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Qian Feng Kai Shu Four Screen Ink Flower Notes

author:East China Sea calligraphy and painting
Qian Feng Kai Shu Four Screen Ink Flower Notes
Qian Feng Kai Shu Four Screen Ink Flower Notes
Qian Feng Kai Shu Four Screen Ink Flower Notes
Qian Feng Kai Shu Four Screen Ink Flower Notes
Qian Feng Kai Shu Four Screen Ink Flower Notes

Interpretation

If the farm serves the field, there is also autumn. Therefore, the people's livelihood is diligent, and the diligence is not poor, and the hardships of the prophets are easy, so the gentleman can work and continue. Sleepy school chronicles.

Qian Nanyuan's calligraphy and paintings are just like his people, just and upright, standing up to the heavens and the earth, and among the literati of the Qing Dynasty, they were able to take the lead in staying away from Dong and Zhao and vigorously advocating Yan Kai. His writing, with his pen thoughtful, grand momentum; especially the Yan body works, written with ink full of energy, full of vitality, bright and upright, the brushwork is subtle and thick, familiar and clumsy, clumsy and flavorful, seems to be effortless, naturally, do the Lu Gong divine essence, look at the reincarnation of Zhenqing from afar, and the plain is reborn in the near view, so that the style of writing in the middle of the Qing Dynasty has changed.

After that, Xie Lansheng, Tang Jinzhao, Weng Tonggong, Zhao Guyi, Qingdaoren, Hua Shikui, Zhu Zumou in the middle and late Qing Dynasty... Tan Yanmin, Tan Zemin brothers since the Republic of China, and Tan Shu, daughter of Yan Min, Jia Jingde... And so on, all through Qian Nanyuan, re-understanding Yan Zhenqing, and creating a broad and thick style of writing.

This painting is on the extremely rare and precious Qianlong Imperial Gift "Bright Yellow Pastel Depiction Silver plus Five-Clawed Cloud Dragon Pattern Royal Powder Wax Note", and a difficult study note is written in Yan body italics. Forty-five words, quite profound, is different from the simple copy of the shallow, lonely, boring, and unlearned style of today.

Nanyuan chose to copy this rule, one is to promote the indoctrination of persuasion, hard work, and no escape; the other is to show the way of standing in the world and the position of ideological inquiry, which is closely related to the latest development of the philosophical trend of the times, and is by no means a dream that scribes can dream. Qing Dynasty scholars, from Zheng Gukou, Jin Dongxin, Zheng Banqiao to Zhao Zhiqian... Families, no matter how they are, can be self-propelled, create their own creations, and can also "intentionally" copy books. Contemporary scholars who only know how to copy books can face the predecessors and be ashamed.

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