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Mo Yan's hard pen words are really well written, as for the poems, some "magic"

On April 4, 2022, Nobel Laureate mo Yan released a poem "The Red Moon That Night" on his public account. Mo Yan also posted a handwritten manuscript, from which it seems that Mo Yan's hard pen writing is really good, and he has some skills.

The picture comes from the Yan public account

This work, written last year, should be a "poem", after all, it was written in a branch. Moreover, some parts still rhyme, which should be poetry. Moreover, the title of the article is "Poems to Mothers", which further confirms that this is a poem.

Mo Yan's hard pen words are really well written, as for the poems, some "magic"

The image comes from the Internet

This poem reads very "really", Mo Yan himself also recited this poem, and the following comments are basically the word "moved". But, come to think of it, there's something "questionable" about it. One is the "red moon", when is the moon red? The rising moon, that is, yellow, right? Unless there is a lunar eclipse, the moon may be red, it will not be so coincidental, right?

Perhaps Mo Yan wanted to use this "red" word to set off the atmosphere and deepen the yellow color into red. Perhaps through the eyes of "I", I saw red, showing my "despair" and "dying". "Red Moon" is indeed considered a sign of inauspiciousness, literary creation, and not documentary sketching, well.

Mo Yan's hard pen words are really well written, as for the poems, some "magic"

The second is "pus blood splashed on her clothes", this pus blood will "splash"? Could it be on the arteries? Some people may say that Li Bai also said "three thousand feet of white hair", but the poet can't exaggerate a little? Well, we think that Mo Yan just wants to show off that kind of "pain" and "danger".

The third is "fireflies flying", which contradicts the "bleak autumn wind" in front of it. We all know that fireflies belong to summer, "in the bleak autumn wind", fireflies will not appear. How could the poet remember "fireflies flying"?

Mo Yan's hard pen words are really well written, as for the poems, some "magic"

Writing poetry can be exaggerated and polished, but "true" is still the premise. Li Bai's "three thousand white hairs" is indeed exaggerated, but it is true that there are white hair. "Flying down three thousand feet" is an exaggeration, but there is indeed a "flying stream straight down".

And in the "bleak autumn wind", there is a "red moon", and "fireflies are flying", "pus blood splashing on her clothes", which is really not real enough. This cannot be called an exaggeration, but only a fiction. Or to borrow people's evaluation of Mo Yan's novel, it is somewhat "magical".

Mo Yan obviously loved his mother very much, and mentioned her many times, including when he won the Nobel Prize in Literature, he also told his mother's story. Indeed, there is no greater person in the world than a mother. But to celebrate the greatness of maternal love, "truth" is the best way.

Mo Yan's hard pen words are really well written, as for the poems, some "magic"

Although Mo Yan was known for writing novels, he also often wrote poetry. His "Yandang Mountain" was carved into the mountain stone, and his "Dumpling Song" won the China Long Poetry Award, and he was the headline poet of the February 2022 "Selected Poems".

But as far as Mo Yan's "Red Moon that Night" is concerned, it is full of affection, but it is really not "true". It is estimated that Mo Yan is after all writing novels, and "fiction" has become accustomed to nature. But when writing poetry, fiction may affect the embodiment of "poetry", and even make people feel "false".

And this song "The Red Moon That Night" is very detailed and explains things very clearly. Therefore, if it is not divided, it is likely to be regarded as prose, or even a short story. This is actually a common problem of modern poetry, what is the difference between poetry and prose? Many people are "stupid and can't tell the difference".

For now, the biggest difference between poetry and prose is whether they are separated or not. This formally coercive distinction can only be said that modern poetry has not yet been "independent", or that modern poetry has "gone astray" and is moving towards prose culture. Of course, this is not a problem of Mo Yan, but a problem of modern poetry.

Mo Yan's hard pen words are really well written, as for the poems, some "magic"

To be honest, I really didn't expect that Mo Yan's hard pen writing was so good. There are also Mo Yan's brush characters on the Internet, but it can be said to be completely different from this hard pen character, as if it comes from different hands of two people. And Mo Yan also has his own "Mo Yan manuscript" special paper, which is also a treatment that is difficult for ordinary people to have.

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