It's been 6 years! Xu Zheng Ren Suxi's incident proves that there are three worse things happening in the mainland film industry

6 years ago, on the stage of the variety show "I Am an Actor", after Ren Suxi's performance, he came to reveal his true feelings.

With tears in her eyes, she said:

"Why am I here? I see a lot of good scripts, but they don't come to me. ”

"I want more people to know about me, I can play well, you can trust me. ”

Xu Zheng, the mentor in the audience, also seemed to be moved, and he responded with a serious face:

"In fact, it's not that there are no good actors, but that there is a fallacy in the crew's selection criteria. ”

In the end, he also said a special word to Ren Suxi:

"Spring has arrived for a good actor!"

When Xu Zheng said this, his eyes were full of affection and a little red, and he could see that he was really distracted.

Later, in the 15-in-9 qualifying match, he also used the repechage card in advance, so that Ren Suxi, who was absent from recording due to illness, directly advanced to the semifinals.

Although Han Xue won the championship in the end of this season's show, she did not make too many waves.

On the contrary, it was Ren Suxi who really ushered in a turnaround.

has just been eliminated here, and the new film "Nobody" starring her over there has exploded in word-of-mouth, and the box office has soared all the way.

And Xu Zheng's prophecy of "a good actor is in spring" seems to have received the loudest response from the audience.

Objectively speaking, Xu Zheng's words at that time could be called a heart booster, loud and inspiring.

Everyone believes that a great change is coming.

It's just that 6 years have passed, and his words have gone from deafening at the beginning to gradually being drowned in the hustle and bustle of the world.

Today, it is rarely mentioned or even forgotten.

In the past six years, the Chinese film market has won 232.3 billion box office, but under this gorgeous figure, there is not much aftertaste.

Looking back on the past 6 years, a series of changes that have taken place in the entertainment industry are even more emotionally complicated.

01, the "third person" who didn't show up

The conversation between Xu Zheng and Ren Suxi 6 years ago ostensibly happened between the two.

In fact, if you look closely, there is a "third person" hidden.

Let's turn our gaze back to that stage again.

After Ren Suxi completed a performance to conquer the scene, he confided in his heart, hoping to get a chance.

She did cry, but more often than not, she begged.

To whom to beg?

This person is not an audience member in front of a television set, nor is he a few mentors sitting on stage.

It's the capital behind the scenes and the big people who have the right to speak.

Especially her expression, "I want to tell them that I acted well" and "You can trust me", which is almost a public shout.

After directly pointing out the "third person", the atmosphere on the stage also changed a little.

After that, Xu Zheng's speech was somewhat critical.

He directly said the chaos in the industry at that time when actors were not selected based on acting skills.

At that point in time, Xu Zheng was indeed the most qualified to say this.

In the summer of this year, "I Am Not the God of Medicine" starring him was released, which dropped a bombshell on the Chinese film and television industry, where idol stars are popular.

And in addition to Xu Zheng in the film, several other young actors have given top-level performances.

Before this, these actors were either unpopular or abandoned by capital.

So in the context of that year, the phrase "the spring of a good actor has arrived" is like a declaration of resistance, which is enough to make people's blood boil.

The general public also believes that the chaos in the entertainment industry is really coming this time.

02, Xu Zheng, who personally participated in this change, did his prophecy come true?

To some extent, Xu Zheng was only half right.

On the one hand, the spring of good actors is coming.

Taking 2018 as the time node, in the past 6 years, there have indeed been many good actors who have shined.

For example, Zhang Yu.

He is well-known to everyone with the yellow hair in "I Am Not the God of Medicine", and then starred in "The Nameless", "Calm Waves", "Siberian Tiger" and other important works.

Later, he was favored by Zhang Yimou and starred in "Sniper".

For example, Zhang Yi.

He is not popular, but he will usher in an outbreak in 2020.

Within a year, "Eight Hundred", "My Hometown and Me", "One Second" and "King Kong River" were released one after another, among which "King Kong River" he overwhelmed Wu Jing.

That year was known as the "Year of Zhang Yi", and Zhang Yi successfully became a first-line movie star.

and Yu Hewei.

In 2017, he starred as Cao Cao as a god in "The Alliance of Military Divisions", and since then he has been out of control.

The same is true for Lei Jiayin.

In 2018, "Living Together in Time and Space" sold 903 million, proving her box office appeal.

In 2020, a "The World" will be out of the circle, and Lei Jiayin will be on the fast track.

During this year's Spring Festival, he starred in "Hot and Hot" and "Article 20" one after another, and became a "professional male household".

And, of course, Zhang Songwen.

No one knows about acting for ten years, struggled to almost 50 years old, and finally waited for spring.

But on the other hand, the spring of a good actor comes a little short.

After spring, a new chaos has emerged.

03, who is responsible for the three major new chaos that have emerged in the past 6 years?

Chaos 1: The "Twenty-Eight Law" has become more serious

In the past 6 years, the above new acting schools have indeed become the sweethearts of the film and television industry.

They have become the new darlings of capital, and the scripts handed to them are like snowflakes.

Even if many dramas are delayed, they have to wait for their schedule.

This is certainly not a bad thing.

But from another point of view, in fact, a kind of "monopoly" has been formed.

The audience will also sigh that their acting skills are good, but why are they always these people over and over again?

And a large number of "waist actors" who also have good acting skills can still only "find a pot to eat".

These actors also don't know when their spring will come.

At the same time, for those top actors, a large number of similar scripts and characters are also "squeezing" their creativity.

For example, Zhang Yi has played too many policemen in the past few years, which will inevitably make the audience aesthetically tired.

The audience misses him very much in "Soldier Assault", "My Regiment Commander, My Regiment", "Mountains and Rivers", "Dear", and "The Murder Chaser".

The same problem is Hui Yinghong.

Hui Yinghong has never married in her life, and she gave her love to the show.

In the past few years, she has bloomed for the second time in the mainland, but after receiving a large number of plays, her performance has become more and more stylized.

In recent years, she has become a "professional family of bitter mothers".

The lonely widow in "I Love You!", the mother who lost her daughter Lin Shu'e in "Save the Suspect", and the grandmother who lost her granddaughter in the recent "Splendid Her".

The characters are similar, the performances are similar, and the audience will inevitably have something to say.

It is conceivable that Yu Hewei, a "handsome uncle professional", Lei Jiayin, and Tang Yan, a "sweet sister professional", will also encounter similar problems.

Chaos 2: Capital has changed to new means

The idol star "dove occupies the magpie's nest" is the main obstacle to the inability of good actors to come in spring.

The source behind it is still capital.

However, in the face of the public's dissatisfaction, the shouts of the actors, and the reality of the dismal ratings of idol dramas, capital has not "changed its past".

In the past few years, they have quickly found a new path - old drama bones with small fresh meat.

Although Xiao Xianrou can't take the lead, it still has a specific audience, so capital retreats to the next best thing and adopts the method of "old with new" to harvest two waves of people at the same time.

Earlier, Tony Leung took Wu Moumou in "European Raiders", and Shu Qi took Lu Han in "Shanghai Fortress".

Later, Jackie Chan also began to bring the old with the new, in the past he brought Nicholas Tse and Wu Yanzu, and now he brings Yang Yang, Allen and Guo Qilin.

Up to now, Shen Teng has taken Fan Chengcheng in "Flying Life 2", Hui Yinghong has brought Liu Haocun in "Splendid Her", and Zhang Songwen has Yao Anna in "Ice Hunting".

If the audience wants to enjoy the performance of the acting school, they must endure the presence of the newcomer.

Chaos 3: Newly Floating "Two Dark Clouds"

Why do these good domestic actors obviously have good acting skills, but they bring less and less touch to the audience?

They couldn't do it because there were a few dark clouds in the sky in the past few years.

A dark cloud is called a remake.

Remakes are a shortcut, with low investment and quick results.

In just the past year, "Disappearing Her", "Super Family", "It Doesn't Seem to Be So Enthusiastic", "Priceless", "Hot and Hot", "Splendid Her" are all remakes.

Domestic films have become the hardest hit area for remakes, and Wang Hailin suggested last year that the competent authorities should restrict remakes, but they still can't stop this trend.

In the coming April, Japan's "Bottom Spice Girl" will be remade by us again, and the Korean drama "My Uncle" will also be remade.

China's "remake universe" is becoming bigger and stronger.

Another dark cloud is called formula creation, which is a little better than a remake.

Chinese are good at exams, can make formula crosstalk, and naturally can also shoot formula film and television works.

This phenomenon is especially prevalent in the TV drama industry.

Take the hot search hotspots as the backbone, and the bottom line to please the audience as the soul.

Such a thing bets on all the test points of the market and can capture the taste buds of most of the audience.

It can't help the development of China's film and television industry.

When the work lacks originality and creativity, those good actors can only dance in shackles.

I can't see the relaxation and lightness required for performance, and all that is left is chicken feathers.

If the clouds do not disperse, how can spring be called spring?

In fact, in the final analysis, the root of all problems lies in Xu Zheng and Ren Suxi's "third person" in the field.

They are still influencing the aesthetic direction of the times.

There is never a shortage of good actors in the film and television industry, nor is there a shortage of good screenwriters and ambitious directors.

Only by giving them really enough trust will the spring of good actors, and even the spring of the film and television industry, really come.

It's time for a change.

Text/Pippi Film Editorial Department: A chicken

© 原创丨文章著作权:皮皮电影(Badianying)

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