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Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential

Calligraphy Course

See pen and ink | Reach the heart

You can't go a long way without this king

The cultural core | Chinese calligraphy | The highest art

Heavy | The learner is unsurpassed: the pen edge can hide the sharp edge of the paper, and there is a majestic potential

Republic of China Yan Kai giant Tan Yanmin's "Selected Inkblots of Shuzha".

Tan Yanmin (1880-1930), Zizuan, Fearless, Cut Zhai, Hunan Chaling people. Together with Chen Sanli and Tan Si, he was also known as the "Three Princes of Huxiang". Born in Hangzhou, Zhejiang, he was a famous politician, calligrapher and founder of Xiangcai in the Republic of China period.

Tan Yanmin's words are also like his people.

Its calligraphy points are like falling stones, paintings are like Xia Yun, hooks are like Qu Jin, Ge is like a crossbow, vertical paintings are mostly used in hanging needles, the starting pen is calm and steady, and the setbacks are powerful, making people feel that they are rich in bones and strong in taste. A cleansing of the first book world posture, those who are insufficient, less of their own faces.

His calligraphy skills are profound, the changes are dexterous, the pen is in the center, the pen edge can hide the sharp edge on the paper, and there is a majestic momentum, although it is a former Qing jinshi, but its calligraphy has no feminine atmosphere of the pavilion. It is another person who wrote the yan body after Qian Feng in the Qing Dynasty, and is known as "the Republic of China so far, and the learners of yan are unsurpassed".

Tan Yanmin's style of writing has changed several times.

When he was weak, he studied Zhao Songxue and Liu Shi'an, and then studied with Faru Gongxing Kai Zhimu, and also learned Dongwu (Yang Zhao) and Song Zen (Weng Tonggong).

At the age of 30, he studied Yanshu, participated in Qian Nanyuan's penmanship, and took "Magu XianTan" as a daily lesson, and obtained 220 passes in his life. Tan's "Records of the Immortal Altar of Magu" is full of sharpness, majestic and strong, resembling Qian Nanyuan, and the strokes are thicker, and its majesty is even worse than Qian's, and the upright atmosphere jumps on the paper. Its structure is solemn and exquisite, like the sage arching in the temple, which is deeply rooted in its essence and is admirable. He wrote Yan characters advocating "not letting go up and not letting go down, and leaving not letting go of right" and "not letting go of the left"

In addition to tan's study of lu gongshu, it flooded hundreds of families, and was also involved in seals, and after the age of 40, he lived in Guangzhou, and was everywhere in the ancient Fa Ti. Extremely indulgent, the study of life and calligraphy has changed greatly. Tan Yanmin once used xingkai to visit the homes of ancient theories such as Huang Valley, Su Dongpo, Mi Xiangyang, Zhao Songxue, Wenheng Mountain, Zhuzhi Mountain, and Dong Qichang. Tan Linti is fast, the work of strokes, and the people are like it.

Since Yan Zhenqing's book was criticized by Minang Palace, it has not been taken very seriously, and the three generations of the Song, Yuan, and Ming dynasties did not produce a person who was good at writing Yan body. The early Qing Dynasty was basically the world of Dong Qichang's calligraphy. It was not until liu shi'an (liu yong) in the middle of the Qing Dynasty and later Qian Feng, He Shaoji, Weng Tonggong and others that Yanshu was revived. However, most of the calligraphers of the Qing Dynasty still wrote cursive writing, and the seal was also quite good, but the rules and regulations were still rare. Qian Feng is a famous artist of the time, learning yan characters to be interesting, and the weather is muddy. However, when the horizontal and vertical are straight, the display plate is hard, and it is not as clever as Lu Gong's. Even so, in the field of contemporaries and later generations, Qian Feng was rarely matched. The calligraphy can show the real kung fu, one painting at a time, a slight deviation, and you can see it at a glance. And Tan Yanmin is especially famous for his Yan Ti Kai book. Tan Yanmin can be said to have been attacking Yanshu all his life. Tan Yan min shan poetry association, the list of books, the fly head xiaokai are very exquisite. Calligraphy works have both artistic and cultural relics values, and most of the domestic folk collections are concentrated in Hunan.

The huge stone stele in the pavilion of the sun yat-sen mausoleum on the mountainside stele reads "The Chinese Kuomintang buried the premier Mr. Sun here" in two huge golden characters, which is Tan's handwriting.

When Tan Yanmin was young, his calligraphy was appreciated by Weng Tonggong, who wrote to Tan's father: "Sanlinglang, Wei Jiye!" The pen can be carried. Mr. Yu Youren always said when he talked about calligraphy: "Tan Zuan has real skills. Ma Zonghuo commented on his book: "The group nunnery imitated Liu Shi'an in his early years, and in middle age, he specialized in The Qiannan Garden and the Weng Song Zen family, and the late Mi Nan Palace, with strong bone strength, can be described as a strong pen." His book is to fuse Liu Shi'an and Qian Nanyuan into one furnace. The plumpness and roundness of its dot paintings resembles a stone temple, while the vigorous, broad and loose body and imposing place resemble the South Garden. Tan Yanmin was born as a scholar, entered the Hanlin Academy, and had a rich education, thus forming his own broad and gentle, implicit spiritual, and strong and open rhyme, which is said to be a hundred learning can not be reached.

Tan Yanmin seal appreciation

Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential

Tan Yanmin's "Sick Poems"

Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential

Tan Yanmin's "Letter to the Father of the Mountain"

Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential

Tan Yan Min Shuzha

Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential

Tan Yanmin's "He Zhao Zhai" book

Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential

Tan Yanmin's "Gift of Heavenly Hidden Poems"

Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential
Heavy | learners are unparalleled: the pen edge can hide the sharp edge of the paper, and there is a majestic potential

Tan Yanmin's "To The Book of The Book of Akira"

Calligraphy Discover the beauty of the heart

Thinking of thousands of years, seeing through thousands of miles, the heart travels to ten thousand miles, and the eight poles are exquisite

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