At that time, #Naying # mocked Daolang, and said that the people who listened to Daolang's songs were all migrant workers, so the question came, what was the status of Naying and Yang Kun in the Chinese music scene (here I don't say Wang Feng, because his status is indeed higher).
Yang Kun is a mainland pop singer-songwriter with a recognizable voice, who knows some of his own creations, and has several representative works of love songs. His kind of love song musicians have always been many in the Chinese music scene, especially in the Taiwanese music scene of the same era. For example, Zhou Chuanxiong, Adu, Tai Zhengxiao, Guangliang and Pinguan and so on.
Yang Kun believes that daolang's song level is too low, and everyone can compare Yang Kun with the Taiwanese musicians of the same era.
Na Ying was another so-called "love song diva" in the Mainland at the turn of the century after Faye Wong. Contemporaneous or slightly earlier Hong Kong and Taiwan divas have Lin Yilian, Zhang Huimei, Ye Qianwen, Chen Huixian, Chen Huilin, Li Wei, Rene Liu, etc. After 2000, Hong Kong is not good, and the Taiwanese music scene has Sun Yanzi, Liang Jingru, Xiao Yaxuan, Jolin Tsai, SHE, Tsai Jianya, Zhang Shaohan, etc.
Na Ying's "love song diva" is not to say that there is no weight, but it is not special in the Taiwanese music scene that can be mass-produced, as for the status of Wang Feng and Daolang, there will be opportunities to do analysis in the future. #八卦手册 #
