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Fan Wenyang, male, born in 1965, ancestral home of Chongqing. In 1986, he graduated from the Fine Arts Department of Northwest Normal University, a full-time painter of the Gansu Academy of Painting, the president of the Chinese Painting Institute of the Gansu Academy of Painting, a national first-class artist, a member of the China Artists Association, a director of the Gansu Provincial Artists Association, a deputy secretary-general of the Gansu Provincial Chinese Painting Society, a vice president of the Gansu Overseas Chinese Federation Calligraphy and Painting Institute, a vice president of the Lanzhou Municipal CPPCC Calligraphy and Painting Institute, and a master tutor of the Academy of Fine Arts of Northwest Normal University.
The | 180cmx192cm
Angel of Light | 192x180cm
In Fan Wenyang's ink figure paintings, they look thick and simple and obscure, just like the old neighbors of the family many years ago, with the kindness and simplicity within reach. More importantly, the kind of spiritual power emanating from these little people in his writing is more and more unfamiliar or gradually missing by urban people at present. When people are far away from nature and trapped in urban forests made of reinforced concrete, few people can realize that they are getting farther and farther away from the truth. Because of this, Fan Wenyang's works can give people a sense of reality, and because of this reality, they evoke a certain emotion in people's hearts.
The Tibetan girl in the brand clothing store | 180x145cm
"Between Heaven and Earth" | 192x180cm
Fan Wenyang's ink paintings are based on traditional forms of expression, and through the expression of the current human living conditions to complete the construction of their own artistic language, in this process, he added a lot of Western painting in the performance of modeling techniques, which is a path that many contemporary ink painters are trying. But the rigorous side of his personality makes the work have a special tension in the solidity. In terms of technique, the fusion of Chinese and Western painting techniques in Fan Wenyang's works is a highlight, although he adopts Western forms of expression in the performance of space, but specific to the expression of the line and the degree of emphasis on pen and ink, he also inherits the essence of traditional Chinese ink painting, that is, the combination of calligraphy with pen and painting, as well as the unremitting pursuit of pen and ink meaning, which makes his ink figure painting have a special meaning.
The Holy Scriptures | 136cmx250cm
The fourth of heaven and earth | 136cmx68cm
Sanchi | 68cm x 136cm
Kelsang flowers bloom | 68cm x 136cm
Shangri-La | 68cm x 136cm
Dolma | 68cmx136cm
Dolma Ii | 68cm x 136cm
Dolma No.3 | 68cm x 136cm
The Twelfth Between Heaven and Earth | 136x68cm
One of the heavens and the earth | 192cmx180cm