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Ren Yihua bird painting appreciation: there is no master after the Ming Dynasty, and the lyrical and interesting works are a must

In the whole field of traditional pen and ink painting, especially the traditional Chinese landscape and flower painting, they are also layered.

Good paintings always have to pay attention to one level of content. For example, the landscape paintings of the ancients are more about the mood content in the creator's heart, especially the expression of a certain realm of cultural understanding in his heart.

Ren Yihua bird painting appreciation: there is no master after the Ming Dynasty, and the lyrical and interesting works are a must

There are also flower and bird works, and now more is the creator's presentation of the painting level and painting skills. Compared with different works, the cultural background of each period is different, and the content presented to the viewer is also different.

Coupled with the viewer's deep understanding of the content, the expressiveness seen from different angles will be different.

Ren Yihua bird painting appreciation: there is no master after the Ming Dynasty, and the lyrical and interesting works are a must

Ren Yi's series of flowers and birds can be called the strongest representative works of late Qing painting. When Ren Yi was creating, he did not use the feelings of the mountains and the scenery, but only from the artistic perspective of his own creation, and then looked for the lyrical interest of flowers and birds.

Good works are like this, there is always a little that can be found out of the works by the viewer, and then "directly attack" your heart to impress you.

Ren Yihua bird painting appreciation: there is no master after the Ming Dynasty, and the lyrical and interesting works are a must

Ren Yi's series of works, unfortunately, was treasured in the Metropolitan Museum of Art in the United States, and also flowed out of the country during the Republic of China, but unfortunately, if everyone appreciates his works, they will go abroad.

Ren Yi's works have several characteristics that are different from the general painting masters, first of all, in the presentation of ink color, Ren Yi is unique, and integrates his creation of flowers and birds into the ancients' understanding of landscapes, especially the creativity of pen and ink, and the use of Tuan Ink is very clever.

Ren Yihua bird painting appreciation: there is no master after the Ming Dynasty, and the lyrical and interesting works are a must

This also reflects that when he was creating, there were not many small brushstrokes, but he could also present the lifelike feeling and flexibility of the bird.

Some people describe Ren Yi's works, and there are some brushwork of Bada Shan and Yun Nantian and others. But in the color of the picture, Ren Yi is particularly fresh, and the image of the animal is also lively and vivid. It has a poetic lyrical interest.

Ren Yihua bird painting appreciation: there is no master after the Ming Dynasty, and the lyrical and interesting works are a must

They are all good paintings and rare to see. If you want to talk about how high the artistry of Ren Yi's paintings is, at least after him, there are really few works that can match his, almost none.

With a simple way of moving the pen, the simple way of moving the pen paints a vivid bird, and this unique creative method is integrated into his love for life.

Ren Yihua bird painting appreciation: there is no master after the Ming Dynasty, and the lyrical and interesting works are a must

Netizen message: Considered a real genius painter, the calligraphy and painting circle has no grand situation in the late Qing Dynasty and the Republic of China period, and it cannot be compared. In today's painting world, there are people who are left to sell their reputation and gain false reputations, and the traditional pen and ink spirit has been lost, but it is a pity.

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