The scene of the event
On February 28, the Public Welfare Exhibition of Li Jing's Calligraphy, co-sponsored by the Fujian Provincial Association of Engraving Artists, the Shipping Administration Painting Academy, the Fujian Provincial Chuanxue Calligraphy and Painting Institute, the Fujian Xianzong Calligraphy and Painting Institute, and the Yuanbaozhai Institute, opened in Fuzhou. More than 100 people from all walks of life, such as calligraphy and painting artists and collectors from inside and outside the province, were invited to visit the exhibition, of which 40 works were subscribed for collection, raising a total of 120,000 yuan.
At the exhibition site, the reporter saw 60 calligraphy sketches created by Li Jing in the past two years, covering calligraphy, calligraphy, calligraphy, cursive writing, seal calligraphy, oracle bones and other calligraphy, Li Jing said that the 120,000 yuan raised will be used for 2022 Golden Autumn education and help front-line sanitation workers after deducting the cost of mounting and other costs.
Li Jing created on the spot
It is understood that Li Jing is now an advisor to the Fujian Provincial Sculpture Artists Association, the vice president of the Ship Administration Painting Institute, the executive president of the Fujian Provincial Academy of Calligraphy and Painting, the executive chairman of the Fujian Business Alliance Public Welfare Foundation, and a well-known art curator, calligrapher and painter, and public welfare person in Fuzhou. In the works exhibited this time, Li Jing integrates the art of calligraphy and philosophical thinking, like paintings and words, highlighting the simple and unpretentious spirit of calligraphy and the beauty of peace and tranquility, and comprehensively and systematically showing Li Jing's new explorations and new achievements on the artistic road in recent years for the first time.
On-site guests visit the works in the exhibition
Song Zhansheng, chairman of the Fujian Provincial Flower and Bird Painting Association and a famous painter, believes that Li Jing's calligraphy strokes echo clearly, the structure is staggered and vivid, the structure is rigorous, the characters are independent, and the whole text is neat and dignified. Chen Wenrong, president of the Fujian Provincial Association of Engraving Artists, said: "Li Jing's calligraphy style is clumsy and not coincidental, soft and rigid, wrapped in cotton and iron, taking the road naturally, clean and without fire, revealing the author's mentality of rushing and being safe. Chen Wenhan, a national first-class artist and famous calligrapher, said: "Li Jing's calligraphy is the result of practicing the mental method, not the rigid calligraphy that describes its appearance according to the ancient inscriptions." Yu Mengyan, a famous painter and professor at the Academy of Fine Arts of Fujian Normal University, said: "Through the words and lines, we can see that there is not only Li Jing's tenacity in riding China, but also the brilliance of absorbing the essence of tradition, and the confidence and calmness of his good deeds over the years, hoping that Li Jing will continue to write his own brilliant sky with a fierce posture and a diligent cultivation." ”