Text/Lu Ming Editor| Swallow Photo | Network
"Liaozhai" is heterogeneous, so most of them involve ghosts and foxes or supernatural behavior. But this exception is more like a note written in the actual situation, or a true report about a military general. Of course, the wit and wisdom of Sima Wang and the heroic style reflected in the works have a kind of magic in it.
A thousand pounds of large knives, no matter how strong people are, they can't pick them up. Guan Gong is brave enough, his big knife, that is, eighty-two pounds. Lu Zhi was strong enough, and his Zen staff was sixty-one pounds. Wang Sima jian built a large pole knife weighing thousands of pounds. His idea was not to play with the knife, but to confuse the enemy with a large knife - deliberately putting the jack-of-the-box knife in front of the line and making the enemy misjudge its weight. Here, however, a knife with the same appearance but much lighter is played around on the horse, making the enemy mistakenly think that he has extraordinary strength, and making the enemy feel frightened. Of course, this story is written in the era of cold weapons, if it is a modern war, aircraft missiles are used, and the big knife can not scare people. Moreover, people now have more scientific knowledge and are no longer superstitious, and if someone takes such a heavy knife to coax people, they will not be able to coax them. However, what we need to look at is not this specific problem, but the military strategy reflected through this incident, or Sun Tzu's art of war: soldiers are not tired of deception!
Sima Wang set up a reed fence as a boundary and called it "this Great Wall of China". In the face of a strong enemy, how heroic it is to regard the unshakable reeds as a strong Great Wall! In fact, this is still Sima Wang's strategy to confuse the enemy. When the enemy pulled down the reed fence and burned it, and reed the reed fence was reed, Sima Wang had people bury gunpowder cannon stones under the reeds, and when the enemy soldiers burned the fire, the cannon stones exploded, causing serious casualties. Is this method a random response developed by Sima Wang according to the situation, or did he have a complete set of strategies at the beginning? I think it is a complete set of strategies, which have long been planned! You see, after building the reed fence, Sima Wang "threatened" that this was his Great Wall. The first three times the enemy burned the reed fence, he did not bury the gunpowder cannon stone, and only buried it until the fourth time, precisely so that the enemy could relax his vigilance and be deceived.
Strategy is the magic weapon for defeating the enemy, in all fields, especially militarily. Sima Wang used strategy, talked and laughed, toyed with the enemy between the palms of his hands, achieved his own heroic name, and formed a mighty power over the enemy, so he was over eighty years old and was also sent by the imperial court to the border pass to preside over the military plan. The prestige is there, lying down can scare the enemy. It is precisely because of his presence that the enemy avoids him and does not dare to act rashly.
Cover up the taste, the image of Wang Sima is tall, this tall, from his wisdom!
In fact, Wang Sima in this novel is a real historical figure. His real name was Wang Xiangqian, and Ji Yu was his name, a native of Xincheng (Huantai, Zibo, Shandong). Wang Xiangqian was born in the twenty-fifth year of Ming Jiajing (1547) in a family of eunuchs, and his grandfather and father were both jinshi and ministers. He himself won the township examination in Longqing for four years, and in the fifth year of Longqing (1572), he was appointed to The Zhi County of Wenxi County. Wang Xiangqian served twice as the Shangshu of the Bingbu in the 40th to 42nd year of the Wanli Calendar and the first year of the Apocalypse. In ancient times, the Bingbu Shangshu was called Sima (司馬), so Wang Jiyu was called Wang Sima in the Liaozhai (辽斋). He guarded Jiliao for many years, ruled the army well, threatened the nine sides, and returned home in the autumn of the forty-second year of the Wanli Calendar. In the forty-seventh year of the Wanli Calendar (1619), the Fourth GongbaoFang was built in Huantai, which is said to be the handwriting of the calligrapher Dong Qichang. Later, due to the troubles on the border, he was appointed governor at the age of 83, and Chongzhen died in the third year (1631). Some people say that it is precisely because of Wang Jiyu's resourcefulness that the borders around Xuanda and Jiliao during the Ming Dynasty's Tianqi and Chongzhen years were stabilized during his "twenty years in Jubian Town".
The famous military director of the Ming Dynasty did have the deeds of Weizhen Border Pass, and his hometown Huantai was very close to Zichuan, where Pu Songling was located, so Pu Songling could hear the legendary stories about him, and also had the enthusiasm to record his deeds into literary works.
In this way, this article belongs to the category of "documentary literature". This article, through the account of Wang Xiangqian's story, expresses the appreciation of the resourceful military generals. Since Wang Xiangqian is a native of Shandong, it can be said that he expresses his admiration for his ancestors and contains a sense of pride in "Shandong is a good man".
Dandelion original text:
Sima Wang
When Sima Jiyu, the king of Xincheng, was north of the town, he often made the craftsmen cast a large knife, which was wide and heavy. At each edge, four people carried it. When the halogen book stops, it is placed on the ground, so that the northerners can catch it, and it is indispensable to shake it. Sima Yin used paulownia wood as a knife, no different in width and narrow size, pasted with silver foil, and danced at once, and the tribes saw it, and they were all shocked. He also buried the reeds outside the border as a boundary, slanting more than ten miles, like a fence, and threatened: "This great wall is also." "The northern soldiers arrived, and they pulled out and burned." Sima ignored it again. Even though the three fires were fired, they were ambushed by cannon stones, and the northern soldiers burned thinly, and the medicine stones were exhausted, and many people were killed and injured. Having fled, Sima Set Thin as before. The Northern Soldiers looked at each other from afar and left, so as to obey the gods. After Sima begged for his remains, he was stuffed with the police. Summoned again; Sima Shi was eighty-three years old, and his majesty resigned. Shang Wei Zhi said: "But annoy Qing Lying down to cure the ear." So Sima fu to the side. Everywhere you stop, lie in the middle of the curtain. The northerners did not believe Sima Zhizhi, and because of the false discussion of peace, they would test the truth and falsity. Opening the curtain, seeing Sima Tan lying down, they all looked at the bed and bowed, and retreated with their tongues.
Author: Lu Ming, male, born in 1960, pen name Yellow River into the sea. Retired cadre of Yuncheng County CPC Committee, Chairman of Yuncheng County Writers Association, President of County Poetry Society. He is a member of the Shandong Writers Association, the vice president of the Heze Poetry Society, a special researcher of the Shuihu Culture Research Base of Heze University, and a scholar of historical and cultural research in Yuncheng County. He has published more than 100 essays, more than 20 novels, and more than 1,000 poems and poems in various newspapers and online platforms such as Guangming Daily, Shandong Literature, and Times Literature, of which HezeFu was published in Guangming Daily. He is the author of six cultural books, including "Zhengyu Water Margin", "Impression of Water Margin", "Exploration of Good Han Culture", "Yuncheng Literature and History Examination Strategy" (three volumes), and the chief editor of "Selected Literary Works of Yuncheng", "Yuncheng Wenyun", "Water Margin Biography", and "Water Margin Wine Story" four works. In Heze TV, he lectured on the thirteenth issue of Water Margin Culture.
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