In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
author：The flower god under the moon
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui's performance is collapsed, squeezing eyebrows, skimming his mouth, glaring, too contrived, the performance has no sense of layering, and the thick bangs and the sense of clumsiness. He has no sense of CP with the heroine, and there is no sense of couples that emit souls. Cp sense is also a metaphysics!
Huanrui failed in the casting of the male second this time, the male protagonist is for the female protagonist to love, the male second is for the audience to love, but this male second audience can not love. Why doesn't Huanrui find a small piece of fresh meat as a man's second to hold it. I feel that the eyes of the signed artists of the Huanrui family are not good! Yu Zheng's eyes are good, Yu Zhengxuan's I like it so much, whether it is Chen Xiao or Xu Kai, it is my dish.
This drama is destined to burst into flames, there is no sense of surprise, and the acting skills of the male and female protagonists are stable. The most important thing about TV roles is to let people have a desire to discuss, and the male second has almost no black people on this appearance acting, how can this be discussed?
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
In the TV series "Agarwood Like Crumbs", the male second is doomed to not be able to hold the beauty. In this play, Zhang Rui performs to pull down, squeeze eyebrows, skim his lips, stare, too contrived, the performance has no sense of layering, thick Liu
