Gao Mingzhu's artistic achievements stem from his decades of unremitting adherence, obsession and dedication to the art of calligraphy.
Gao Mingzhu was a mao calligrapher. Mao body calligraphy is derived from Mao Zedong's cursive writing, collecting the relics of thousands of years, collecting the strengths of hundreds of families, melting the law of the masses in one furnace, the world respects it as "Mao Body", its font is flying, the lines are smooth, the momentum is magnificent, and the dripping is smooth. Dashing and bold and wild without losing the law, dashing without losing the true merit, steep but not losing solemnity, with a strong historical atmosphere. Shimmering with the classic historical and cultural elements of the Chinese nation.
"Counting the Merry Characters And Looking at the Present Dynasty" "Wangyue Du Fu's Poems"
Gao Mingzhu concentrated on the study of Mao body calligraphy on the basis of inheriting the ancient sages, and the Mao body calligraphy style subtly edified Gao Mingzhu from the line of writing to reveal a simple and wild grass atmosphere. Judging from Gao Mingzhu's calligraphy works, he was started by the two kings, and the calligraphy was eclectic, the wildness of the grass and the hair, the rhyme of the two kings, the brushwork of the Minang Palace, the lively and flexible, and the flowing and handsome. Flesh and blood are plump, bone method madness can really be wei jin jian bold in the meticulous, handsome and smooth in the law, has formed its own book style in the accumulation of years and months of creation.
"Horizontal eyebrow cold to a thousand fingers bow down to the cow" "To be written for a thousand years through the fall of Shochiku four hours of dashing heart"
The reason why Gao Mingzhu's calligraphy resembles Mao's body is because the calligrapher has a good grasp of the colorful inner world of the Mao body creator and understands the connotation and emotion of Mao body calligraphy. In order to achieve the artistic realm of "book-person unity" with Mao's style of writing to a certain extent, his works can form a "spiritual communication" and achieve the artistic realm of "the unity of books and people". On the basis of practicing Mao calligraphy, he also practiced the calligraphy of Wang Xizhi and the famous masters of past generations for fifty years, working silently and never quitting the pond. In the practice of Mao body calligraphy, he diligently explored and formed an artistic style with strict layout, natural formation, refining and looseness, and vigorous and powerful. Gao Mingzhu's calligraphy is constantly improving, especially in the practice of calligraphy, he insists on taking root in life, speaking with books, learning from the past, and boldly innovating. Looking at Mr. Gao Mingzhu's calligraphy, from the perspective of running pens, using ink, layout, chapters, etc., the layout of his works is rigorous and not rigid, flexible and not messy, the grass is free to swing wine, and the ancient rhyme is long and rigid and soft. The pen and ink are varied, elegant and flowing, with both thick and vigorous energy and gentle and elegant love rhymes, inheriting tradition between the lines and newness outside the law. It truly achieves the unity of ideology, artistry and ornamentation, and can provide useful inspiration for other writers to create.
"Fu Ru Dong Hai" "Hou De Carrier"
Calligraphy is an outpouring of character, emotion, mentality. "Writer, Writer also". As the saying goes: "Words are like their people, and words are like their people." Sun Guoting wrote in the book score that "to reach its emotional nature, to form its mourning and pleasure." "Dashing and falling, Han Yi Shen fei". Gao Mingzhu is humble, straightforward and frank, refuses to follow the tide no matter what he does, and has a deeper understanding and understanding of society and life.
(Text/Kwon Hee-jun)