The most beautiful ten "Meet and Rejoice": since the spring is unconsciously biased

The word "Meet and Greet",

The most famous is Li Yu's sentence:

Don't be the general taste in your heart.

Today's introduction of the most beautiful ten "Meet and Greet"

In the middle of the sorrow, life is varied,

Since the spring comes and goes, I don't feel partial to it.

"Meet and Greet"

[Southern Tang] Li Yu

Lin Hua thanked Chun Hong, too hurried.

Helpless to come cold rain late wind.

Rouge tears, stay drunk, when heavy.

Since people grow up to hate water and grow east.

This word is a model of instant lyricism, on the surface it is a farewell to the spring, but in essence it is a deep lament that "people grow up to hate water and long east".

This kind of sadness is not only a lyrical feeling of frustration, but also a regret that covers the life common to all mankind, and a sigh that integrates and condenses countless painful life experiences.

"Meet and Greet"

[Song] Zhu Dunru

Jinling City on the West Building, leaning on the Qingqiu.

The sunset is falling, and the river is flowing.

The Central Plains are chaotic, the hairpins are scattered, when will they be collected?

Try Qian's sad wind blows tears, through Yangzhou.

During the Jing Kang Rebellion, Fenjing fell and the Second Emperor was captured. Zhu Dunrucang fled south to Jinling, and finally gained a temporary respite. This poem was written by him who lived in Jinling and climbed to the West Gate Tower of Jinling City.

The whole word is written from the stairs into the title, from the scene to the lyric, showing the lyricist's strong pain of subjugation and profound patriotic spirit, which is deeply moving.

"Meet and Greet"

[Qing] Naran Sex de

Falling flowers like dreams, musk smoke,

It was sunset again that was diving down the small building west.

Infinite sorrow, exhaustion, who knows?

Idle teach the jade cage parrot to read Lang poems.

This is a "grievance word" that describes a woman in the boudoir thinking of people. The poem is written so subtly that naran doesn't even tell the reader directly who the protagonist of the word is.

The whole word seems to be a lot of broken pictures, and the reader needs to put them back together in his mind to form a complete story.

"Meet and Greet"

[Qing] Zhang Huiyan

Every year negative but flowering! In the spring,

Only arrange for sorrow to send spring return.

Plum blossom snow, pear blossom moon, total acacia.

Since the spring comes and goes, I don't feel partial to it.

This is a spring poem, which adopts the method of direct lyricism and lyricism of borrowing objects.

The first sentence, "Nian Nian", reveals a feeling of self-blame, because of missing the beautiful spring light, so it is always full of sorrow, and the second and third sentences further strengthen this melancholy.

The next film uses two pictures that symbolize spring scenery, plum blossom snow and pear blossom moon, to render the feeling of cherishing spring. The beauty is always fleeting and makes people nostalgic. So he lamented the ease of spring light, "since spring comes and goes unconsciously", the feeling of hurting spring and regretting the time reaches its peak.

"Meet and Greet"

【Qing】Gu Cai

The autumn wind blows to Jiangcun, and it is dusk.

Lonely sycamore night rain does not open the door.

A leaf falls, counts the horns, breaks the soul,

Tomorrow I will try to see the cry marks on my clothes.

This song is written in autumn night acacia.

Sycamore night rain, autumn wind leaves, several sounds of painting horns, want to break the soul. The concluding sentence "Tomorrow I will try to see the cry marks on my clothes" implicitly reveals the love of love. The whole word is lingering and elegant, elegant and natural.

"Meet and Greet"

[Song] Xiang Zizhen

Taoyuan deep closed spring breeze. It's hard to believe.

The flowing water is still hateful, and when is it poor.

Water is uncertain. Flowers are exhausted. Will meet.

But man grows up and is separated.

The difficulty of Jing Kang changed the lives of many Song Dynasty poets, who were sad about the country and worried about politics, but they had no choice but to be sad for a while, only to hate and leave.

"Meet and Greet"

[Southern Tang] Li Yu

Wordlessly go up to the West Building, the moon is like a hook.

Lonely sycamore deep courtyard lock Qingqiu.

Cutting continuously, rationalizing is still chaotic, and it is sad.

Don't be the general taste in your heart.

"Meet Huan, Wordless alone on the West Building" is a famous passage by Li Yu (doubtful) of the Southern Tang Dynasty, the word plate is called "Meet and Greet", but it is a parting sorrow. This was done when the author was imprisoned in the Song Dynasty.

The confusion and sorrow in the words is just an episode after the end of his court life, because he had already surrendered to the Song Dynasty at that time, and what is expressed here is the pain of his leaving his hometown and going to the country.

This song is real in feeling, deep and natural, breaking through the style of writing "women's language" in a beautiful and slippery tone, and is the pioneering work of the early Song Dynasty.

"Meet and Greet"

【Kim】Jin Song Nian

Clouds idle at night. Pan burnt incense.

A section of oblique river pine chrysanthemum, thin and fragrant.

People are like hooves, pianos are like jade, and the moon is like frost.

A song of Qing shang characters, two forgetfulness.

This poem describes the scene of drinking with friends on autumn nights, its biggest feature is lyrical without showing traces, the surface looks pure to write the scene, does not say anything about the world, and describes the external display of Xiaoyun Jufang in a white depiction, but in fact, The Xianyun Songju shows the realm of Tao Yuanming.

"Meet and Greet"

Hairy

Ten years of lake and sea flat boats. A few sentimental.

White-haired green lights tonight, not autumn.

Atrium tree. Empty order rain. Think about it.

Lonely lifelong thoughts, five more heads.

Ten years of drifting in the rivers and lakes, how much sorrow, tonight the white-haired poet facing the green lamp, a life of lonely things, to today's five more heads, can only mourn alone.

"Meet and Greet, A Touch of Distant Peaks"

[Qing] Naran Sex de

A touch of clouds, cold dissolved,

It is exactly the same as the personal dawn thrush.

Red wax tears, green aya quilt, water sinking,

But with the Yellow Maoye shop listen to the west wind.

The poem uses the lyrical technique of borrowing scenery, describing the moth eyebrows depicted by the wife in the early morning when she dresses up, and the imaginary wife's lonely and miserable scene. It expresses the poet's helplessness about his military career and his longing for his wife.