Kuomintang Honorary Chairman Wu Boxiong's calligraphy was exposed, and the pen and ink have been inherited, netizens: Good people in Taiwan
Today, I would like to talk to you about the calligraphy of Wu Boxiong, the honorary chairman of the Chinese Kuomintang. First of all, it needs to be said that Wu Boxiong has made important contributions to the development of cross-strait relations and is a respectable figure. When talking about Wu Boxiong's calligraphy, it is easy to discern a problem from it, that is, the root of the essence of Wu Boxiong's calligraphy.
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There is no problem, Wu Boxiong's calligraphy is based on Wang Xizhi of the Jin Dynasty, and he learned Tang Kai's work of using pen and ink. Wu Boxiong's calligraphy is full and elastic, and he is good at using different brushstrokes such as center and side striker, so that his works present a rich texture and layering.
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Wu Boxiong's calligraphy is rigorous and varied. Wu Boxiong is good at using traditional knotting rules, such as the "Yongzi Eight Methods", etc., so that the structure of his works presents a harmonious and unified beauty. At the same time, Wu Boxiong is also good at making appropriate innovations and adaptations to the traditional knotting rules according to his own aesthetic concepts and creative needs, so as to make his works more personalized and expressive.
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Wu Boxiong has extensively dabbled in the calligraphy works of famous masters of the past dynasties, and has deeply studied the characteristics and rules of his brushwork, knots, and chapters. In Wu Boxiong's calligraphy works, often reflect the traditional virtues and spiritual outlook of the Chinese nation, it can be said that Wu Boxiong's calligraphy is the product of the precipitation of national culture, no wonder some netizens said that Wu Boxiong is a good person in Taiwan's political arena.
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