and it. Guangxu 癸卯 (1903) a few days after the end of the sun rain window. Wu Junqing. Old Man.
Modern Chen Shizeng "Wisteria Diagram" axis
Modern Chen Shizeng "Wisteria Map" Axis Collection of the Palace Museum
The upper right side of this painting is self-titled: "Brother Shu kang ren mr. Ya Zheng." Chen Hengke, who repairs water in the summer. "Plutonium" decay" seal. "癸海" refers to the twelfth year of the Republic of China (1923).
This figure belongs to the "safflower ink leaf" drawing method. The vine rose flower is a common courtyard plant in traditional Chinese houses, which has both flowers and dense leaves for people to enjoy, and has a strong shade to cool off. During the blossom season, strings of lilac flowers hang from between the leaves, and the color is faint and the aroma is striking. The biggest feature of chen shizeng's wisteria flower is his composition. Paintings that show vines usually highlight their sagging feeling, so they often place flower branches at the upper end of the frame and the lower part of the void. Chen Shizeng did the opposite, the composition was concentrated on the bottom, and the upper end echoed with a small number of flowers and branches to achieve the balance of the picture. The powerful brushwork shows the strength and strength of the old vine.
In modern times, Chen Shizeng "Vine Rosebird Diagram" axis
In modern times, Chen Shizeng "Vines and Plovers" axis Collection of the Palace Museum
The left side of this painting is self-titled: "Wisteria hanging weeping wood, flowers and vines in the spring." Dense leaves hide birds, and the fragrance leaves beauty. Chen Hengke. "Plutonium" chen decay" seal.
The picture shows wisteria flowers and partridges (i.e. myna birds). The flowers are luxuriant, the dots and dyes do not pay much attention to the brushwork, and the ink and color blend together, blending into one. The myna bird is accurate in shape and has a vivid and natural appearance. Chen Shi once painted and paid attention to sketching, believing that it is not possible to detach from the physical object, but also not to stick to the physical object, and pursues the realm of "not being separated from the object", "not being similar", and "entering the law and being outside the law".
Modern Qi Baishi "Painted Vine" axis
Modern Qi Baishi "Painted Vines" Axis Collection of the Palace Museum
Qi Baishi (1863-1957), name Huang, character Pingsheng, number Baishi, Baishi Weng, Lao Bai, also known as Ji Ping, Lao Ping, Borrowing Mountain Weng, Qi Da, Mu Jushi, Three Hundred Stone Seal Rich Man, etc. A native of Xiangtan, Hunan, he lives in Beijing and enjoys calligraphy and painting. At the age of 15 (1878), he learned carpentry and was good at carving flowers, and was known as a "shiba carpenter". At the age of 25 (1888), he began to learn calligraphy and painting, learn poetry, engrave seals, and work as a painter to paint portraits for people. After the age of 40 (1903), he traveled to the north and south five times, writing scenes anywhere, and became 52 paintings of "Borrowing Mountain Atlas". After the age of 60 (1923), he settled in Beijing and made a living selling seal engravings and paintings. He was once a professor at the Beijing Art College, and under the influence of the contemporary calligrapher and painter Chen Shizeng, he abandoned his old habits and switched from the freehand flowers and birds with Xu Wei, Bada, and Shi Tao as the sect, to the "Red Flower and Green Leaf School" founded by Wu Changshuo, that is, the flowers and birds paintings with large freehand and colorful colors. It also works with ink shrimp, crabs, fish, frogs and other aquariums, which are vivid and vivid, and have wild interest. The brush grass worm matches the freehand flowers, and the combination of work and writing is seen in the atmosphere. Landscape composition is unique, not following the convention, talking about the general idea. Engraving is especially able to single-handedly, magnificent, and become a family. After the founding of the People's Republic of China, he served as the chairman of the Artists Association and a deputy to the National People's Congress, and in 1956 he won the Peace Prize of the World Peace Council, and he continued to paint in his 1990s.
(This article is compiled from the relevant materials of the National Palace Museum and the National Palace Museum in Taipei.) ）